The Creature from the Black Lagoon has been captured by scientists and transported to an aquarium in south Florida. Once there he becomes attracted to the lovely female scientist and manages to escape and kidnap her, and heads to Jacksonville, with her real life love in pursuit.. Written by
Jonah Falcon <email@example.com>
When Professor Ferguson is informed of the capture of the creature, his colleague refers to it as a "creature from the Devonian era" and something that should have "...died out a quarter of a million years ago."
The Devonian is a geologic period, not an era (which marked the emergence and divergence of fish species and land plants, and, near its end, the first animals to venture onto land), and lasted from 416 million years ago to the beginning of the Carboniferous Period, 359 million years ago. As with the first Creature movie, the "scientists" not only do not know the terminology of geologic history, but their chronology is all wrong. See more »
Director Jack Arnold and company took great care in this one to make the 3-D effects look more natural. While there are no chairs or spears thrown at the camera, there are still plenty of thrilling moments when the creature advances into view and even a couple of false frights, as when a threatening shadow turns out to be no more dangerous than Lori Nelson's hand.
Admittedly the screenplay has its weak links. Depending largely on unlikely co-incidences, the storyline pays scant regard to consistency or logic, while the dialogue is not only trite and banal but seems to go out of its way to provide a persistent assault on the viewer's intelligence by explaining what we can actually see for ourselves. No-one can walk to the bathroom in this film without someone providing a running commentary. Worse, the characters prove little more than pasteboard figures which indifferent actors like Agar and Nelson struggle to bring to life. Miss Nelson is further handicapped by the large amount of make-up she was forced to wear for the 3-D cameras. True, the effect seemed not only attractive but perfectly natural when the original film was projected through a 3-D filter and then viewed through polaroid glasses. She still looks great when framed through a Marineland window, but in bright sunlight the effect now looks ridiculous.
Of course, the Creature himself seems far less menacing (and far more obviously a stuntman in an ill-fitting rubber suit) when exposed to the glare of flat, over-bright 2-D scrutiny.
Nonetheless, the skill of Jack Arnold's direction, particularly in his efforts to disguise obvious 3-D tricks and use depth to produce shock in a seemingly more realistic way, gives the movie sufficient interest and vigor to overcome all script and histrionic short-comings.
Production values benefit from location filming and it's good to see Scotty Welbourne handling all the photographic chores on this one, both underwater and main unit. Of course, in 2-D the picture looks over-lit as it was lensed with 3-D's 20% light reduction firmly in mind.
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