IMDb RATING
6.0/10
1.1K
YOUR RATING
When a reclusive, enigmatic millionaire dies suddenly on the Riviera, his press agent begins to investigate his employer's shady past.When a reclusive, enigmatic millionaire dies suddenly on the Riviera, his press agent begins to investigate his employer's shady past.When a reclusive, enigmatic millionaire dies suddenly on the Riviera, his press agent begins to investigate his employer's shady past.
IMDb RATING
6.0/10
1.1K
YOUR RATING
- Director
- Writers
- Sheldon Reynolds(story based on an original treatment)
- Harold Jack Bloom(story based on an original treatment by)
- Gene Levitt(story based on an original treatment by)
- Stars
Top credits
- Director
- Writers
- Sheldon Reynolds(story based on an original treatment)
- Harold Jack Bloom(story based on an original treatment by)
- Gene Levitt(story based on an original treatment by)
- Stars
Lily Kann
- Blind Housekeeperas Blind Housekeeper
- (as Lilly Kann)
- Director
- Writers
- Sheldon Reynolds(story based on an original treatment)
- Harold Jack Bloom(story based on an original treatment by)
- Gene Levitt(story based on an original treatment by)
- All cast & crew
- See more cast details at IMDbPro
Storyline
Millionaire Victor Danemore, living on the French Riviera, dies suddenly of a heart attack. His secretary, Dave Bishop, wants to know more about his employer's life. Surprisingly, not even his young wife knows anything about her husband's background or how he earned his fortune. Clues lead Bishop to Vienna and Stockholm, where he learns that Danemore was black-mailing people who cooperated with the Nazis during WW2. —Mattias Thuresson
male male relationshipmale female relationshipmother daughter relationshipfemme fatalefemale sexual predator63 more
- Taglines
- Robert Mitchum is the hunted . . . Europe is the hunting ground !
- Genres
- Certificate
- Approved
- Parents guide
Did you know
- TriviaAccording to the Internet Movie Car Database the car Mitchum drives off in at the beginning of the film is a 1949 Delahaye 135 Cabriolet Chapron.
- Quotes
Dave Bishop: Did you ever ask him who he really was?
Dominique: No.
Dave Bishop: Women are supposed to be curious... especially wives.
Dominique: Press agents are supposed to be curious.
Dave Bishop: I wasn't married to him.
Dominique: Except for the ceremony, neither was I.
- ConnectionsFollows Foreign Intrigue (1951)
- SoundtracksFOREIGN INTRIGUE CONCERTO
Music by Charlie Norman
Top review
disappointing
"Foreign Intrigue," a 1956 film starring Robert Mitchum, starts out promisingly enough and peters out. Despite filming in color in France, Sweden, and Monaco, even the film's beauty can't overcome its slow pace and dull script.
Mitchum plays Dave Bishop, who works for an international man of mystery, Victor Danemore. Danemore dies of a heart attack suddenly, and Bishop wonders why every single person he encounters wants to know if Danemore said anything before he died. Even after working for him, Bishop doesn't know much about him, but he endeavors to find out. He learns that Danemore went to Vienna once a year and goes there. Danemore's home there is in a slum, his housekeeper is blind, and can only supply him with one name, Olaf Lindquist from Sweden. Bishop finds Lindquist's home, but the man himself is dead. Bishop and Lindquist's beautiful daughter Brita (Ingrid Thulin) fall for one another; meanwhile, it's obvious her mother is keeping a secret.
Soon Bishop finds himself being followed by one man, Spring (Frederic O'Brady) who won't tell him who he works for, bad-mouthed by Danemore's widow (Genevieve Page) to Brita and her mother, and approached by a group of men who want the names of the men Danemore met yearly in Vienna.
First of all, despite compliments on the music, it was totally overbearing, not to mention loud and intrusive. If you liked it, fine, it was just too over the top for me.
Secondly, this film took way too long to make its point. In the beginning, it was intriguing, but then it began to drag.
Thirdly, we think we're going to find something out and guess what, after all this, we don't.
Robert Mitchum is laid-back and sexy as usual - in this instance, I can't tell if his persona helped the movie or hurt it. He was always a very deliberate actor and perfect for noir - I realize some people call this a noir, and perhaps it was, but the payoff just wasn't there. It's hard for me to imagine Mitchum hurting a film - I think in this case, I'll have to blame the script and the fact that some time could have been edited out.
Promising start - disappointing finish - pretty to look at.
Mitchum plays Dave Bishop, who works for an international man of mystery, Victor Danemore. Danemore dies of a heart attack suddenly, and Bishop wonders why every single person he encounters wants to know if Danemore said anything before he died. Even after working for him, Bishop doesn't know much about him, but he endeavors to find out. He learns that Danemore went to Vienna once a year and goes there. Danemore's home there is in a slum, his housekeeper is blind, and can only supply him with one name, Olaf Lindquist from Sweden. Bishop finds Lindquist's home, but the man himself is dead. Bishop and Lindquist's beautiful daughter Brita (Ingrid Thulin) fall for one another; meanwhile, it's obvious her mother is keeping a secret.
Soon Bishop finds himself being followed by one man, Spring (Frederic O'Brady) who won't tell him who he works for, bad-mouthed by Danemore's widow (Genevieve Page) to Brita and her mother, and approached by a group of men who want the names of the men Danemore met yearly in Vienna.
First of all, despite compliments on the music, it was totally overbearing, not to mention loud and intrusive. If you liked it, fine, it was just too over the top for me.
Secondly, this film took way too long to make its point. In the beginning, it was intriguing, but then it began to drag.
Thirdly, we think we're going to find something out and guess what, after all this, we don't.
Robert Mitchum is laid-back and sexy as usual - in this instance, I can't tell if his persona helped the movie or hurt it. He was always a very deliberate actor and perfect for noir - I realize some people call this a noir, and perhaps it was, but the payoff just wasn't there. It's hard for me to imagine Mitchum hurting a film - I think in this case, I'll have to blame the script and the fact that some time could have been edited out.
Promising start - disappointing finish - pretty to look at.
helpful•124
- blanche-2
- Nov 22, 2012
Details
Box office
- Budget
- $625,000 (estimated)
- Runtime1 hour 40 minutes
- Aspect ratio
- 1.85 : 1
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