A Cardinal is arrested for treason against the state. As a Prince of his church, and a popular hero of this people, for his resistance against the Nazis during the war, and afterward his resistance when his country again fell to another totalitarian conqueror. In prison, his interrogator is determined to get a confession of guilt against the state from the strong willed man, and thus destroy his power over his people. The verbal and psychological battles are gripping and powerful, not even the increasing pressures put upon the Cardinal can force him to weaken, not even solitary confinement, continuous blazing light in his cell, sleeplessness, efforts to persuade him he is going mad. And yet, in the deepening conflict, the superb indomitable prisoner, creates a tremendous pity on his tormentor, the interrogator.
Two of the Finest Performances of All Time!
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11 December 1955 (USA)
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(Western Electric Recording)
Aspect Ratio: 1.85 : 1
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Did You Know?
Deemed suitably controversial enough to be banned from both the Venice and Cannes Film Festivals. See more
When the teenager is writing in white chalk on the wall, the position of the words changes from one cut to the next. See more
Every living soul in that sleeping city down there could be broken, if they had to be. The softer the mind, the more sensitive the conscience, the more surely they must be broken. That's the fascination - and the pity of it.