6.7/10
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17 user 18 critic

The Burglar (1957)

Not Rated | | Drama, Film-Noir, Thriller | June 1957 (USA)
Dan Duryea and his cronies rob a fake spiritualist and then take it on the lam to Atlantic City.

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(screenplay), (novel)
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Cast

Cast overview, first billed only:
... Nat Harbin
... Gladden
... Della
... Baylock
... Dohmer
Wendell K. Phillips ... Police Captain
Phoebe Mackay ... Sister Sara
Stewart Bradley ... Charlie
John Facenda ... News Commentator
Sam Elber ... Gerald
Frank Hall ... News Reporter
Bob Wilson ... Newsreel Narrator
Steve Allison ... State Trooper
Richard Emery ... Harbin as a Child
Andrea McLaughlin ... Gladden as a Child
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Storyline

Dan Duryea and his cronies rob a fake spiritualist and then take it on the lam to Atlantic City.

Plot Summary | Add Synopsis

Taglines:

A trail of perfume...and violence!


Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

June 1957 (USA)  »

Also Known As:

Ein Toter lügt nicht  »

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Box Office

Budget:

$90,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Producer Louis W. Kellman had difficulty finding a buyer for the film. Finally, Columbia Pictures chief Harry Cohn said that he would do Kellman "a favor" and "take it off his hands" if the film's director, Paul Wendkos, was part of the deal. See more »

Goofs

The 1951 Chevy driven by Nat Harbin is described as "light gray" over the police radio and in the teletype voice-over, yet the description on the teletype reads that the car is "green." See more »

Crazy Credits

and introducing stewart bradley See more »

Connections

References Beyond the Forest (1949) See more »

Frequently Asked Questions

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User Reviews

 
An Arty Thriller That Works
2 April 2001 | by See all my reviews

I saw this film a long time ago and was tremendously impressed, almost hynotized, by its technique. It was directed by Paul Wendkos, who's since gone on to a successful career in television, but who was for a while considered an up and coming director of movies. The stars, Dan Duryea and Jayne Mansfield, never quite achieved the kind of success many had envisioned for them. Duryea's career was sidetracked by Richard Widmark, and Mansfield never replaced Marilyn Monroe. Part of the charm of this film is watching small timers play small timers in a small movie that didn't cost a lot of money and which few people saw or want to see because no one connected with it is famous (though Jayne has her fans I guess). To make matters worse, the film is arty, full of offbeat camera angles and strange lighting that sometimes makes people look startled, as if they're continually having their picture taken. It's a tawdry tale about little people with big problems, and it works. For all I know it could be a work of art. The story is mostly about a jewel robbery, but it's also about the strange, almost incestuous relationship between Dan and Jayne, which both does and doesn't have a whole lot to do with jewels. There is a very bad guy involved who comes across like a young Senator Joe McCarthy. There are scenes in an amusement park; and more scenes in an empty stadium. I'm not sure why. The films is dazzling and ambitious and pretentious, so much so that it's beyond mere film noir as such; it's more like art noir.


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