IMDb RATING
7.4/10
6.2K
YOUR RATING
In 1944, an American Infantry company sets up an artillery observation post, but tensions between Captain Cooney and Lieutenant Costa run high.In 1944, an American Infantry company sets up an artillery observation post, but tensions between Captain Cooney and Lieutenant Costa run high.In 1944, an American Infantry company sets up an artillery observation post, but tensions between Captain Cooney and Lieutenant Costa run high.
- Awards
- 1 win & 1 nomination total
Peter van Eyck
- SS Captain
- (as Peter Van Eyck)
Jim Goodwin
- Pfc. Ricks
- (as Jimmy Goodwin)
Jud Taylor
- Pvt. Jacob R. Abramowitz - Radioman
- (as Judson Taylor)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Based on a play Fragile Fox that was on Broadway during the early Fifties, Attack is one of the best war films ever made. No sham heroics here, just men doing a dirty job and caught in an extremely lousy situation due to politics.
Lee Marvin is a politically ambitious colonel who's national guard company has been activated for World War II. He's got to babysit and keep an eye on Eddie Albert who's father is a big shot in the unnamed southern state he comes from. Only Albert is an incompetent and a coward. That's causing problems up and down the ranks.
How it all gets resolved is what you have to see Attack for and Robert Aldrich never directed a better film. There's not a bad performance here, not a minute of film wasted.
The contrasting character is Jack Palance who is the lead character. His courage and concern for the men he leads are set up in a direct counterpoint to Albert. His climactic scene is one of the most harrowing ever put on film.
It is appropriate with news of Eddie Albert leaving us at the grand old age of 99 to pay tribute to what is probably the best performance this multi-talented and under-appreciated performer ever did. His Captain Cooney is one of the most malevolent creatures ever put to celluloid. He's such a bad man, his performance will make your skin crawl, Albert is that good in this role. Both he and Palance should have been up for Oscars in 1956.
William Smithers made a good film debut in Attack. He never reached the heights of stardom, but Star Trek fans will know him for a role in the original series as Captain Merik who oddly enough made the same bad choices in that episode that Captain Cooney does in Attack.
The cast is populated with war film veterans and they all do their usual fine job. There were times that it didn't seem possible you could make a war film without Lee Marvin, Robert Strauss, or Richard Jaeckel. God Bless 'em all.
And Attack is a film not to be missed even if you don't particularly like war films.
Lee Marvin is a politically ambitious colonel who's national guard company has been activated for World War II. He's got to babysit and keep an eye on Eddie Albert who's father is a big shot in the unnamed southern state he comes from. Only Albert is an incompetent and a coward. That's causing problems up and down the ranks.
How it all gets resolved is what you have to see Attack for and Robert Aldrich never directed a better film. There's not a bad performance here, not a minute of film wasted.
The contrasting character is Jack Palance who is the lead character. His courage and concern for the men he leads are set up in a direct counterpoint to Albert. His climactic scene is one of the most harrowing ever put on film.
It is appropriate with news of Eddie Albert leaving us at the grand old age of 99 to pay tribute to what is probably the best performance this multi-talented and under-appreciated performer ever did. His Captain Cooney is one of the most malevolent creatures ever put to celluloid. He's such a bad man, his performance will make your skin crawl, Albert is that good in this role. Both he and Palance should have been up for Oscars in 1956.
William Smithers made a good film debut in Attack. He never reached the heights of stardom, but Star Trek fans will know him for a role in the original series as Captain Merik who oddly enough made the same bad choices in that episode that Captain Cooney does in Attack.
The cast is populated with war film veterans and they all do their usual fine job. There were times that it didn't seem possible you could make a war film without Lee Marvin, Robert Strauss, or Richard Jaeckel. God Bless 'em all.
And Attack is a film not to be missed even if you don't particularly like war films.
For anyone interested in the subject of World War II - as tackled by Hollywood - "Attack" is a classic first-rate contribution to the genre. With a stellar cast including, oh, listen to this:
1. The captivating Jack Palance in one of his finest roles.
2. Eddie Albert, one of the most likable actors, normally known for playing lovable good-guys her he delivers a character you will just love to hate.
3. Lee Marvin, no comment necessary, one of the very few screen actor from the raw school of coolness (where his only competition was that of Steve McQueen, James Coburn and Charles Bronson).
