A French Intelligence Agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missile Crisis, and then back to France to break up an international Russian spy ring.
There is a dead well-dressed man in a meadow clearing in the hills above a small Vermont town. Captain Albert Wiles, who stumbles across the body and finds by the man's identification that his name is Harry Worp, believes he accidentally shot Harry dead while he was hunting rabbits. Captain Wiles wants to hide the body as he feels it is an easier way to deal with the situation than tell the authorities. While Captain Wiles is in the adjacent forest, he sees other people stumble across Harry, most of whom don't seem to know him or care or notice that he's dead. One person who does see Captain Wiles there is spinster Ivy Gravely, who vows to keep the Captain's secret about Harry. Captain Wiles also Secretly sees a young single mother, Jennifer Rogers, who is the one person who does seem to know Harry and seems happy that he's dead. Later, another person who stumbles across both Harry and Captain Wiles is struggling artist Sam Marlowe, to who Captain Wiles tells the entire story of what ...Written by
When Sam Marlowe guesses Miss Ivy Gravely's age, he guesses fifty. She then tells him she is only forty-two. Mildred Natwick was fifty-years-old at the time. See more »
When the foursome leave Jennifer's house, the cupboard door opens by itself. However, when they return, it is closed. See more »
All right. If I had my choice, I'd rather be thought a murderer than proved one.
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Closing credits: "The trouble with Harry is over." See more »
In a version seen on commercial television in the UK, several scenes and parts of scenes were cut. Most noticeable was the removal of the scene in which Sam, the artist played by , walks through the village in long shot singing "Flaggin' the Train to Tuscaloosa" (still present in the titles). Also, the doctor's brief appearances up to his final discovery of the body were cut, making Sam's prior inclusion of his name in the list of people who could go to the police rather confusing! This also meant the 'famous' shot used on the posters of Sam and the Captain each holding one of Harry's legs was cut. See more »
This movie is in my top five favorite Hitchcock films. Maybe I committed 'blasphemy' for putting it ahead of films like North by Northwest, Shadow of a Doubt, and Notorious, but I think it was worth it. Sadly, this is a film that's overlooked when you think of his other films, like the ones I mentioned above. For fans of the film, we can only wonder why it's swept under the rug. Sure it's no 'Vertigo', but the thing is it's not meant to be.
The Trouble with Harry has the unique distinction of being only one of two comedies that Hitch made, in the U.S. anyway. The other being Mr. & Mrs. Smith. Of course Hitch is famous for little touches of black humor, but on this film he went all out. A plain, simple, black comedy that probably ends up flying under the radar of people used to watching Marx Bros. films, who I also like.
While not exactly, laugh-out-loud comedy I enjoy watching it. I think it's a relaxing film, especially when you see the great photography that captures the beauty of autumn in New England. Then again, I don't think you can ever get a bad shot of that. It's an amusing tale with good acting from John Forsythe, Shirley MacLaine, Edmund Gwenn, and Mildred Natwick occupying the main and almost only roles in the film. It also marks the first collaboration between Hitchcock and Herrmann who brings a light, airy, and playful score that helps make the concern of the story less of 'how' Harry died, but what exactly to do with him.
Basically, if you like Hitchcock, black comedy and don't mind an uncomplicated story, then I highly recommend it.
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