Attack (1956) - News Poster



Box Office: Will Melissa McCarthy’s ‘Happytime Murders’ Dethrone ‘Crazy Rich Asians’?

  • Variety
Box Office: Will Melissa McCarthy’s ‘Happytime Murders’ Dethrone ‘Crazy Rich Asians’?
The box office has been surprisingly strong this August, and now it’s up to Melissa McCarthy and a gaggle of raunchy puppets to keep the momentum going.

That’s the hope, as “The Happytime Murders” aims for a mid-teens opening when the black comedy launches across 3,224 locations this weekend. Analysts are comparing the result to Seth Rogen’s bawdy R-rated animated comedy “Sausage Party.” Rogen’s film became a massive box office hit, picking up $140 million off a $19 million production budget. “The Happytime Murders,” however, carries double the price tag, at $40 million.

The Happytime Murders” is set in the seedy underbelly of Los Angeles — a world where humans and puppets coexist — as McCarthy’s character, an Lapd detective, re-teams with her former puppet partner to solve a series of brutal murders. [Cue “SNL’s” Stefon voice] This movie has everything: Sex, offensive puppet jokes, murder, Melissa McCarthy snorting something through Twizzlers… At last, we
See full article at Variety »

"A-x-l" Unleashed

  • SneakPeek
Take a look at "A-x-l", the new science fiction feature, following a robotic dog created from cutting-edge military technology, written and directed by Oliver Daly, starring Alex Neustaedter, Becky G, Alex MacNicoll, Dominic Rains, and Thomas Jane, opening August 24, 2018:

"...'A-x-l' is a top-secret, robotic dog created by the military to help protect tomorrow's soldiers. Code named by the scientists who created him, 'A-x-l' stands for 'Attack', 'Exploration', 'Logistics', embodying the most advanced next-generation artificial intelligence.

"After an experiment gone wrong, A-x-l is discovered hiding alone in the desert by a kind-hearted outsider named 'Miles Hill' (Neustaedter), who finds a way to connect with him after activating his 'owner-pairing' technology.

"Helping Miles gain the confidence he’s been lacking, A-x-l will go to any length to protect his new companion, including facing off against the scientists who created him and who will do anything to get him back.
See full article at SneakPeek »

Review: "Attack Of The Killer Tomatoes" 25Th Anniversary Edition From Mvd

  • CinemaRetro
By Todd Garbarini

Movie-going audience members under the age of forty will not recall motion picture theatrical exhibition in the 1970s. It was a most interesting time when drive-ins and even first-run movie theaters would pair up an older feature film, generally one that was one to two years-old, with the main feature on a double-bill. A handful of theaters in my area used to engage in midnight showings of older films, too. One theater exclusively ran The Rocky Horror Picture Show (1975) for years while another alternated between Stanley Kubrick's 2001: A Space Odyssey (1968), Ralph Bakshi’s Wizards (1971), Led Zeppelin’s The Song Remains the Same (1976), David Lynch's art-house favorite Eraserhead (1977) and Alan Parker's Pink Floyd The Wall (1982). Other showcases included uncensored bloopers featuring Carol Burnett, the Three Stooges, and Abbott and Costello.

In October 1978, Attack of the Killer Tomatoes was unleashed upon the moviegoing public (filming
See full article at CinemaRetro »

Toronto International Film Festival ‘ 17: Arab Cinema

Two new film festivals in the Arab world — and not in the Gulf States region where Kuwait had its first festival last month — announced their first editions during Tiff ‘17. Jordan and Egypt, along with the first ever Arab Critics Awards casts a new light onto just what Arab cinema is. Since that time, Dubai has announced it is bowing out of the festival circuit for now and Saudi Arabia has entered the film circuit. What will Toronto 2018 bring to the public and trade, always so avid for new and original films?

What began several years ago in the recently oil-rich Gulf nations of Dubai, Abu-Dhabi and Qatar who first brought the notion of Arab cinema to the western world with expensive receptions (including a camel one year at the Toronto Film Festival) and ultra fancy festivals (Abu Dhabi has since bowed out of its Tribeca Ff partnership and pulled back
See full article at SydneysBuzz »

Play Dirty

In a war film, what’s the difference between nasty exploitation and just plain honest reportage? André De Toth made tough-minded action films with the best of them, and this nail-biting commando mission with Michael Caine and Nigel Davenport is simply superb, one of those great action pictures that’s not widely screened. To its credit it’s not ‘feel good’ enough to be suitable for Memorial Day TV marathons.