4. Robert Strauss, who like in the classic "Stalag 17" again gives us some welcomed comic relief well mixed with drama and first rate acting.
5. Buddy Ebsen, excellent and always above-par, whether it was as 'Doc' in "Breakfast at Tiffany's" or TV's 'Barnaby Jones' and 'Jed Clampett' of "The Beverly Hillbillies".
6. Richard Jaeckel, who's fine career spanned from this through hits like "The Dirty Dozen" and all the way to uhm... "Baywatch"!
7. William Smithers who despite this star-making film debut (as the REAL main character of the movie) oddly enough never seemed to top this role (somehow he is credited last here on the IMDb, probably because his name is the last to show up during the opening titles with an "And introducing" attached to it).
The whole sha-bang is directed by the great Robert Aldrich who really deserves credit for this one, as I am sure this story of a US Army officer struck by cowardice during WW2 was hard to stomach for some people just 11 years after the big one ended. Aldrich would go on the direct one of the grand-daddy's of guys-on-a-mission-movies, the before mentioned "The Dirty Dozen" (1967). Not surprisingly Aldrich would work with many of the above listed actors on several occasions, which is another testament to the sturdy cast of "Attack".
All these forces combined - in front off and behind the camera - results in a memorable ride through the darkest corners of the human soul, mixed with some thrilling battle scenes. As this is originally based on a play it might seem a bit talky to some, but wait for the first hour to pass and then it will suddenly explode in drama and first-rate acting. The many confrontations these characters have are all so intense they actually make you forget all the solid action scenes!
Definitely one of the most important Hollywood-contributions exploring the drama of war, worth adding to your WW2-collection!
1. The captivating Jack Palance in one of his finest roles.
2. Eddie Albert, one of the most likable actors, normally known for playing lovable good-guys her he delivers a character you will just love to hate.
3. Lee Marvin, no comment necessary, one of the very few screen actor from the raw school of coolness (where his only competition was that of Steve McQueen, James Coburn and Charles Bronson).
4. Robert Strauss, who like in the classic "Stalag 17" again gives us some welcomed comic relief well mixed with drama and first rate acting.
5. Buddy Ebsen, excellent and always above-par, whether it was as 'Doc' in "Breakfast at Tiffany's" or TV's 'Barnaby Jones' and 'Jed Clampett' of "The Beverly Hillbillies".
6. Richard Jaeckel, who's fine career spanned from this through hits like "The Dirty Dozen" and all the way to uhm... "Baywatch"!
7. William Smithers who despite this star-making film debut (as the REAL main character of the movie) oddly enough never seemed to top this role (somehow he is credited last here on the IMDb, probably because his name is the last to show up during the opening titles with an "And introducing" attached to it).
The whole sha-bang is directed by the great Robert Aldrich who really deserves credit for this one, as I am sure this story of a US Army officer struck by cowardice during WW2 was hard to stomach for some people just 11 years after the big one ended. Aldrich would go on the direct one of the grand-daddy's of guys-on-a-mission-movies, the before mentioned "The Dirty Dozen" (1967). Not surprisingly Aldrich would work with many of the above listed actors on several occasions, which is another testament to the sturdy cast of "Attack".
All these forces combined - in front off and behind the camera - results in a memorable ride through the darkest corners of the human soul, mixed with some thrilling battle scenes. As this is originally based on a play it might seem a bit talky to some, but wait for the first hour to pass and then it will suddenly explode in drama and first-rate acting. The many confrontations these characters have are all so intense they actually make you forget all the solid action scenes!
Definitely one of the most important Hollywood-contributions exploring the drama of war, worth adding to your WW2-collection!
'Attack' was a violent exposé of a lack of courage and perversion among American officers fighting the Germans in Belgium; a completely anti-romantic expression of disgust with war, and, more specially, the war machine, with its breakdown and its own ridiculous brand of bureaucracy
Jack Palance and Eddie Albert played, at different types of psychic disturbance, two officers who struggle on the battlefield the one an efficacious, trustworthy, but disillusioned hero-typed, the other a cowardly sadist
Lee Marvin was the cynical high-ranking officer who treats war as a political farce, mindless of the pain and distress of the ordinary soldiers
Despite an inevitable over-fondness for the dramatic values of combat and the ferocious of men at arms, this was a convincing, truthful try to demythologize war which, had it been set up in a lower key with fewer psychiatric reverberations, would have come nearer to being what Aldrich was struggling to achieve, 'a sincere plea for peace'.
