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Rebel Without a Cause (1955)

PG-13 | | Drama | 29 October 1955 (USA)
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A rebellious young man with a troubled past comes to a new town, finding friends and enemies.

Director:

Nicholas Ray

Writers:

Stewart Stern (screen play), Irving Shulman (adaptation) | 1 more credit »
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Popularity
3,332 ( 475)
Nominated for 3 Oscars. Another 3 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
James Dean ... Jim Stark
Natalie Wood ... Judy
Sal Mineo ... John 'Plato' Crawford
Jim Backus ... Frank Stark
Ann Doran ... Mrs. Carol Stark
Corey Allen ... Buzz Gunderson
William Hopper ... Judy's Father
Rochelle Hudson ... Judy's Mother
Dennis Hopper ... Goon
Edward Platt ... Ray Fremick
Steffi Sidney Steffi Sidney ... Mil
Marietta Canty ... Crawford Family Maid
Virginia Brissac ... Mrs. Stark - Jim's Grandmother
Beverly Long Beverly Long ... Helen
Ian Wolfe ... Dr. Minton
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Storyline

Jim Stark is the new kid in town. He has been in trouble elsewhere; that's why his family has had to move before. Here he hopes to find the love he doesn't get from his middle-class family. Though he finds some of this in his relation with Judy, and a form of it in both Plato's adulation and Ray's real concern for him, Jim must still prove himself to his peers in switchblade knife fights and "chickie" games in which cars race toward a seaside cliff. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Plot Synopsis

Taglines:

Warner Bros'. challenging drama of today's juvenile violence! See more »

Genres:

Drama

Certificate:

PG-13 | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

29 October 1955 (USA) See more »

Also Known As:

Rebel Without a Cause See more »

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Box Office

Budget:

$1,500,000 (estimated)

Opening Weekend USA:

$116,668, 23 September 2018

Gross USA:

$199,963

Cumulative Worldwide Gross:

$199,963
See more on IMDbPro »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (optical prints)| 4-Track Stereo (RCA Sound Recording) (magnetic prints)| Dolby Digital (DVD version)

Color:

Color (WarnerColor)

Aspect Ratio:

2.55 : 1
See full technical specs »
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Did You Know?

Trivia

The living room of the Starks' house was based on Nicholas Ray's bungalow (he did something similar for In a Lonely Place (1950)). James Dean and other cast members would rehearse there, and Dean felt most comfortable there. It was Dean's idea for Jim to be placed between his parents during the climactic fight scene, to reflect his inner turmoil. See more »

Goofs

When Plato shoots at Jim, Jim's words don't match up with his mouth. And when Jim tackles him a moment later Plato's words don't match up either. See more »

Quotes

[first lines]
First police officer: Get up, get up. Mixed up in that beating on 12th street, huh?
Second police officer: No. Plain drunkenness.
See more »

Alternate Versions

To receive a UK cinema certificate the film was extensively cut by the BBFC. The entire knife fight scene between Jim & Buzz was removed, and heavy edits were made to the chicken race scene, shots of Jim attempting to throttle his father, and the fight between Jim and probation officer Fremick. Although the distributors initially wanted an 'A' certificate they were told that further cuts would have to be made, so the above print was released as an 'X'. All later UK releases were fully uncut and since 1986 the film has been PG rated. See more »

Connections

Referenced in Andre Villa's Heartbreak Hotel (2018) See more »

Soundtracks

Five O'Clock Whistle
(1936) (uncredited)
Music by Gene Irwin and Josef Myrow
Played on the car radio after the dedication
See more »

Frequently Asked Questions

See more »

User Reviews

 
not my favorite Nick Ray film by far, but it's worth viewing as a "essential" from the 50s
4 December 2006 | by Quinoa1984See all my reviews

I put quotations around the words "essential" in that one line because, really, I'm not totally sure what essential means really when it comes to seeing films from that decade. The general consensus- on which one might dub a film like Rebel Without a Cause overrated- is that this film is THE film on teenage angst and dislocation from the adults of the period, and that it's essential because of James Dean, or that it might be considered director Nicholas Ray's best film. For me though, "essential" is a very subjective term, and one person's essential being this film is another one's essential being Bigger Than Life or In a Lonely Place, films that get some notice in the film circles but not enough when placed against a film like the one here. It's the kind of picture I end up recommending, but not exactly under the terminology of how I would find it to be essential or not, because I don't really. It's not a sort of seminal, staggeringly entertaining and artistically satisfying work about being an outsider in the 50s like On the Waterfront or even one most people wouldn't think of like Ikiru. From a historical perspective, however, and for the significance of James Dean, it is worth a viewing, at least once, if you want to know at least what the industry leaned towards in the 50s.

Now, on to the actual film- it's the story of Jim Stark, who is disaffected and with a sort of glow about him (if glow is the word, maybe just, um, malaise), and its more of a reflection on his parents (Jim Backus, who is actually quite good here, and Ann Doran as his mother) than on society as a whole. Not that society doesn't have a part in Jim's emotional downward spiral. He's a kid who ends up getting connected to violence ('Don't call me chicken' is coined famously, and maybe unintentionally amusingly, by Dean in this film), and all the while Dean plays him very calmly and coolly, with his big emotional bursts strong and piercing. But as I've yet to see his other two big cinematic roles in East of Eden or Giant, I can't compare one to the other or not. On its own, his turn today almost borders on being too melodramatic, even too stuck in the period (Brando, as mentioned before, had the 'normalcy of detachment and cool' down to a T unlike Dean here who is good if not great). He's followed along by compelling supporting work by Sal Mineo and Natalie Wood, as equally disaffected youth, but in different ways that end up clinging the three of them together.

The story, as much as it tries to, isn't really as convincing as it tries to be, and unfortunately to me doesn't hold up like it should. The convincing bits are still there, and some scenes are revelatory into the little things about teenagers, like the trip inside the planetarium- no matter how tough they think they are or act or anything, they can still be amazed by some things, the unknown that is. And the fight that happens after-wards- along with the 'chickie' drag race at night that leads to a tragic turn of events- are classic Ray-directed moments. But the classically trained style of film-making by Ray, with the level of subversion still there under the surface of the immediate context, isn't as fulfilling when given to the story and characters and acting. Some characters are just outright silly or so one-dimensional that you can't believe someone like Dean's character would have to deal with them at all. Even an emotionally complex scene like the "it's tearing me apart" speech doesn't hit quite as hard as it might have in 1955. By the end of it all, I knew Rebel Without a Cause was worth viewing, but as an immediate masterwork of the Hollywood system? I'm not really sure on that, and certainly not if one's talking about essentials from the director. B+


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