When this movie is made in 1956, one could circumnavigate the globe in a little less than two days. When Jules Verne wrote the story "Around the World in Eighty Days" in 1872, he predicted that one day man could accomplish the task in eighty hours, but which most considered folly to do in eighty days in current times, that is except for people like Englishman Phileas Fogg, a regimented man who believed all it would take is exacting work, the skills he possesses. He just has to make sure a train's schedule meets the required sailing schedule which meets the required coach schedule and so on. As such, he takes up what ends up being the highly publicized twenty thousand pounds sterling wager from his fellow members at the London Reform Club to do so, losing the bet which would ruin him financially. Along for the ride is Fogg's new, loyal and devoted valet, the recently arrived Latin immigrant, Passepartout, who possesses unusual skills which could be major assets, but whose all consuming...Written by
Hop on a sailing railroad across The West! Be attacked by fierce prairie Indians! Rescue a Princess in India! Sail a burning Atlantic paddle-wheeler! Fight bulls in Spain! Romp through Paris! See more »
(Mag-optical) (35 mm prints) (1956)|Mono
(optical) (35 mm prints) (re-release prints)|70 mm 6-Track
(70 mm prints) (Westrex Recording System)|4-Track Stereo
(Perspecta Sound encoding) (35 mm magnetic prints) (1956)
Orson Welles was reported to have been upset that he was not tapped by Michael Todd for a cameo appearance. Ten years earlier, Welles had produced an ambitious stage version of the Jules Verne novel on Broadway, featuring a score by Cole Porter. The musical, which opened on May 31, 1946 at the Adelphi Theatre, folded after just 75 performances. When Todd turned the same source material into a critical and commercial success, Welles admitted to a fair amount of sour grapes. See more »
Passepartout sits at a table in a San Francisco saloon. Someone throws a knife, which lands on the table next to his hand and knocks over a glass of beer. In the next shot, the glass is upright and full of beer. See more »
There are no opening credits. The film begins with 'Edward R. Murrow (I)' narrating a prologue showing the history of flight. Then, the actual story begins with no opening credits whatsoever. See more »
The Todd-AO (30 fps) version and the Todd-AO (24 fps) version are as close to being identical as possible, considering that each scene was shot twice, using both methods. Note that the sound mixes of the 70 mm version and the 35 mm version are as close to being identical as possible, unlike Oklahoma! where the sound mix is completely different for each version. See more »
I really enjoyed this film, and was shocked to see all the negative comments about it on IMDB. Yes it's long, yes it's a fantasy rather than true-to-life, yes it's spectacular rather than deep drama. But what the hell, it's also (like the book) a hilarious send-up of Englishness as seen by a Frenchman. The millions of cameo roles (actually I'm HOPELESS at recognising faces, so identified none of them) camp it all up splendidly. This film is one of those, like the Ealing comedies or the Carry-On films, that define the British Myth.
OK, so it won't work on TV, unless you have a widescreen TV and can shut yourself away from all distractions for several hours. But I just dare anyone to be bored by the film in a cinema. They don't make them like that any more, because these days films are "made for TV" . . .
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