Play Dirty


Twilight Time

1968 / Color / 2:35 widescreen / 118 min. / Street Date October 17, 2017 / Available from the Twilight Time Movies Store 29.95

Starring: Michael Caine, Nigel Davenport, Nigel Green, Harry Andrews.

Cinematography: Edward Scaife

Film Editor: Jack Slade

Art Direction: Tom Morahan, Maurice Pelling

Original Music: Michel Legrand

Written by Lotte Colin, Melvyn Bragg, from a story by George Marton

Produced by Harry Saltzman

Directed by André De Toth

Some movies that were ignored when new now seem far more important, perhaps due to the tenor of times.
See full article at Trailers from Hell »

Trump's Company Reportedly Tried to Open Trump Tower Moscow During Presidential Election — and Twitter Reacts

Trump's Company Reportedly Tried to Open Trump Tower Moscow During Presidential Election — and Twitter Reacts
As the Russia probe surrounding President Donald Trump deepens, a shocking new report says his namesake company was planning to develop a “massive” Trump Tower in Moscow at the very same time the then-candidate was running for office — and could partially explain why the mogul repeatedly praised Russian President Vladimir Putin during the campaign.

According to the Washington Post, Russian-born real estate developer Felix Sater — a convicted felon who has longtime ties to the Trump Organization — predicted in a November 2015 email that he and Trump Organization executives would have two reasons to celebrate in the coming year: the development of
See full article at »

Martin Scorsese and Ben Wheatley on 'Free Fire,' Gunfights and Crime Flicks

Martin Scorsese and Ben Wheatley on 'Free Fire,' Gunfights and Crime Flicks
Stop us if you've heard this one before: A group of criminals meet up for a gun deal. It goes bad – very bad. And the rest of the story, you ask? "Doesn't matter!" Martin Scorsese exclaims, laughing. "You don't need it. We're beyond that now." The burly, bearded man sitting next to him – British director Ben Wheatley – wholeheartedly agrees. "There's only, like, 12 characters in this movie anyway," he adds. "There are no twists, because it's either going to be that one or that one or that one. So what's the point?
See full article at Rolling Stone »

After President ‘So Much Winning!’ Trump Takes a Dive on Health Care Vote, Internet Calls Him a ‘Loser’

After President ‘So Much Winning!’ Trump Takes a Dive on Health Care Vote, Internet Calls Him a ‘Loser’
It’s no secret that President Donald Trump doesn’t like to lose. So it was surprising on Friday when the Washington Post’s Robert Costa reported that the president had sounded businesslike, not angry, when he called to say he’d pulled the vote on his Gop health care bill.

The last-minute move came after the legislation — which some (though not the president) have dubbed “Trumpcare” — failed to gather enough votes from House Republicans on Friday. It was a crushing blow for the president, and it seems to have finally humbled him — if only for the moment.

On the phone with Costa,
See full article at »

‘It’s Like a Coup’: Critics Lash Out After Ivanka Trump Gets West Wing Office and Security Clearance

‘It’s Like a Coup’: Critics Lash Out After Ivanka Trump Gets West Wing Office and Security Clearance
Critics are lashing out on Twitter after it was reported Monday that President Donald Trump‘s daughter Ivanka Trump was getting her own West Wing office, complete with a security clearance for classified information — but no official White House job.

Robert Reich, who served as former President Bill Clinton‘s secretary of labor, waded into the backlash early Tuesday morning, tweeting: “Ivanka into the White House? It’s like a coup, and the dictator’s family is moving into the palace as it prepares to the loot the country.”

Others cited Ivanka’s lack of political experience, potential conflicts of
See full article at »

September Storm — 3-D

3-D in CinemaScope? That seems like a strange combination, but this obscure treasure hunt adventure with Joanne Dru and Mark Stevens is indeed billed as being filmed in the ‘Miracle of Stereo-Vision,’ five years after the demise of Hollywood’s first fling with ‘depthies.’ Kino and the 3-D Film Archives extras include two vintage 3-D shorts, one of them never screened in 3-D.

September Storm

3-D Blu-ray

Kino Classics

1960 / Color / 2:39 widescreen / 92 min. / Street Date March 28, 2017 / available through Kino Lorber / 34.95

Starring: Joanne Dru, Mark Stevens, Robert Strauss Asher Dann, Jean-Pierre Kérien, Véra Valmont..

Cinematography: Lamar Boren, Jorge Stahl Jr.

