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Rebel Without a Cause (1955)

PG-13 | | Drama | 29 October 1955 (USA)
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2:17 | Trailer
A rebellious young man with a troubled past comes to a new town, finding friends and enemies.

Director:

Nicholas Ray

Writers:

Stewart Stern (screen play), Irving Shulman (adaptation) | 1 more credit »
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Popularity
2,836 ( 133)
Nominated for 3 Oscars. Another 3 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
James Dean ... Jim Stark
Natalie Wood ... Judy
Sal Mineo ... John 'Plato' Crawford
Jim Backus ... Frank Stark
Ann Doran ... Mrs. Carol Stark
Corey Allen ... Buzz Gunderson
William Hopper ... Judy's Father
Rochelle Hudson ... Judy's Mother
Dennis Hopper ... Goon
Edward Platt ... Ray Fremick
Steffi Sidney Steffi Sidney ... Mil
Marietta Canty ... Crawford Family Maid
Virginia Brissac ... Mrs. Stark - Jim's Grandmother
Beverly Long Beverly Long ... Helen
Ian Wolfe ... Dr. Minton
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Storyline

Jim Stark is the new kid in town. He has been in trouble elsewhere; that's why his family has had to move before. Here he hopes to find the love he doesn't get from his middle-class family. Though he finds some of this in his relation with Judy, and a form of it in both Plato's adulation and Ray's real concern for him, Jim must still prove himself to his peers in switchblade knife fights and "chickie" games in which cars race toward a seaside cliff. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Plot Synopsis

Taglines:

Warner Bros. put all the force of the screen into a chellenging drama of today's juvenile violence! See more »

Genres:

Drama

Certificate:

PG-13 | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

29 October 1955 (USA) See more »

Also Known As:

Rebel Without a Cause See more »

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Box Office

Budget:

$1,500,000 (estimated)

Opening Weekend USA:

$116,668, 23 September 2018

Gross USA:

$199,963

Cumulative Worldwide Gross:

$199,963
See more on IMDbPro »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (optical prints)| 4-Track Stereo (RCA Sound Recording) (magnetic prints)| Dolby Digital (DVD version)

Color:

Color (WarnerColor)

Aspect Ratio:

2.55 : 1
See full technical specs »
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Did You Know?

Trivia

The part where Jim and Judy find Plato wearing one blue sock and one red sock was not scripted. Sal Mineo actually put them on that way by mistake. See more »

Goofs

In the first police station scene,when Judy gives her phone number out, look over her right shoulder, Jim is sat on a chair, and you see a police officer walk out of a door with a man, in the next scene they come out of the same door again. See more »

Quotes

[first lines]
First police officer: Get up, get up. Mixed up in that beating on 12th street, huh?
Second police officer: No. Plain drunkenness.
See more »

Alternate Versions

To receive a UK cinema certificate the film was extensively cut by the BBFC. The entire knife fight scene between Jim & Buzz was removed, and heavy edits were made to the chicken race scene, shots of Jim attempting to throttle his father, and the fight between Jim and probation officer Fremick. Although the distributors initially wanted an 'A' certificate they were told that further cuts would have to be made, so the above print was released as an 'X'. All later UK releases were fully uncut and since 1986 the film has been PG rated. See more »

Connections

Referenced in Relative Race: Episode #3.2 (2018) See more »

Soundtracks

Five O'Clock Whistle
(1936) (uncredited)
Music by Gene Irwin and Josef Myrow
Played on the car radio after the dedication
See more »

Frequently Asked Questions

See more »

User Reviews

Well you gotta do SOMETHIN'.
18 May 2000 | by Evan-29See all my reviews

I'm getting really sick of people on here saying "this film is not relevant today, because kids don't face the same problems, blah blah..." when these are ADULTS saying this, who wouldn't know the first thing about the problems kids face today because they aren't one. Well I'm 16 and I can say that this film is every bit as involving and affecting as it was the day it came out. I mean, name one thing in Rebel that isn't a part of teen life now. Drag racing: that's the only thing.

But anyway, the movie. I'm a hard-core film buff and have seem many many many many movies in my 16 years. Only two of them have accurately depicted teen life: Rebel Without a Cause and a beautiful Japanese anime film called Whisper of the Heart. Rebel on a whole is a bit exaggerated, but it's only fitting - a teen exaggerates everything that happens to them. In fact, some of the images and themes - kids and adults seem to be speaking different languages, a group of outcasts living in a secluded house - would be right at home in a Bunuel film. That house of outcasts in particular is very touching...I think all teens would want to live away from the real world once in a awhile.

The three principal characters are all like people I know. Sal Mineo as the troubled kid who wants nothing more than a friend. Natalie Wood as the girl who just goes along with what other people do because she wants to fit in. And of course, the ultra-cool James Dean as the kid who may have a rough-and-tumble exterior, but who is really a big softie at heart. Dean was a bit of a revelation to me. I'd never seen one of his movies before, so I assumed that, like Marilyn Monroe, it was the image that people grieved over and not the talent. Boy was I wrong. The guy could act. When he howls "You're tearing me apart!" at the beginning, you know what you're in store for.

The depiction of the parents also must have been a revelation for 1955 audiences. Juvenile delinquents had been (and are continuing to be) depicted as either overall bad seeds or having abusive parents. This film was the first to acknowledge that something as simple as a lack of communication and an unwillingness to pay attention to your child can do just as much damage.

Nicholas Ray's direction was also excellent. Besides coming up with the idea for Jim's red jacket to "make him stick out more" you have Plato's mismatched socks, and I was also surprised by the frequently-titled camera. I didn't know they did that back then! It certainly added more to the disjointed feeling and wasn't just there for style purposes like todays movies.

The only point at which the film falters is the pat resolution between Jim and his parents at the end. But the ending is great otherwise, with a wonderfully framed shot of the observatory, proving Jim's theory that the world will end at dawn.


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