Ray Henderson joins Buddy De Sylva and Lew Brown to form a successful 1920s musical show writing team. They soon have several hits on Broadway but De Sylva's personal ambition leads to ...
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Tom Brewster, handy with a rope but not a gun, rides into town and mails his lawyer's exam. When his lack of ability with a gun is exposed, the town boss Turlock offers him the job of ... See full summary »
Will Rogers Jr.,
Lon Chaney Jr.
Francis Bernardone (Bradford Dillman) is the son of a wealthy cloth merchant in Assisi, who gives up all his worldly goods to dedicate himself to God. Clare (Dolores Hart) is a young ... See full summary »
Ray Henderson joins Buddy De Sylva and Lew Brown to form a successful 1920s musical show writing team. They soon have several hits on Broadway but De Sylva's personal ambition leads to friction as the other two increasingly feel left out of things.Written by
Jeremy Perkins <firstname.lastname@example.org>
"Strike Me Pink", the near-flop musical depicted at the end of the movie, had a Broadway run of three months (122 performances - a not-atypical run for a musical during the depths of the Great Depression) at the Majestic Theatre in the spring of 1933. The Samuel Goldwyn Company filmed Strike Me Pink (1936) three years later. Although this film shows the song "The Best Things in Life Are Free" being performed in the play, it does not appear in the song lists of the IMDb entry for the movie or the Internet Broadway Database entry for the play. See more »
An establishing shot of Times Square in New York City, supposed to be taking place around 1930, clearly shows 1950s automobiles in the traffic. See more »
"The Best Things in Life are Free" - how about a letterboxed print, 20th Century Fox?
Michael Curtiz's 1956 film "The Best Things in Life are Free" was frequently shown on Chicago television in the 1960s. I had not seen the film until it was recently broadcast on the Fox Movie Channel. Unfortunately, it was not a letterboxed print, so it was very difficult to determine the film's merits as it had the left and right margins entirely cut off. That aside, I think it was an attempt at a darkish musical with Curtiz touches and this was reflected in the script.
The film is entirely done on soundstages, no exteriors at all, so it feels kind of clunky, as many of the early Cinemascope films were as well.
I liked the actors, especially the wonderful actor and dancer Sheree North. Her best number, "Black Bottom", was badly impacted by the lack of a letterboxed print. She was very fortunate to be partnered by one of George Balanchine's finest male dancers, Jacques d'Amboise, photographed here in his dancing prime. Lucky Sheree North! Dancer (and future partner of Fred Astaire) Barrie Chase is also featured in the film.
I was amused by Ernest Borgnine's dancing, singing and acting, puzzled by Dan Dailey's lack of dancing, and liked Gordon MacRae, who played Buddy daSylva.
I liked the film, and hope to see a letterboxed print in the future.
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