In 1874, after noticing the total lawlessness in Wichita, Wyatt Earp reluctantly accepts the Marshal's job and runs into the worst local troublemakers.In 1874, after noticing the total lawlessness in Wichita, Wyatt Earp reluctantly accepts the Marshal's job and runs into the worst local troublemakers.In 1874, after noticing the total lawlessness in Wichita, Wyatt Earp reluctantly accepts the Marshal's job and runs into the worst local troublemakers.
IMDb RATING
6.9/10
2K
YOUR RATING
- Director
- Writer
- Daniel B. Ullman(story and screenplay)
- Stars
- Director
- Writer
- Daniel B. Ullman(story and screenplay)
- Stars
- Awards
- 1 nomination
Robert J. Wilke
- Ben Thompson
- (as Robert Wilke)
Robert Anderson
- Bank Robber
- (uncredited)
Gertrude Astor
- Saloon Madam
- (uncredited)
Rayford Barnes
- Hal Clements
- (uncredited)
- Director
- Writer
- Daniel B. Ullman(story and screenplay)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaSam Peckinpah played a bit part as a bank teller.
- GoofsThey have Wyatt Earp meeting Bat Masterson in Wichita for the first time and Bartholemew calls himself Bat when introducing himself. Bat started using his shortened name later in life and they actually met their first time in Dodge City Kansas not Wichita per Bat's own memoirs.
- Quotes
Clint Wallace: [a solitary figure on horseback appears in the distance] What do you make of him, Ben?
Ben Thompson: Well, he's no Indian.
Clint Wallace: Could be a scout for some rustlers. This country's full of 'em.
Ben Thompson: He's headin' this way and he's not hidin'. He's probably some pilgrim looking for a free meal.
Clint Wallace: He's welcome to that. We're not takin' any chances.
Ben Thompson: Al, go out and check up on that rider.
Al: How much checkin up you want?
Ben Thompson: Make sure he's alone, that's all. If he has got a bunch behind him we'll know in plenty of time to be ready for him.
- ConnectionsFeatured in Texasin urhot (1956)
Review
Featured review
Gateway of courage
Wyatt Earp was another example of a fascinating person with a fascinating story, so any film about him is always welcome. It is a shame that Jacques Tourneur is as underrated as he is, as he had great talent as a director. One of the best film noirs ever 'Out of the Past' and the very influential 'Cat People' are proof of that. Joel McCrea, Vera Miles and Lloyd Bridges were always worth seeing, and all three have good performances in other films.
Anybody that loves the Western genre, or at least appreciates it, are likely to find a lot to like about 'Wichita'. To me, it is not quite a classic and is a film to be taken on its own and to be dismissed on biographical terms. 'Wichita' still struck me as very good, with a lot of things being excellent. With this film, it is easy to see why those who have heard of Tourneur and like some of his films have found appeal in him and also why the cast are as regarded as they are.
Sure 'Wichita' is cliched, with a lot of elements that people who know the genre will recognise from elsewhere. Those that know intimately about Earp and his life will despair at how the film plays fast and loose with the facts, which were even more interesting than what was presented here.
Perhaps the pace could have been tighter at times.
However, 'Wichita' is very handsomely shot, making the most of the settings that are full of unforgiving grit and atmosphere, and there are no signs of time and budget constraints visually. Tourneur's direction is exemplary, taut, elegant and frames and stages the action with accomplishment and ease. It is a very different kettle of fish to his direction for 'Out of the Past' and 'Cat People', but he didn't seem out of his depth here and it shows that he did have versatility. The music fits very well and the theme song from Tex Ritter is memorable. The script was clearly written with a lot of intelligence and is literate without being too talk heavy.
The story also compels on the most part, it excites, it doesn't hold back in the more tense scenes and it's moving in spots. As well as nostalgic. The action is spectacular, thrillingly staged and beautifully filmed. The romantic angle doesn't feel like padding or tacked on, a mistake that quite a number of similar films make. It may not be completely accurate, but it is a very well told and engaging story in its own way. Earp is a character of real authority here while being characterised in a way that makes one find it easy to empathise with his conflicts. McCrea does superbly at showing all those things in his performance too. Miles is luminous and charming and Keith Larson and Edgar Buchanan are effective in their parts.
Overall, very good and deserving of more credit. 8/10
Anybody that loves the Western genre, or at least appreciates it, are likely to find a lot to like about 'Wichita'. To me, it is not quite a classic and is a film to be taken on its own and to be dismissed on biographical terms. 'Wichita' still struck me as very good, with a lot of things being excellent. With this film, it is easy to see why those who have heard of Tourneur and like some of his films have found appeal in him and also why the cast are as regarded as they are.
Sure 'Wichita' is cliched, with a lot of elements that people who know the genre will recognise from elsewhere. Those that know intimately about Earp and his life will despair at how the film plays fast and loose with the facts, which were even more interesting than what was presented here.
Perhaps the pace could have been tighter at times.
However, 'Wichita' is very handsomely shot, making the most of the settings that are full of unforgiving grit and atmosphere, and there are no signs of time and budget constraints visually. Tourneur's direction is exemplary, taut, elegant and frames and stages the action with accomplishment and ease. It is a very different kettle of fish to his direction for 'Out of the Past' and 'Cat People', but he didn't seem out of his depth here and it shows that he did have versatility. The music fits very well and the theme song from Tex Ritter is memorable. The script was clearly written with a lot of intelligence and is literate without being too talk heavy.
The story also compels on the most part, it excites, it doesn't hold back in the more tense scenes and it's moving in spots. As well as nostalgic. The action is spectacular, thrillingly staged and beautifully filmed. The romantic angle doesn't feel like padding or tacked on, a mistake that quite a number of similar films make. It may not be completely accurate, but it is a very well told and engaging story in its own way. Earp is a character of real authority here while being characterised in a way that makes one find it easy to empathise with his conflicts. McCrea does superbly at showing all those things in his performance too. Miles is luminous and charming and Keith Larson and Edgar Buchanan are effective in their parts.
Overall, very good and deserving of more credit. 8/10
helpful•71
- TheLittleSongbird
- May 18, 2020
Details
Box office
- Gross US & Canada
- $2,400,000
- Runtime1 hour 21 minutes
- Aspect ratio
- 2.55 : 1
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