When Adams and his crew are sent to investigate the silence from a planet inhabited by scientists, he finds all but two have died. Dr. Morbius and his daughter Altaira have somehow survived a hideous monster which roams the planet. Unknown to Adams, Morbius has made a discovery, and has no intention of sharing it (or his daughter!) with anyone.Written by
Robert Kinoshita, who is credited with building Robby the Robot, was also Art Director for the TV series Lost in Space (1965). Many of the "Lost in Space" robot's features are similar to Robby's: glass "head" with animated elements; rotating antenna "ears" (although the "Lost" robot's ears rarely moved after the pilot episode); flashing light "mouth"; chest panel with more animated elements. For that matter, much of the layout of "Forbidden Planet"'s spaceship is mirrored by "Lost"'s Jupiter 2: saucer shape; integral landing gear/entry stairs; lower external dome with animated lights; central, plexi-domed navigation station; vertical hibernacula arranged along perimeter. In addition, Robby and the "Lost" robot had a couple of "family reunions" in two "Lost in Space" episodes: Lost in Space: War of the Robots (1966) and Lost in Space: Condemned of Space (1967). See more »
While the three men are standing on the walkway in the Krell machine, Morbius points to his right and says "Twenty miles". He then points to his left and says "Twenty miles". Since the three would then seem to be in the center of the machine, that would make it forty miles in total width, yet in the in the second scene following, he states "Yes, a single machine. A cube twenty miles on a side.". If it is indeed a cube, as Morbius indicates, the Krell machine shrunk from 64,000 cubic miles to 8,000 cubic miles in a little less than half a minute - Quite an error for a scientist with an expanded mental capacity to make. See more »
Brilliant: Undiluted Pulp Science Fiction on the big screen
This is the Roman Empire of Science Fiction films. All films before lead into it, and all films since flow out of it. It captures the romance, the spirit, and the nifty look of 1950's pulp science fiction. This is one science fiction movie with a theme, not just eye candy. No matter how high humanity climbs on the evolutionary scale, no matter how advanced our technology becomes, we must never forget the primal instincts of our darker nature.
This film is a masterpiece.
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