Texan farmers the Frake family head for the Texas State Fair in Dallas. The parents are focused on winning the competitions for livestock and cooking. However, their restless daughter Margy and her brother Wayne meet attractive new love interests.
An ex-husband and wife team star in a musical version of 'The Taming of the Shrew'; off-stage, the production is troublesome with ex-lovers' quarrels and a gangster looking for some money owed to them.
Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
In a Maine coastal village toward the end of the 19th century, the swaggering, carefree carnival barker, Billy Bigelow, captivates and marries the naive millworker, Julie Jordan. Billy ... See full summary »
Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his family, namely his wife Julie Bigelow née Jordan and the child he never met, that problem with which he would now like to head back to Earth to assist in rectifying. Before he is allowed back to Earth, he has to get the OK from the gatekeeper, to who he tells his story... Immediately attracted to each other, he and Julie met when he worked as a carousel barker. Both stated to the other that they did not believe in love or marriage, but they did get married. Because the shrewish carousel owner, Mrs. Mullin, was attracted to Billy herself, and since she believed he was only of use as a barker if he was single to attract the young women to the carousel, she fired him. With no other job skills and unwilling to take just any job, Billy did not provide for Julie but rather lived off Julie's Aunt Nettie. But...Written by
A star hurtles downward and explodes in mid-air; out of this appears the credit "Twentieth Century-Fox presents Rodgers and Hammerstein's Carousel". The other credits all appear in a straightforward fashion. See more »
In the film's first two telecasts on ABC-TV in 1966, Mrs. Mullin's line "I don't run my business for a lot of sluts!" followed by Carrie's retort "Who you callin' a slut? Slut yourself!" was edited out. The line was kept on all local station telecasts of the film, and on all video releases. See more »
The underdog of the two movies, but not in my book. "Carousel" so sweet, but I hate the darker parts. Hard to watch Jigger & Billy in their evil planning & trying to carry it out. I like all the song-and-dance movies. Here, "Louise's Ballet" really special, with Jacques d'Amboise now an older ballet teacher & mentor of youth. This movie shows him when he was borrowed as a young star (prodigy) from American Ballet Theater (?). Hate the part where Louise is taunted by all those rich kids. Liked the part at the end where Julie is older & more mature; wiser. Still misses her ne'er-do-well husband.
Loved the boat song with Julie's two friends: "When the Children Are Asleep". A tearjerker, but how true.
This story gives a midwesterner a view of late 1800s New England life, about uneducated young people. A female mill hand, and a male carousel barker. No wonder they had no money. People were going to college in those days, but not very many apparently. Billy's other money-making alternative was to steal. So sad.
Gordon MacRae had such an awesome voice. Shirley Jones' voice is beautiful, as is that of Claramae Turner (Cousin Nettie). The big group dance off Nettie's roof is totally excellent & breathtaking. Reminds me of "7 Brides for 7 Brothers".
Too bad people these days only know of Shirley Jones from "Partridge Family".
9/10 (dark violence)
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