Film Editor: Alberto Valenzuela

Art Direction: Boris Leven

Underwater director: Paul Stader

Original Music: Edward L. Alperson Jr., Raoul Kraushaar

Written by W.R. Burnett from a story by Steve Fisher

Produced by Edward L. Alperson

Directed by Byron Haskin

The 3-D Film Archive has been an amazing resource for the fascinating depth format,
See full article at Trailers from Hell »

The Truculent Cinema of Robert Aldrich

  • MUBI
The quintessential shot in Robert Aldrich’s filmography is that of a close-up, held for a smidgen longer than the normal length one would think appropriate for such a shot. The face the camera is focusing on is usually a signifier of the most central element in Aldrich’s films: tension. Whether it’s melodrama (Autumn Leaves, Whatever Happened to Baby Jane?), war pictures (Too Late the Hero, Attack!), or Westerns, both sober and jocular (Ulzana’s Raid and 4 For Texas, respectively), ideological and external forces wrestle within the psyche that defines Aldrich’s cinema. Metrograph's all-35mm retrospective in New York offers us the opportunity to survey the oeuvre of the auteur who hammered out his cinematic legacy with the vigor of an undoubtedly indignant and irreverent artist. Too Late the Hero (1970)Consistency across genre and modes of filmmaking marks Aldrich as one of the last great studio auteurs,
See full article at MUBI »

Lee Marvin Died 29 Years Ago Today – Here Are His Ten Best Films

Article by Jim Batts, Dana Jung, and Tom Stockman

Lee Marvin rose through the ranks of movie stardom as a character actor, delivering mostly villainous supporting turns in many films before finally graduating to leading roles. Regardless of which side of the law he was on however, he projected a tough-as-nails intensity and a two-fisted integrity which elevated even the slightest material. Born February 19, 1924, in New York City, Marvin quit high school to enter the Marine Corps and while serving in the South Pacific was badly wounded in battle when a machine gun nest shot off part of his buttocks and severed his sciatic nerve. He spent a year in recovery before returning to the U.S. where he began working as a plumber. The acting bug bit after filling in for an ailing summer-stock actor and he studied the art at the New York-based American Theater Wing. Upon making his debut in summer stock,
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Games nobody talks about anymore: Operation Wolf

Released in 1987, Operation Wolf not only ushered in an era of gun games, but tapped into the decade's macho action movies, Ryan writes...

Some of the biggest arcade machines of the 80s - both in terms of popularity and physical bulk - were about bringing cinematic fantasies to life. Did you have childhood dreams of taking the controls of an X-Wing like Luke Skywalker? Atari's Star Wars let you do just that. Did you want to be Tom Cruise in Top Gun? Then Sega's nausea-inducing After Burner had you covered.

But what if you wanted to be a tough military, gun-toting hero, like Sly in Rambo: First Blood Part II, Arnold in Commando, or to a lesser extent, Chuck in Missing In Action? Lots of 80s games had military themes, like Capcom's Commando (which had nothing to do with the film), Snk's Ikari Warriors or Konami's Green Beret.

The definitive military hard-man game,
See full article at Den of Geek »

Review: WWII Triple Feature: "Attack" (1955), "Beach Red" (1967) And "Attack On The Iron Coast"

  • CinemaRetro
By Lee Pfeiffer 

Now this is what you call a bargain: three terrific WWII flicks for only $10 on Amazon, courtesy of Shout! Factory's Timeless Media label, which continues to distribute first rate editions of films that were often considered to be second-rate at the time of their initial release. This "War Film Triple Feature" package includes three gems that were not particularly notable at the time of their release. Two have grown in stature, while the third has benefited only from Cinema Retro writer Howard Hughes' enthusiastic coverage in issue #25. The films included in the set are:

"Attack" (1955)- During the period of WWII, both the Allied and Axis film industries concentrated on feature films that were pure propaganda designed to motivate their fighting men and the public at large. By the early-to-mid-1950s, however,  more introspective viewpoints emerged among Hollywood directors and writers. With the conflict now over,
See full article at CinemaRetro »

Movie Poster of the Week: Jean Grémillon’s “Daïnah la métisse” and Christie’s Vintage Film Posters auction

  • MUBI
This week, Christie’s, the world’s largest fine arts auction house, is hosting an inaugural online-only sale of what are billed as Vintage Film Posters, though it is an eclectic collection of old and new. There are plenty of familiar faces, like Reynold Brown’s Attack of the 50Ft. Woman, Saul Bass’s The Man With the Golden Arm, Giorgio Olivetti’s La Dolce Vita, Bob Peak’s My Fair Lady, and Philip Castle’s Clockwork Orange, but what is interesting in terms of the auction market is the inclusion of a number of recent Mondo posters by Tyler Stout, Todd Slater and Laurent Durieux. The auction also includes La Boca’s already-classic, four-year-old set of silkscreen teasers for Black Swan.

