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Gaby is a ballet dancer in 1944 London who happens to bump into a corporal Greg while rushing to catch the bus. Greg is mesmerized by Gaby and goes to the ballet to see her on stage, but Gaby is French and wants nothing to do with Greg. But he persists and by the end of the day, she agrees to marry. But before they can marry, there is a mountain of red tape and Greg ships out while promising to marry Gaby on his return. When she hears that he has been killed, she makes herself available to anyone who would want her.Written by
Tony Fontana <firstname.lastname@example.org>
While everyone in "Gaby" is beautiful and fascinating,except for Taina Elg, one can see this movie being cast differently. It should be said 1940's "Waterloo Bridge" was so perfect it didn't need remaking. However if M.G.M. felt the need to do so a more appropriate cast would have been as follows; Moira Shearer in the Vivien Leigh role, Stewart Granger in the Robert Taylor role, Glynis Johns in the Virginia Field part, Fay Bainter in the Lucile Watsun role, Louis Calhern part and leave Celia Lovsky in the Ouspenskaya role. Moira Shearer was so well regarded by Metro Goldwyn Mayer like Vivien Leigh was, they both had special contracts wit M.G.M. where they could pick and choose whatever they wanted. Moira Shearer turned down many projects from M.G.M. In favor of ballet projects. The thought of the cast selection I suggested is right on and would have been a proper remake of an already great, great movie. Especially since the character of Myra is a prima ballerina, which is what Moira Shearer is. And her strong resemblance to Vivien Leigh and Greer Garson is most appropriate for remaking this classic! See more »
Even though the story takes place in 1944, once again MGM's indefatigably anachronistic designer, Helen Rose has clothed all the female participants in totally contemporary 1956 designs and fashions. See more »
Gregory Y. Wendell:
Back home you get a lot of funny ideas about the French. Especially when you live in Nebraska, where there aren't many.
What kind of funny ideas?
Gregory Y. Wendell:
Well, for instance, you think a Frenchman, all he cares about is drinking wine and making love.
Oh, and the French woman, what is she doing?
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The plot may be hackneyed (see previous review), but the performances ring true, and Leslie Caron is nothing less than sterling. Also, the dialogue in the script (written by veterans Sherwood and Behrman) holds up after these many years and sits better on my ears than many a television or even movie script today.
"Gaby" reminds me of the film Caron did later about the effects of war on ordinary people in London, "The L-shaped Room (1962)," in which she appears more sophisticated, also falling in love with an Englishman, but in which there is no committment on his part and no "happy ending." As the American serviceman, Kerr is a bit stiff in the beginning of this movie, but eventually grows into his role, and Caron is supple as a dancer in her timing and delivery, her English impeccably musical and her face still retaining the innocence and bit of "baby fat" that we cherish in her "American in Paris" debut. Because she had such thorough ballet training, people tend to remember her in the many musicals with ballet routines, but Caron was equally good, possibly even better, in pure drama, such as these two films. Of course, the director should be given credit for drawing out the genuine emotion in her performances, but she could also do comedy, with that great timing that she had (see her in "Last of the Blonde Bombshells" which she did at age seventy with Judi Dench.)
Caron has an authenticity and committment in her roles that comes across on screen for me the same way Audrey Hepburn does, and did from the very beginning, in her "Roman Holiday" debut. Not only were Caron and Hepburn real persons with inner lives (who not so incidentally had witnessed and survived WW II) when they were tapped by and discovered for the movies, they also didn't go through the technical hoops of acting training that the professionals of today bring to similar roles. Actresses of today tend to bring more training and "acting talent" to their roles, but less inner complexity, resulting in, for me, a less authentic performance, regardless of the high budget and publicity hoopla.
Supporting roles by Taina Elg, Cedric Hardwicke and Margallo Gillmore also do not let the movie down. Taina is better in "Gaby" than in the frivolous but enjoyable "Les Girls." And Hardwicke had such a distinguished career that one cannot imagine him consenting to play this very minor part if he didn't think the whole project worthwhile. In sum, highly recommended and requiring hankies for the vulnerable.
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