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Aparajito (1956)

Not Rated | | Drama | 11 October 1956 (India)
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Following his father's death, a boy leaves home to study in Calcutta, while his mother must face a life alone.

Director:

Satyajit Ray

Writers:

Bibhutibhushan Bandyopadhyay (novel) (as Bibhutibhushan Banerji), Satyajit Ray (script by: in subtitles) | 1 more credit »
Reviews
Top Rated Indian Movies #35 | Nominated for 2 BAFTA Film Awards. Another 6 wins. See more awards »

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Cast

Credited cast:
Kamala Adhikari Kamala Adhikari ... Mokshada
Lalchand Banerjee Lalchand Banerjee ... Lahiri (as Lalchand Bandyopadhyay)
Kali Bannerjee Kali Bannerjee ... Kathak (as Kalipada Bandyopadhyay)
Kanu Bannerjee Kanu Bannerjee ... Harihar Ray (as Kanu Bandyopadhyay) (as Kanu Banerji in subtitles)
Karuna Bannerjee ... Sarbojaya Ray (as Karuna Bandyopadhyay) (as Karuna Banerji in subtitles)
Panchanan Bhattacharya Panchanan Bhattacharya
Debabrata Chakraborty Debabrata Chakraborty
Harendrakumar Chakravarti Harendrakumar Chakravarti ... Doctor
Hemanta Chatterjee Hemanta Chatterjee ... Professor (as Hemanta Chattopadhyay)
Meenakshi Devi Meenakshi Devi ... Pandey's wife
Subodh Ganguli Subodh Ganguli ... Headmaster
Smaran Ghosal ... Apu - adolescent (as Smarankumar Ghoshal) (as Smaran Ghosal in subtitles)
Charuprakash Ghosh Charuprakash Ghosh ... Nanda
Santi Gupta Santi Gupta ... Ginnima (as Shanti Gupta in subtitles)
Ajay Mitra Ajay Mitra ... Anil
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Storyline

After living awhile in Benares, 10 year old Apu and his mother move in with her uncle in a small Bengali village. Apu enters a local school, where he does well. By the time he graduates, he has a scholarship to study at a college in Calcutta. So off he goes. His mother is torn by his leaving, and by his growing independence. She loves her son very much and wants him to succeed, but she does not want to be left alone. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Taglines:

Set against the colorful, rustic background of India and its great cities, "Aparajito" continues the epic drama of the lives and fortunes of the family introduced to American audiences in "Pather Panchali"

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Official Sites:

YOUTUBE [India]

Country:

India

Language:

Bengali | English

Release Date:

11 October 1956 (India) See more »

Also Known As:

Aparajito See more »

Filming Locations:

Calcutta, West Bengal, India See more »

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Box Office

Gross USA:

$170,215
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The first Indian film to win the Golden Lion at the Venice Film Festival. Ray, who was attending the festival, was utterly flabbergasted as he felt that the film contained some serious flaws. See more »

Quotes

Sarbojaya Ray: Did you say something?
Harihar Ray: Water...
Sarbojaya Ray: You want water?
Harihar Ray: Ganges...
See more »

Connections

Referenced in The Darjeeling Limited (2007) See more »

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User Reviews

Documentary/Fiction
27 November 2003 | by s-wrenSee all my reviews

Each of the three films of the Apu Trilogy exhibit the extraordinary quality of a documentary film on the conditions of life in India at the time they are set. I think this is what I like best in them through numerous viewings. The films are shot in locations that appear untouched by any art department - remote countryside in Bengal, the great cities - Benares and Calcutta. The characters eke out an adequate life in their sufficient poverty - a life sustained by their faith and simple devotion to one another. At the same time there are moments that are pure cinema. There is an exquisite swish pan cut from Kurana (the mother) leaning against a tree, full of emptiness as Apu has just left for Calcutta, to the swift dynamo of the train crossing a bridge with the trestles a blur. At the moment Kanu (the father) gives up his soul a flock of birds alights over the Ganges. Later as Kurana is gradually sinking into the depths of loneliness - a sickness unto death - she has a vision of fireflies swirling around in the falling darkness.

These films traverse the drama of life and death touching gently on all of the salient points along the path. They put us face to face with the challenge of living in a world, which constantly gives us disappointment. At the same time there is a celebration of that ineffable quality which gives life meaning.


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