Jack Palance and Eddie Albert played, at different types of psychic disturbance, two officers who struggle on the battlefield the one an efficacious, trustworthy, but disillusioned hero-typed, the other a cowardly sadist
Lee Marvin was the cynical high-ranking officer who treats war as a political farce, mindless of the pain and distress of the ordinary soldiers
Despite an inevitable over-fondness for the dramatic values of combat and the ferocious of men at arms, this was a convincing, truthful try to demythologize war which, had it been set up in a lower key with fewer psychiatric reverberations, would have come nearer to being what Aldrich was struggling to achieve, 'a sincere plea for peace'.
One of the best war films ever made, this gritty little-known gem features Jack Palance in perhaps his best role. The dynamics of a small infantry unit just about at the end of its tether in WWII Europe are portrayed extremely realistically. Eddie Albert, Lee Marvin, and Buddy Ebsen give great supporting performances.
The film is in B&W and has all the dirt and sweatiness and fear that is characteristic of really good work done in the 1950's.
No pretty boys here
The film is in B&W and has all the dirt and sweatiness and fear that is characteristic of really good work done in the 1950's.
No pretty boys here
Above average war film with Jack Palance's snarling ferocity as a revengeful officer along with Eddie Albert as a coward captain ,both of whom give excellent performances along with the remaining cast . 1944 , Belgium , Battle of Bugle , during the closing days of WWII, a National Guard Infantry Company is assigned the task of setting up artillery observation posts in a strategic area . Lieutenant Costa (splendid Jack Palance as platoon leader) knows that Cooney (Eddie Albert ,in real life he served in WW II, was a war hero, in one engagement having braved heavy enemy fire to rescue 70 wounded Marines) is in command only because of his friendship to a colonel (Lee Marvin) and other connections he had made with High-command . As captain Cooney is ordered to move one of his platoons into a forward position . They , then are slowly surrounded by a Nazi army . As Costa has serious doubts concerning Cooneys' ability to lead the group . Lt. Costa calls headquarters for reinforcements but Cooney won't commit his reserves even as the platoon is decimated , then Costa swears vendetta .
This is a bitter war drama that packs thrills , chills , intense battle of wits among two officials and many other things . This has an anti-war argument , though not the usual 'war is hell,' but the terribly corrupting influence that war can have on the most normal, average human beings , and the terrible things it makes them capable of that they wouldn't be capable of otherwise . Interesting picture with excellent screenplay by James Poe based on a play titled "Fragile Fox" by Norman Brooks , dealing with an expert portrayal of men in war under pressure . It is a war movie as frankly good that when it was shown as the Venice Festival a U.S. ambassador walked in protest for its un-Americanism and anti-patriotism , in fact , US Department of Defense and the US Army refused to assist with the production of this movie based on its film script . After reading the script, the military flatly refused to allow any co-operation with the production , that meant no tanks, no uniforms, no troops ; they didn't even allow director to view any Signal Corps footage . However Aldrich managed to rent two tanks ; by careful staging and ingenuity, he was able to convey the impression that many more were being used . Very good acting from Jack Palance who dominates the picture with a tremendously acting , though sometimes overacting , and Eddie Albert as cowardly captain Cooney who refuses to re-enforce him . Two of the lead cast in this Robert Aldrich war film of the Second World War, Richard Jaeckel and Lee Marvin, would go onto appear in the same director's later hugely successful World War II war movie, ¨Dirty Dozen¨ . Actors Jack Palance and Lee Marvin were veterans of World War II as were Peter van Eyck and Eddie Albert . Feature film movie debut for actor William Smithers portraying Lieutenant Harold 'Harry' Woodruff , Smithers prior to this role had only worked in television. Spectacular combats and fights , battle sequences were filmed on the back-lot of two studios: The RKO-Pathé Studios back-lot and the Universal Studios back-lot. Appropriate and evocative musical score by Frank De Vol , Aldrich's usual . Adequate and atmospheric cinematography in black and white by Joseph Biroc .
Well made on the RKO lot in only 35 days for a minimal budget of $750,000 . The motion picture was stunningly realized by Robert Aldrich who gave a tense and brilliant direction . Aldrich began writing and directing for TV series in the early 1950s, and directed his first feature in 1953 (Big Leaguer ,1953). Soon thereafter he established his own production company and produced most of his own films , collaborating in the writing of many of them . Directed a considerable plethora of genres but almost all of his films contained a subversive undertone . He was an expert on warlike genre (Dirty Dozen , The Angry Hills , Ten seconds to hell) and Western (The Frisko kid , Ulzana's raid, Apache , Veracruz , The last sunset) . Rating : Above average , it's a must see and a standout in its genre .
