A boy haunted by nightmares about the night his entire family was murdered is brought up by a neighboring family in the 1880s. He falls for his lovely adoptive sister but his nasty adoptive brother and mysterious uncle want him dead.
Gunfighter Rick Martin returns to his hometown of Casper, Wyoming to learn of the fate of his mother and to warn the town of an impending raid by the Tom Quentin gang. The townspeople however reject him, afraid that his gunslinging past will cause new trouble. Rick learns that his mother did not die of illness but was murdered, and he comes to suspect the town's leading citizen -- a man now engaged to marry the woman Rick loves.Written by
Jim Beaver <firstname.lastname@example.org>
The film was released in 1955. Ironically the following cast members died over the next seven years: William Bishop (1918-59); James Millican (1910-59); John Cason (1918-62); Wheaton Chambers (1887-1958); Jack Kenney (I) (1902-61); Carl Mathews (1899-1959); Frank O'Connor (I) (1881-1959); William 'Bill' Phillips (1908-57). Granted that three of them were born between 1881-99, but the others were considerably young for even that time and none died in accidents. The following cast members died before reaching age 60: Hugh Sanders (I) (1911-66); Richard Reeves (I) (1912-67). See more »
During the scene on the edge of town where Martin is about to be framed, you can clearly see a set of car headlights move across the mountain road in the background. See more »
What a shame that a really competent director like Andre de Toth who specialized in slippery, shifting alliances didn't get hold of this concept first. He could have helped bring out the real potential, especially with the interesting character played by William Bishop. As the movie stands, it's pretty much of a mess (as asserted by reviewer Chipe). The main problems are with the direction, cheap budget, and poor script. The strength lies in an excellent cast and an interesting general concept-- characters pulled in different directions by conflicting forces. What was needed was someone with vision enough to pull together the positive elements by reworking the script into some kind of coherent whole, instead of the sprawling, awkward mess that it is, (try to figure out the motivations and interplay if you can). Also, a bigger budget could have matched up contrasting location and studio shots, and gotten the locations out of the all-too-obvious LA outskirts. The real shame lies in a waste of an excellent cast-- Hayden, Taylor (before his teeth were capped), Dehner, Reeves, along with James Millican and William Bishop shortly before their untimely deaths. Few films illustrate the importance of an auteur-with-vision more than this lowly obscure Western, which, in the right hands, could have been so much more.
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