The poster that really caught my eye, however, and one I’d never seen before, is this stunning Deco design by one Ram Richman for Jean Grémillon’s
See full article at MUBI »

Baby Jane: a reminder of Robert Aldrich

Film featured the combustible pairing of Bette Davis and Joan Crawford, typical of Aldrich's pugnacious style

It should really have inspired its own sordid sub-sub-genre. Hagsploitation, perhaps, or maybe Grande Dame Guignol. Robert Aldrich's What Ever Happened To Baby Jane? is a movie that reeks of contempt and despair, and so it brings me great pleasure to celebrate its 50th anniversary as it is re-released this week.

Key to its success was the provocative casting of longtime enemies Joan Crawford and Bette Davis, who had been feuding toxically for nearly three decades. Bette, the better actor and the worse alcoholic, had an arch and spiteful tongue – "Joan Crawford? I wouldn't sit on her toilet!" – while Joan, inarguably the greater star and herself no slouch in the vodka wars, had come from nothing and always played for keeps. She would steal, seduce, and marry the love of your life just to spite you,
See full article at The Guardian - Film News »

So long, Luce: A mother and son at the movies

Somehow we’d fallen into calling her “Luce the Moose.” No one even remembers why. After that, I used to buy her some kind of moose – a stuffed doll, a carving, anything – every Christmas. Her given name was Lucy Sylvia Mesce. Lucia, actually, but other than her immigrant parents, I don’t think anybody ever called her that.

She passed away from a sudden cardiac arrest on Monday, April 2, sometime around 5:30 p.m., at the age of 81.

She was my mother.

We are, each of us, at any given instant, the sum total of our lives. Everything that we have seen and heard, the people that we have known and the experiences we have had shape us, influence us, nudge and shove us this way and that. And all of it – even that which we have forgotten or thought we had completely ignored or considered so minor as to be irrelevant – leaves some trace,
See full article at SoundOnSight »

9 Great Posters for 9 Not-So-Great Movies (That I Haven't Seen)

9 Great Posters for 9 Not-So-Great Movies (that I Haven't Seen) If you missed it, yesterday I explored 11 great posters from 11 not-so-great movies, and I promised today I would take a slightly different angle at the same idea. Yesterday's 11 posters were for films I had seen, today's collection come from nine films I have never seen and I can't take full credit for this list. After I had compiled a list of my own I reached out to a few friends and one of them provided me a Ton of suggestions, several of which I had never seen. David Frank, who used to provide content on a regular basis for me, is a big poster buff and of the nine posters here, he suggested seven of them. As for the other two, well, I'll explain below and perhaps in too much detail on one of them. This list also differs from my
See full article at Rope Of Silicon »

Ten Terrific War Movies You Probably Never Heard Of

I’ve always been a war film buff, maybe because I grew up with them at a time when they were a regular part of the cinema landscape. That’s why I read, with particular interest, my Sound on Sight colleague Edgar Chaput’s recent pieces on The Flowers of War (“The Flowers of War Is an Uneven but Interesting Chinese Ww II Film” – posted 2/20/12) and The Front Line (The Front Line Rises to the Occasion to Overcome Its Familiarity” – 2/16/12) with such interest. An even more fun read was the back-and-forth between Edgar and Sos’s Michael Ryan over the latter (“The Sound on Sight Debate on Korea’s The Front Line” – 2/12/12), with Michael unimpressed because the movie had “…nothing new to add to the war genre,” and Edgar coming back with “…‘new’ is not always what a film must strive for. So long as it does well what it set out to do…
See full article at SoundOnSight »

What would a 1970s-era "Expendables" cast look like? We'll tell you

  • IFC
What would a 1970s-era
Okay, yes, "The Expendables," ended up being better as an "idea" than a reality. Sylvester Stallone gathered a bunch of over-the-hill action stars (including his "Rocky IV" opponent, Dolph Lundgren, and his "Get Carter" pal, Mickey Rourke) for a bloody shoot-'em-up designed to show all the young whippersnappers out there that the old men still got it. The resulting film had its moments but was ultimately too confusing, too haphazard and too, well, expendable.

But what are sequels for if not a chance to make things all better (don't answer that)? Stallone has gathered an even more impressive cast for "The Expendables 2" -- Chuck Norris and Jean-Claude Van Damme will be contributing to the mayhem this time around, and Bruce Willis and Arnold Schwarzenegger, both of whom only had cameo appearances in the original film, will have much larger roles in the new adventure. And, of course, all of the old gang is back,
See full article at IFC »
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