This is a bitter war drama that packs thrills , chills , intense battle of wits among two officials and many other things . This has an anti-war argument , though not the usual 'war is hell,' but the terribly corrupting influence that war can have on the most normal, average human beings , and the terrible things it makes them capable of that they wouldn't be capable of otherwise . Interesting picture with excellent screenplay by James Poe based on a play titled "Fragile Fox" by Norman Brooks , dealing with an expert portrayal of men in war under pressure . It is a war movie as frankly good that when it was shown as the Venice Festival a U.S. ambassador walked in protest for its un-Americanism and anti-patriotism , in fact , US Department of Defense and the US Army refused to assist with the production of this movie based on its film script . After reading the script, the military flatly refused to allow any co-operation with the production , that meant no tanks, no uniforms, no troops ; they didn't even allow director to view any Signal Corps footage . However Aldrich managed to rent two tanks ; by careful staging and ingenuity, he was able to convey the impression that many more were being used . Very good acting from Jack Palance who dominates the picture with a tremendously acting , though sometimes overacting , and Eddie Albert as cowardly captain Cooney who refuses to re-enforce him . Two of the lead cast in this Robert Aldrich war film of the Second World War, Richard Jaeckel and Lee Marvin, would go onto appear in the same director's later hugely successful World War II war movie, ¨Dirty Dozen¨ . Actors Jack Palance and Lee Marvin were veterans of World War II as were Peter van Eyck and Eddie Albert . Feature film movie debut for actor William Smithers portraying Lieutenant Harold 'Harry' Woodruff , Smithers prior to this role had only worked in television. Spectacular combats and fights , battle sequences were filmed on the back-lot of two studios: The RKO-Pathé Studios back-lot and the Universal Studios back-lot. Appropriate and evocative musical score by Frank De Vol , Aldrich's usual . Adequate and atmospheric cinematography in black and white by Joseph Biroc .
Well made on the RKO lot in only 35 days for a minimal budget of $750,000 . The motion picture was stunningly realized by Robert Aldrich who gave a tense and brilliant direction . Aldrich began writing and directing for TV series in the early 1950s, and directed his first feature in 1953 (Big Leaguer ,1953). Soon thereafter he established his own production company and produced most of his own films , collaborating in the writing of many of them . Directed a considerable plethora of genres but almost all of his films contained a subversive undertone . He was an expert on warlike genre (Dirty Dozen , The Angry Hills , Ten seconds to hell) and Western (The Frisko kid , Ulzana's raid, Apache , Veracruz , The last sunset) . Rating : Above average , it's a must see and a standout in its genre .
Storyline
Did you know
- TriviaAlthough he played a cowardly officer in this film, in real life Eddie Albert, who served in WW II, was a decorated war hero. At the Battle of Tarawa (1943), while braving heavy enemy fire, he rescued over 70 wounded Marines, loading them onto his landing craft and taking them back to other ships to receive medical care. For these actions he was award the Bronze Star with "V" device for valor.
- GoofsIn every shot in which they appear, the German tanks have external travel locks on their main gun, including whilst they are firing. These braces are mainly applied when the tank is being transported by ship or train, and is to prevent the turret from shaking and damaging sensitive systems like aiming mechanisms. However, any such device would be removed long before the tank enters combat, as it makes aiming virtually impossible. That, and thanks to recoil, the act of firing the gun in such a situation would not only damage the lock, but also likely harm the very mechanisms the lock is supposed to help protect in the first place.
- Quotes
Sfc. Tolliver, Fox Co.: [refusing a drink] Captain, down around where I come from we dearly love our whiskey. But we don't drink with another man unless we respect him.
- Crazy creditsOpening credits prologue: EUROPE 1944
- Alternate versionsWhen originally released theatrically in the UK, the BBFC made cuts to secure a 'X' rating. All cuts were waived in 1997 when the film was granted a 'PG' certificate for home video.
- ConnectionsFeatured in Discovering Film: Lee Marvin (2015)
Details
Box office
- Budget
- $750,000 (estimated)
- Runtime1 hour 47 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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