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Giant (1956)

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Sprawling epic covering the life of a Texas cattle rancher and his family and associates.

Director:

George Stevens

Writers:

Edna Ferber (from the novel by), Fred Guiol (screen play) | 1 more credit »
Reviews
Popularity
2,941 ( 984)
Won 1 Oscar. Another 6 wins & 15 nominations. See more awards »

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A weary gunfighter attempts to settle down with a homestead family, but a smoldering settler/rancher conflict forces him to act.

Director: George Stevens
Stars: Alan Ladd, Jean Arthur, Van Heflin
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Cast

Cast overview, first billed only:
Elizabeth Taylor ... Leslie Benedict
Rock Hudson ... Jordan 'Bick' Benedict Jr.
James Dean ... Jett Rink
Carroll Baker ... Luz Benedict II
Jane Withers ... Vashti Snythe
Chill Wills ... Uncle Bawley
Mercedes McCambridge ... Luz Benedict
Dennis Hopper ... Jordan Benedict III
Sal Mineo ... Angel Obregón II
Rod Taylor ... Sir David Karfrey (as Rodney Taylor)
Judith Evelyn ... Mrs. Nancy Lynnton
Earl Holliman ... 'Bob' Dace
Robert Nichols Robert Nichols ... Mort 'Pinky' Snythe
Paul Fix ... Dr. Horace Lynnton
Alexander Scourby ... Old Polo
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Storyline

Texan rancher Bick Benedict visits a Maryland farm to buy a prize horse. Whilst there he meets and falls in love with the owner's daughter Leslie, they are married immediately and return to his ranch. The story of their family and its rivalry with cowboy and (later oil tycoon) Jett Rink unfolds across two generations. Written by Col Needham <col@imdb.com>

Plot Summary | Plot Synopsis

Plot Keywords:

rancher | epic | texas | oil | rivalry | See All (344) »

Taglines:

From the novel by EDNA FERBER See more »

Genres:

Drama | Western

Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

24 November 1956 (USA) See more »

Also Known As:

Gigante See more »

Filming Locations:

Arizona, USA See more »

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Box Office

Budget:

$5,400,000 (estimated)

Opening Weekend USA:

$5,649, 22 September 1996, Limited Release

Gross USA:

$35,000,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound Recording)

Color:

Color (WarnerColor)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

The film has been homaged in several other movies, notably Robert Altman's Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982) and Kevin Reynolds' Fandango (1985), which features a group of students making a pilgrimage to Marfa to see what remains of the ranch house set. See more »

Goofs

When Jordan forces his son to ride his horse with him at a gallop, the child dummy is clearly slipping down out of the rider's grip as he comes to a stop. The immediate close-up has the child actor sitting perfectly erect. See more »

Quotes

Jordan Benedict III: [to Jett Rink] You insulted my wife, and you're gonna answer for it!
See more »

Crazy Credits

There are no cast and crew credits given at the end of the film. Just the words "The End" and a final slide for George Stevens and Warner Bros. See more »

Connections

Featured in Rock Hudson's Home Movies (1992) See more »

Soundtracks

Little Brown Jug
(1869) (uncredited)
Music by Joseph Winner
See more »

Frequently Asked Questions

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User Reviews

 
The limits of good intentions
4 March 2014 | by gsygsySee all my reviews

By the time the vital theme of racial intolerance reaches its climax in this plodding melodrama, the audience has endured three hours of stilted dialogue and overblown acting. The film's most dynamic performers are either gone too soon (Mercedes McCambridge) or come too late (Dennis Hopper) to compensate for its morass of mediocrity (Hudson) or ineptitude (Dean). Elizabeth Taylor, enduring some of the worst ageing make-up ever seen in a seriously-intentioned Hollywood movie, somehow emerges with her dignity intact.

It's difficult to make a picture convincing when its story has to traverse as many years as GIANT. SHOWBOAT, also from a Ferber novel, has the same problem. It does, however, have songs to save it. No such luck here. Attempts by composer Dimitri Tiomkin to give grandeur to what's on offer do the reverse: the harder he works, the worse it gets. This is particularly sad when considering William C. Mellor's outstanding photography - by far the greatest pleasure that GIANT has to offer.

It doesn't give me any joy at all to write so disparagingly about a film which deals with such important issues as envy, greed, pride and intolerance. Director George Stevens was clearly a humane man who brought a great sensitivity to his work - his previous movie was, after all, the lean and unpretentiously powerful SHANE. Unfortunately, with GIANT, the intractability of his source material and the unevenness of his cast defeated his good intentions.


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