The Creature from the Black Lagoon has been captured by scientists and transported to an aquarium in south Florida. Once there he becomes attracted to the lovely female scientist and manages to escape and kidnap her, and heads to Jacksonville, with her real life love in pursuit..Written by
Jonah Falcon <email@example.com>
In the preceding film, Creature from the Black Lagoon (1954), the creature suit was built to hold the air in so their were no bubble when the creature was under water. In order to save money and to provide air for the stuntman in underwater sequences, the suit design was changed to allow a hose to pump air to the actor. As a result, bubbles could be seen coming out of different parts of the suit. See more »
When the Creature drags Joe over the side of the holding tank into the water, two men jump in to save him. The Creature drags both of them under the water. When Joe jumps back in to save them, he only drags one to safety, apparently leaving the other one to drown. See more »
I hope you ain't going to blow up my boat, Mr. Johnson. Like my wife, she's not much but she's all I have.
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This movie was originally released in 3-D See more »
No doubt designed to make a fast buck in the 50s, you still get the Gill Man, one of the coolest of all monster designs ever, and a woman to throw cars for and swim thousands of miles for in beautiful Lori Nelson.
Even in a production without much life, the Gill Man still seems
powerful and mysterious, and his biological drive to mate with Ms. Nelson is interesting considering the long lineage of sympathetic monsters in love with knock-out blondes and brunettes. Sadly, the idea of the monster, the tragic beast longing for what is impossible to him (Wolf Man, King Kong, the Mummy) is a distant memory in filmdom. There was the recent DARK MAN, and Nicholson's WOLF, but these are obvious throw-backs to a time when monsters were more than scurrying guerrillas attacking from the shadows or machine-like mass murderers who cannot be killed. I won't count fluffy-haired vampires, whose allure as suave parasites is not "monstrous". A monster, in classic terms, in love with a beautiful woman, is denied her by the facts of their existence. Either because of grotesqueness or species-differences,
the monster endures pain, capture, and often death in his attempt to carry a Lori Nelson in his arms through a moonlit swamp.
In REVENGE the Gill Man is probed, prodded, and stared at by tourists, definitely the worst fate, though this allows the Creature to establish a magnetic attraction to Lori Nelson. You get a great escape, more Lori Nelson in bathing suits, a big bohunk who has an unhealthy fetish with wrestling the Gill Man hand-to-hand, and lots more Lori Nelson in a bathing suit. What you don't do is watch this movie for any reason but to see the Gill Man thrash in the water and smack
bohunks...and if you're a fan of the Creature and classic monsters, you'll understand the tragic consequences when you're a walking fish-man who's half-man enough to love a human woman, and whose tears probably would never show, in the depths of the deepest lagoons.
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