When Adams and his crew are sent to investigate the silence from a planet inhabited by scientists, he finds all but two have died. Dr. Morbius and his daughter Altaira have somehow survived a hideous monster which roams the planet. Unknown to Adams, Morbius has made a discovery, and has no intention of sharing it (or his daughter!) with anyone.Written by
The green sky paid homage to the 1933 novel "When Worlds Collide" by Philip Wylie and Edwin Balmer. In it, the sky on the primary alien planet was green. A species of green algae there used sunlight to separate water into hydrogen and oxygen and stored the hydrogen in sacs, allowing it to float in the air. See more »
While the three men are standing on the walkway in the Krell machine, Morbius points to his right and says "Twenty miles". He then points to his left and says "Twenty miles". Since the three would then seem to be in the center of the machine, that would make it forty miles in total width, yet in the in the second scene following, he states "Yes, a single machine. A cube twenty miles on a side.". If it is indeed a cube, as Morbius indicates, the Krell machine shrunk from 64,000 cubic miles to 8,000 cubic miles in a little less than half a minute - Quite an error for a scientist with an expanded mental capacity to make. See more »
For the 1959 cinema re-release of MGM's Forbidden Planet (1956) to obtain the classification rating of (A) SUITABLE ONLY FOR ADULTS - CHILDREN UNDER 16 NOT ADMITTED the Australia Film Censorship Board ordered the elimination of "all shots of alleged nuclear monster" i.e. Australia Film Censorship Board insisted that the Id Monster is never seen, but you could see the footprints and the bending of the steps on the spaceship. The animated sequence of Forbidden Planet, showing the attack by the red colored "Id Monster", were created by the veteran animator Joshua Meador, who was lent out to MGM by Walt Disney Pictures. During the attack on the spaceship, the now visible Id monster (only the outline of the Id Monster is seen, colored red) as it tries to go through the electronic fence on the perimeter (the force field), and also because the Id Monster has been caught in the crewman's high-energy blaster beams. See more »
Well, of course, "Star Wars" defined the genre, and "Alien" and "Blade Runner" perfected it; but "Forbidden Planet" created it. Argue, if you must, that movies like "The Day the Earth Stood Still", "Them" and "Five Million Years to Earth" are the cerebral grand-fathers of the film genre (and I won't disagree with you), but for "science-fiction-as-plot-driven-action-epic," this is it. This is the one.
It's so unerringly on target, in fact, that it still plays very well even today. The modern audience has to overcome the "Leslie Nielsen Factor" (and it is difficult to watch him in a totally straight role), but once you do, the movie is pure enjoyment. Forget about dated plots and special effect. Robbie the Robot is a guy in a suit, yes, but he is thoroughly believable. He even adheres nicely to Asimov's Three Laws of Robotics, a trick that the digital robots in this summer's "I, Robot" had a great deal of difficulty with.
And the monster! I defy anyone to avoid getting the willies when the monster first shorts the security fence. Great special effect, then and now!
Finally, the universal theme of man's (and Krell's) individual flaws inserting themselves into an otherwise perfect system and TOTALLY gumming up the works is as relevant today as it was then. More so.
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