Yukinojo, a Kabuki actor, seeks revenge by destroying the three men who caused the deaths of his parents. Also involved are the daughter of one of Yukinojo's targets, two master thieves, and a swordsman who himself is out to kill Yukinojo.
Goichi Mizoguchi, an aspiring Buddhist monk who became involved in the temple that was owned by his father, through a series of flashbacks, framed as a police interrogation, Mizoguchi ... See full summary »
Mizushima is a soldier in the Japanese army in Burma in World War II. He's a good soldier and frequently plays his harp to entertain his fellow soldiers. When the war comes to an end, he is asked by the British to go into the mountains to try and convince a Japanese troop to surrender. Given only 30 minutes to convince them, Mizushima is unsuccessful - they would rather die with honor - and the British attack. Deeply affected by what has happened, he becomes a Buddhist monk, traveling the countryside burying the remains of Japanese soldiers. He is unable however to rejoin his brothers-in-arms.Written by
According to the Bloomsbury Foreign Film Guide by Ronald Bergan and Robyn Karney, this World War II film was "one of the first Japanese films concerned with pacifist themes related to the defeat of Japan in 1945." See more »
The 'British' officer in charge of the funerary cremation repository speaks with a decidedly Australian, not British, accent. See more »
We've done all we can. The troops that took Triangle Mountain have returned home. The Japanese survivors are not in this town.
But that tune?
You hear a certain way of playing - a few notes floating by the breeze, and it's enough to make you think a dead man is alive. You must be dreaming.
[to his adjutant]
He must be dreaming!
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Living in Thailand at the age of 10, I saw this movie broadcast on TV. Thirty years later I still think of it. And eventually I became a dharma student. Coincidence? I think not! Such is the awesome impact of this movie. More than an important anti-war film, it can really bring out some seldom expressed feelings - not because of carefully crafted scenarios which bring moral indignation against war, confusion or cruelty, but instead showing a more natural horror of war's results. After watching the film for the third time, I still feel a deep visceral pang when Mizushima covers his face and runs past yet another mountain of rotting bodies he finds on the shores of the river.
What's really sad is that you can't get the movie on DVD!
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