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Giant (1956)

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Sprawling epic covering the life of a Texas cattle rancher and his family and associates.

Director:

George Stevens

Writers:

Edna Ferber (from the novel by), Fred Guiol (screen play) | 1 more credit »
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Popularity
3,637 ( 560)
Won 1 Oscar. Another 6 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
Elizabeth Taylor ... Leslie Benedict
Rock Hudson ... Jordan 'Bick' Benedict Jr.
James Dean ... Jett Rink
Carroll Baker ... Luz Benedict II
Jane Withers ... Vashti Snythe
Chill Wills ... Uncle Bawley
Mercedes McCambridge ... Luz Benedict
Dennis Hopper ... Jordan Benedict III
Sal Mineo ... Angel Obregón II
Rod Taylor ... Sir David Karfrey (as Rodney Taylor)
Judith Evelyn ... Mrs. Nancy Lynnton
Earl Holliman ... 'Bob' Dace
Robert Nichols Robert Nichols ... Mort 'Pinky' Snythe
Paul Fix ... Dr. Horace Lynnton
Alexander Scourby ... Old Polo
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Storyline

Texan rancher Bick Benedict visits a Maryland farm to buy a prize horse. Whilst there he meets and falls in love with the owner's daughter Leslie, they are married immediately and return to his ranch. The story of their family and its rivalry with cowboy and (later oil tycoon) Jett Rink unfolds across two generations. Written by Col Needham <col@imdb.com>

Plot Summary | Plot Synopsis

Plot Keywords:

rancher | epic | texas | oil | rivalry | See All (344) »

Taglines:

Leslie Lynnton--whether you loved her in the open or hid it inside you--you hungered... See more »

Genres:

Drama | Western

Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

24 November 1956 (USA) See more »

Also Known As:

Gigante See more »

Filming Locations:

Arizona, USA See more »

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Box Office

Budget:

$5,400,000 (estimated)

Opening Weekend USA:

$5,649, 22 September 1996, Limited Release

Gross USA:

$35,000,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound Recording)

Color:

Color (WarnerColor)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

The massive painting seen on the set of the Benedict home is now in the Menger Hotel in San Antonio, Texas. It has hung in several spots in the original 1800s section of the hotel. See more »

Goofs

When Luz II puts in her request for a private phone, the position of her right arm changes between long and close shots. See more »

Quotes

Bick Benedict: You all think that the glory happened here in the East, don't you, with Valley Forge and Bunker Hill? Do you know about San Jacinto? Have you heard about the Alamo?
See more »

Crazy Credits

There are no cast and crew credits given at the end of the film. Just the words "The End" and a final slide for George Stevens and Warner Bros. See more »

Connections

Featured in Hidden Values: The Movies of the Fifties (2001) See more »

Soundtracks

Oh Susanna
(1846) (uncredited)
Music by Stephen Foster
See more »

Frequently Asked Questions

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User Reviews

 
A Majestical, Awe-Inspiring Masterpiece
19 February 1999 | by Jeffrey WangSee all my reviews

What can I say? George Steven's Giant is a prototype for what a classic epic film should be like. It takes time to develop its two main characters, and it does a good job of examining the social milieu and environment (Texas) that the characters inhabit. Rock Hudson's performance reminds me of Richard Burton's in the underrated Joseph Mankiewiek's film Cleopatra, and indeed, there are many parallels (which I won't go into) between Rock Hudson's character and Marc Anthony. Similarly, Elizabeth Taylor's character in Giant (radiant and wonderful as usual) resembles Cleopatra in many ways. One can argue that Giant is the story of Anthony and Cleopatra transported to Texas. And it's almost heartbreaking to see James Dean in his last performance. . . the flow of generations, the gaps between the older and the newer generations, the passing on off dreams by ancestors, the influence of the dead on the living, tradition versus modernity, the lasting and ever-changing nature of love. . . these are all issues which Giant addresses eloquently and majestically. Oh, and there is a ten-minute section in Giant which has got to be one of the best cinematic passages I have ever seen. In this passage, without the use of and sound or music, George Steven's portrays death and rebirth through the generations. . . it's nothing short of astonishing!


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