A tragic social drama set in post war Japan and concerns a lonely woman trying to find purpose and stability in a devastated Tokyo.
Cast overview, first billed only: | |||
Hideko Takamine | ... | Yukiko Koda | |
Masayuki Mori | ... | Kengo Tomioka | |
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Mariko Okada | ... | Sei Mukai |
Isao Yamagata | ... | Sugio Iba | |
Chieko Nakakita | ... | Kuniko Tomioka | |
Daisuke Katô | ... | Seikichi Mukai | |
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Mayuri Mokushô | ... | Nomiya no musume |
Noriko Sengoku | ... | Yakushima no okaasan | |
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Fuyuki Murakami | ... | Futsuin no shikensho-chou |
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Heihachirô Ôkawa | ... | Isha |
Nobuo Kaneko | ... | Futsuin no shoin - Suitou | |
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Roy James | ... | American soldier (as Roi H. Jêmusu) |
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Kan Hayashi | ... | Religious sect teacher |
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Akira Tani | ... | Shinja |
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Seijirô Onda | ... | Marutaka motor manager |
A tragic social drama set in post war Japan and concerns a lonely woman trying to find purpose and stability in a devastated Tokyo.
This is a story about a couple who met in French Indo-China working for the Forestry Department for Japan. The story is ultimately about the time they spend once they return to Japan, which is somewhat tumultuous, as her is married. They do not spend the whole film together, at times Tomioka is with his wife and he even leaves Yukiko for another still younger woman, Osei. If this sounds like a tear-jerking soap opera, it kind of is. However, the movie is a powerful tale of love, betrayal and obsession. The beautiful Hideko Takamine (at times, I don't think she was ever more beautiful in a film) is excellent in a very challenging role, conjuring raw emotions often. At times you are torn between them even wanting to be together and I think that is what gives the film its compelling nature. If you are not fond of heavy drama, this is not your film. I feel the acting is superb (again, especially Ms. Takamine) and the story very watchable. Another great film by Mikio Naruse.