Rebel Without a Cause (1955)

A rebellious young man with a troubled past comes to a new town, finding friends and enemies.

Director:

Nicholas Ray

Writers:

Stewart Stern (screen play), Irving Shulman (adaptation)

Stars:

James Dean, Natalie Wood, Sal Mineo

Nominated for 3 Oscars. Another 2 wins & 3 nominations.

Cast

Cast overview, first billed only:
James Dean	...	Jim Stark
Natalie Wood	...	Judy
Sal Mineo	...	John 'Plato' Crawford
Jim Backus	...	Frank Stark
Ann Doran	...	Mrs. Carol Stark
Corey Allen	...	Buzz Gunderson
William Hopper	...	Judy's Father
Rochelle Hudson	...	Judy's Mother
Dennis Hopper	...	Goon
Edward Platt	...	Ray Fremick
Steffi Sidney	...	Mil
Marietta Canty	...	Crawford Family Maid
Virginia Brissac	...	Mrs. Stark - Jim's Grandmother
Beverly Long	...	Helen
Ian Wolfe	...	Dr. Minton

Storyline

Jim Stark is the new kid in town. He has been in trouble elsewhere; that's why his family has had to move before. Here he hopes to find the love he doesn't get from his middle-class family. Though he finds some of this in his relation with Judy, and a form of it in both Plato's adulation and Ray's real concern for him, Jim must still prove himself to his peers in switchblade knife fights and "chickie" games in which cars race toward a seaside cliff.

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Plot Keywords:

juvenile delinquent | man wearing woman's apron | teen angst | switchblade | juvenile hall | 

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Taglines:

Teenage terror torn from today's headlines

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Genres:

Drama

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Certificate:

PG-13

Details

Country:

USA

Language:

English

Release Date:

29 October 1955 (USA)

Also Known As:

Rebelde sin causa

Filming Locations:

7529 Franklin Avenue, Hollywood, Los Angeles, California, USA

Box Office

Budget:

$1,500,000 (estimated)

Company Credits

Production Co:

Warner Bros.

Technical Specs

Runtime:

111 min

Sound Mix:

Mono (optical prints) 4-Track Stereo (RCA Sound Recording) (magnetic prints) Dolby Digital (DVD version)

Color:

Color (WarnerColor)

Aspect Ratio:

2.55 : 1

Did You Know?

Trivia

Natalie Wood was first considered too young for the role of Judy. Even though she was the same age as the character, she was at least 5 years younger than all the other candidates except Margaret O'Brien. She adopted a mature woman's hairstyle, started wearing heavy eye makeup and eventually attracted the notice of director Nicholas Ray, 43, who began an affair with the 16-year-old and gave her the part.

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Goofs

When Jim goes to turn the car radio off, he turns the volume control, but that radio is turned off by pushing the leftmost pushbutton, which is clearly marked "OFF".

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Quotes

[first lines]
First police officer: Get up, get up. Mixed up in that beating on 12th street, huh?
Second police officer: No. Plain drunkenness.

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Connections

Featured in Book of Love (1990)

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Soundtracks

Ride of the Valkyries
(1856) (uncredited)
from "Die Walküre"
Music by Richard Wagner
Hummed by Jim in the police station

User Reviews

Indelible James Dean

With short, slicked-back hair, blue eyes and thick red lips, and dressed in a white T-shirt, blue jeans, and bright red jacket, James Dean creates a lasting visual impression as youthful Jim Stark, the prototype high school outsider, alone and troubled. Dean's on-screen persona, together with his vivid, intense performance, overwhelms all other elements in this film about 1950s teenage confusion and angst.

Newly arrived in town, Jim Stark finds himself trapped in a typically hostile high school, and confronted by an in-crowd of leather-jacketed hoods with names like "Buzz", "Crunch", and "Goon". They challenge Jim's honor by calling him "chicken". What to do? Jim asks his weak, mealy-mouthed father (well played by Jim Backus). But his father is no help. Indeed, the film conveys a grim view of adults: self-indulgent, weak, insensitive, unobservant, and inept.

Then there's "Plato" (Sal Mineo), the high school kid who has always been alone, with no apparent father or mother. In Jim Stark, Plato has finally found a friend. Eventually, another student joins Jim and Plato. Judy (Natalie Wood) changes her caddy behavior toward Jim after an event changes her life. But it's still a hostile world, and the bond that these three young people form, as substitute family, is fleeting, en route to a poignant ending.

The film's characters and thematic tone are representative of a Cold War era in America when the threat of nuclear annihilation hovered over everyone and everything like the sword of Damocles. And thus, the story's astronomy motif amplifies a sense of loneliness, insignificance, isolation, and helplessness, so characteristic of the 1950s.

There are things about this film I do not care for. The compressed widescreen projection in "CinemaScope" is annoying. The music, which varies from jazz to rhythm and blues to nondescript noise, is too loud and too manipulative. And there's something vaguely contradictory about a macho James Dean in the role of Jim Stark, whom bullies pick on.

But none of these irritations can diminish the thematic depth of the story. Nor can they diminish the overpowering presence of James Dean, the actor, the perfect Hollywood symbol of youthful "cool", whom actors subsequently looked to as a model of acting excellence and cinematic charisma.