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Forbidden Planet (1956)

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A starship crew goes to investigate the silence of a planet's colony only to find two survivors and a deadly secret that one of them has.

Director:

Fred M. Wilcox (as Fred McLeod Wilcox)

Writers:

Cyril Hume (screen play), Irving Block (based on a story by) | 1 more credit »
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Popularity
4,042 ( 44)
Nominated for 1 Oscar. Another 1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Walter Pidgeon ... Dr. Morbius
Anne Francis ... Altaira Morbius
Leslie Nielsen ... Commander Adams
Warren Stevens ... Lt. 'Doc' Ostrow
Jack Kelly ... Lt. Farman
Richard Anderson ... Chief Quinn
Earl Holliman ... Cook
George Wallace ... Bosun
Robert Dix ... Crewman Grey (as Bob Dix)
Jimmy Thompson Jimmy Thompson ... Crewman Youngerford
James Drury ... Crewman Strong
Harry Harvey Jr. Harry Harvey Jr. ... Crewman Randall
Roger McGee Roger McGee ... Crewman Lindstrom
Peter Miller Peter Miller ... Crewman Moran
Morgan Jones ... Crewman Nichols
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Storyline

When Adams and his crew are sent to investigate the silence from a planet inhabited by scientists, he finds all but two have died. Dr. Morbius and his daughter Altaira have somehow survived a hideous monster which roams the planet. Unknown to Adams, Morbius has made a discovery, and has no intention of sharing it (or his daughter!) with anyone. Written by Rob Hartill

Plot Summary | Plot Synopsis

Taglines:

Earthmen on a fabulous, peril-journey into outer space! See more »


Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

22 August 1956 (France) See more »

Also Known As:

Alarm im Weltall See more »

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Box Office

Budget:

$1,900,000 (estimated)

Gross USA:

$3,000,000

Cumulative Worldwide Gross:

$3,250,000
See more on IMDbPro »

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM) See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Perspecta Sound encoding) (Western Electric Sound System)| 4-Track Stereo (4 channels)

Color:

Color (photographed in) (Eastman Color)

Aspect Ratio:

2.55 : 1
See full technical specs »
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Did You Know?

Trivia

This film marked one of the first times a science-fiction project had received a large budget. The genre had rarely been taken seriously by studio executives, and sci-fi films generally received the most meager of budgets. The critical success of this film convinced many in the film industry that well-funded science-fiction projects could be successful. Film historian Ben Mankiewicz has claimed that this film's success made future big-budget science-fiction films possible. See more »

Goofs

When the id monster first attempts to get in to kill Chief Quinn, the electronic fence shorts out and the creature goes away. A few moments later, however, we see the monster's footprints as he walks into the camp through the fence's electronic perimeter -- this time without shorting it out. See more »

Quotes

Commander Adams: Nice climate you have here. High oxygen content.
Robby the Robot: I seldom use it myself, sir. It promotes rust.
See more »

Connections

Featured in Fringe: Do Shapeshifters Dream of Electric Sheep? (2010) See more »

Frequently Asked Questions

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User Reviews

Yes, this IS the best sci-fi film ever made.
5 September 2004 | by mfoleySee all my reviews

Well, of course, "Star Wars" defined the genre, and "Alien" and "Blade Runner" perfected it; but "Forbidden Planet" created it. Argue, if you must, that movies like "The Day the Earth Stood Still", "Them" and "Five Million Years to Earth" are the cerebral grand-fathers of the film genre (and I won't disagree with you), but for "science-fiction-as-plot-driven-action-epic," this is it. This is the one.

It's so unerringly on target, in fact, that it still plays very well even today. The modern audience has to overcome the "Leslie Nielsen Factor" (and it is difficult to watch him in a totally straight role), but once you do, the movie is pure enjoyment. Forget about dated plots and special effect. Robbie the Robot is a guy in a suit, yes, but he is thoroughly believable. He even adheres nicely to Asimov's Three Laws of Robotics, a trick that the digital robots in this summer's "I, Robot" had a great deal of difficulty with.

And the monster! I defy anyone to avoid getting the willies when the monster first shorts the security fence. Great special effect, then and now!

Finally, the universal theme of man's (and Krell's) individual flaws inserting themselves into an otherwise perfect system and TOTALLY gumming up the works is as relevant today as it was then. More so.


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