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Carousel (1956)

Approved | | Drama, Fantasy, Musical | 16 February 1956 (USA)
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1:23 | Clip
Fifteen years after his death, a carousel barker is granted permission to return to Earth for one day to make amends to his widow and their daughter.

Director:

Henry King

Writers:

Phoebe Ephron (screenplay), Henry Ephron (screenplay) | 3 more credits »
Reviews
3 nominations. See more awards »

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In purgatory for his role in a botched bank robbery, former carnival barker Billy Bigelow (Jackman) is sent back to his old life to for one day, where he's to fix the problems he left behind.

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Cast

Complete credited cast:
Gordon MacRae ... Billy Bigelow
Shirley Jones ... Julie Jordan
Cameron Mitchell ... Jigger Craigin
Barbara Ruick ... Carrie Pipperidge
Claramae Turner Claramae Turner ... Cousin Nettie
Robert Rounseville Robert Rounseville ... Mr. Enoch Snow
Gene Lockhart ... Starkeeper / Dr. Selden
Audrey Christie ... Mrs. Mullin
Susan Luckey ... Louise Bigelow
William LeMassena William LeMassena ... Heavenly Friend (as William Le Massena)
John Dehner ... Mr. Bascombe
Jacques d'Amboise Jacques d'Amboise ... Louise's 'Starlight Carnival' Dancing Partner (as Jacques D'Amboise)
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Storyline

Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his family, namely his wife Julie Bigelow née Jordan and the child he never met, that problem with which he would now like to head back to Earth to assist in rectifying. Before he is allowed back to Earth, he has to get the OK from the gatekeeper, to who he tells his story... Immediately attracted to each other, he and Julie met when he worked as a carousel barker. Both stated to the other that they did not believe in love or marriage, but they did get married. Because the shrewish carousel owner, Mrs. Mullin, was attracted to Billy herself, and since she believed he was only of use as a barker if he was single to attract the young women to the carousel, she fired him. With no other job skills and unwilling to take just any job, Billy did not provide for Julie but rather lived off Julie's Aunt Nettie. But... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

20th Century-Fox proudly presents the first motion picture in the new CINEMASCOPE 55 See more »

Genres:

Drama | Fantasy | Musical

Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

16 February 1956 (USA) See more »

Also Known As:

Rodgers and Hammerstein's Carousel See more »

Filming Locations:

Boothbay Harbor, Maine, USA See more »

Company Credits

Production Co:

Twentieth Century Fox See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

4-Track Stereo (Westrex Recording System) (Stereo)| Stereo (Westrex Recording System) (Stereo)

Color:

Color (CinemaScope 55)

Aspect Ratio:

2.55 : 1
See full technical specs »
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Did You Know?

Trivia

The dramatic stage play from which the Rodgers & Hammerstein musical was adapted, Ferenc Molnar's "Liliom," ran on Broadway for 56 performances in March-May 1940. It starred Burgess Meredith in the Billy Bigelow role, Liliom, Ingrid Bergman as Julie and Elia Kazan as Ficsur, the Jigger Craigin role. See more »

Goofs

Toward the end, Mockingbird calls are heard in a scene between Billy and Louise. The film is set between the early 1870s and the late 1880s, when mockingbirds were only found in the American South. In the 1950s, mockingbirds were found in New York and New Jersey, south of Maine. See more »

Quotes

[first lines]
Heavenly Friend: Bigelow...
Billy Bigelow: [impatiently] Well, what'd I do now?
Heavenly Friend: Nothing. I just thought you'd wanna know - there's trouble.
Billy Bigelow: Huh! Thought you said I didn't do nothin'.
See more »

Crazy Credits

A star hurtles downward and explodes in mid-air; out of this appears the credit "Twentieth Century-Fox presents Rodgers and Hammerstein's Carousel". The other credits all appear in a straightforward fashion. See more »

Alternate Versions

In the film's first two telecasts on ABC-TV in 1966, Mrs. Mullin's line "I don't run my business for a lot of sluts!" followed by Carrie's retort "Who you callin' a slut? Slut yourself!" was edited out. The line was kept on all local station telecasts of the film, and on all video releases. See more »

Connections

Referenced in Myra Breckinridge (1970) See more »

Soundtracks

Mister Snow
(1945) (uncredited)
Music by Richard Rodgers
Lyrics by Oscar Hammerstein II
Performed by Barbara Ruick
See more »

Frequently Asked Questions

See more »

User Reviews

 
"He's Your Fellow And You Love Him, That's All There Is To Say"
6 May 2007 | by bkoganbingSee all my reviews

I saw Carousel for the very first time in its first release when it played a double bill with Oklahoma. You can't do much better than that for an introduction to the American Musical Theater.

It would get a perfect 10 had it been done with the original two leads that were set for the show, Frank Sinatra and Judy Garland. Judy backed out before production started and Sinatra shortly after that, so Gordon MacRae and Shirley Jones got to do a second Rodgers&Hammerstein classic.

Carousel is based on the Ferenc Molnar play Liliom and the original setting is in Molnar's native Hungary. On Broadway it was done by Eva Le Gallienne and Joseph Schildkraut and later in revival by Ingrid Bergman and Burgess Meredith. One man who did it in summer stock was Tyrone Power who if a straight dramatic version of Liliom had ever been done, would have been perfect.

Whether he's Liliom in Hungary or Billy Bigelow in 19th century New England, the part is one for a hero/heel that Tyrone Power patented on the screen. Probably Gordon MacRae benefited in no small way in having Power's favorite director Henry King in charge of Carousel.

Richard Rodgers was also used to writing for a hero/heel having done Pal Joey with his former partner Lorenz Hart. Billy is that kind of guy, a carousel barker and boy toy to owner Audrey Christie when he spots Julie Jordan and her friend Carrie Pipperidge, a couple of mill workers. It's love at first sight and marriage shortly after, but Billy's not a guy to change his layabout ways and it ends in tragedy.

One reason that Sinatra was also so right for the part was that he had made a successful hit record of Billy's Soliliquy back in 1945 when Carousel debuted on Broadway. It was a groundbreaking piece of musical theater that Dick Rodgers and Oscar Hammerstein were responsible for in the Soliliquy. Billy's just been told by Julie he's about to become a father. In an almost 10 minute number he bares his soul to the audience and sings/thinks aloud the moves he's going to make. The song is almost operatic in quality, it takes a real singing actor to put it over like Sinatra, like MacRae is here, like John Raitt in the original cast on stage.

Though it's not Julie's song, Judy Garland had a successful record with You'll Never Walk Alone. I'm sure she would have sung it in the film had she seen it through. It's probably the big hit song from the score, still an inspiring number today.

Rounding out the cast is Cameron Mitchell as Billy's no good pal Jigger, Robert Rounseville and Barbara Ruick as Mr. Snow and Carrie, the second leads and from the Metropolitan Opera Claramae Turner as Julie's cousin Nettie who does sing You'll Never Walk Alone.

Two more who are perfectly cast are John Dehner as the officious mill owner that employs the girls and the heavenly star-keeper, Gene Lockhart in one of his last roles.

Even more than in Oklahoma, Agnes DeMille's ballet numbers are used to advance the plot. From the exuberant June Is Busting Out All Over to the dance that Billy and Julie's daughter does, all are done with taste and style.

Carousel is both tragic and yet uplifting and inspiring. It's a musical for all the ages to come.


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