The Eddy Duchin Story (1956)

The life story of the famous pianist and band-leader of the 1930s and 1940s.

Director:

George Sidney

Writers:

Samuel A. Taylor (screenplay) (as Samuel Taylor), Leo Katcher (story)

Stars:

Tyrone Power, Kim Novak, Victoria Shaw

Nominated for 4 Oscars. Another 1 win & 2 nominations.

Cast

Cast overview, first billed only:
Tyrone Power	...	Eddy Duchin
Kim Novak	...	Marjorie Oelrichs
Victoria Shaw	...	Chiquita Wynn
James Whitmore	...	Lou Sherwood
Rex Thompson	...	Peter Duchin, Age 12
Mickey Maga	...	Peter Duchin, Age 5
Shepperd Strudwick	...	Sherman Wadsworth
Frieda Inescort	...	Edith Wadsworth
Gloria Holden	...	Mrs. Duchin
Larry Keating	...	Leo Reisman
John Mylong	...	Mr. Duchin
Gregory Gaye	...	Philip
Warren Hsieh	...	Native Boy
Richard H. Cutting	...	George - Destroyer Captain
Carlyle Mitchell	...	Marjorie's Doctor

Storyline

In the late 20's, the talkative newly graduated in pharmacy and aspirant piano player Eddy Duchin comes from Boston to New York expecting to play with the orchestra of Leo Reisman at fancy New York's Central Park Casino. However he had misunderstood the invitation of the maestro and while leaving the place, he meets the wealthy socialite Marjorie Oelrichs that asks Leo Reisman to give a chance to Eddy. He plays in the intermission and becomes a successful piano showman. Two years later, Marjorie and Eddy get married and in the Christmas, Marjorie has a baby, Peter, but she dies after the delivery. Eddy rejects Peter blaming him for the death of Marjorie and only five years later he meets his son. With the World War II, Eddy Duchin breaks up his band and enlists to fight in the war. With the end of the war, Eddy returns to New York with the intention of getting closer to Peter but he sees the boy connected to his friend Chiquita. When Eddy discovers that he has a terminal disease, he ...

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Plot Keywords:

band | piano | pianist | chopsticks the song | bandleader | 

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Taglines:

There Never Was a Guy Like Eddy!

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Genres:

Biography | Drama | Music | Romance

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

21 June 1956 (USA)

Also Known As:

Geliebt in alle Ewigkeit

Filming Locations:

Central Park Casino, Central Park, Manhattan, New York City, New York, USA

Company Credits

Production Co:

Columbia Pictures Corporation

Technical Specs

Runtime:

123 min

Sound Mix:

4-Track Stereo (RCA Sound Recording)

Color:

Color (Technicolor)

Aspect Ratio:

2.55 : 1

Did You Know?

Trivia

The characters of "Mr. and Mrs. Sherman Wadsworth" are fictionalized versions of the real-life Mr. and Mrs. W. Averall Harriman, Marjorie Duchin's uncle and aunt. Averell Harriman was the heir to his father's, George Herriman, railroad fortune, and devoted most of his life to public service, including stints as US ambassador to the Soviet Union and to the Paris Peace talks during the Vietnam War. At the time "The Eddy Duchin Story" was released (1956), Harriman was in the midst of his term (1955-1959) as Governor of New York, and was a candidate for the Democratic presidential nomination that year.

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Goofs

Eddy Duchin suffered from acute myelogenous leukemia. This blood disease would not have created the hand paralysis shown in the movie. The paralysis was done for dramatic effect. Eddy Duchin died at Memorial Hospital in New York City on February 9, 1951. He was 41.

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Quotes

Eddy Duchin: What I want to know is why! Why do they have to destroy a man twice? You work and work and just when you get... everything. When it gets too good they take it away.
Eddy Duchin: Oh Chiquita, I don't want to die. I don't.

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Connections

Referenced in Space Ship Sappy (1957)

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Soundtracks

Ain't She Sweet
(uncredited)
Music by Milton Ager
Lyrics by Jack Yellen
Sung by people playing ukuleles

User Reviews

Performers

Wow, what a mix of bad and good. The good is the music and the amazing period shots of New York. The bad... well just about anything else; its all rather poorly done. The script is particularly offensive; more about that in a moment. The acting is that goofy type which is unnatural, but not quite the unnatural stage style, more of a "read to the camera" style. Novak is pretty, but moves gracelessly.

The story they have chosen to tell is a simple one: we learn to love a man through his ambition, gains, losses, sorrow and regaining of humanity after the war. This is about America after the war, not some pianist. Then sorrow strikes again and he handles it so wonderfully you applaud while crying. At least that's the goal and it probably worked for most viewers when this was new and America was trying to cope with post war loss.

Something closer to the real story would have made a killer movie. Duchin was made famous by his recording that was the first use of the F-work in that medium. His first wife did die, but he was hardly grief-stricken — a famous womanizer. He did leave his boy with Averill Harriman's wife when he went to war. But that was because he was sleeping with her, while her husband was off in England sleeping (and finally marrying) another man's wife. The son of Winston Churchill in fact, so Harriman hardly cared about his wife's affair with a New York celebrity.

Harriman was an amazing character through the period of this story. He, Dulles and Marshall shaped the world after the war in a liberal mold, essentially reforming Europe as a unit and building NATO, which for many decades was a very good thing. His presence through this movie as sort of an avuncular figure would be like having John Kennedy as a butler. The loss of the power-as-sex game and music-as-power thrust sort of waters down the whole thing.

Why do I care? Because Harriman was particularly concerned about rebuilding France, a country that had humiliated itself and had no means to rebuild. It was, as now, an agricultural economy and Harriman couldn't see Americans subsidizing French farmers for decades. So he (his staff, yes Democrats) came up with the ideas of romanticizing Paris and Rome. Make them romantic cities that tourists would visit. They surely were not before the war. Paris had had its day as a center of art but never ever of romance.

The plan was pulled off flawlessly, primarily through subsidies to Hollywood to make films that portrayed Paris romantically. Many of those films were from the same period of this film, an extreme irony. Extreme, you know.

Harriman's first wife, the one playing with Duchin, had cheated on and left her first husband as well, an extremely wealthy fellow who just happened to be the financier of Technicolor which we find our self enjoying in this very film.

Oh well, there is the music, How can you fault any film that starts with Chopin?

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.