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Postmark for Danger (1955)

Portrait of Alison (original title)
A car plunging over a cliff kills its two occupants identified as newspaperman Lewis Forrester and actress Alison Ford (Terry Moore). Surviving Lewis are his two brothers, Tim (Robert ... See full summary »

Director:

Guy Green

Writers:

Francis Durbridge (original story), Guy Green (screen adaptation) | 1 more credit »
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Cast

Credited cast:
Terry Moore ... Alison Ford
Robert Beatty ... Tim Forrester
William Sylvester ... Dave Forrester
Josephine Griffin ... Jill Stewart
Geoffrey Keen ... Inspector Colby
Allan Cuthbertson ... Henry Carmichael
Henry Oscar ... John Smith
William Lucas ... Reg Dorking
Terence Alexander ... Fenby
Rest of cast listed alphabetically:
Bruno Barnabe Bruno Barnabe ... Italian Detective
Eric Corrie Eric Corrie ... Pilot
Jack Howarth Jack Howarth ... Hotel Porter
Stuart Saunders Stuart Saunders ... Sgt. Haines
Marianne Stone ... Recepcionist
Frank Thornton ... Police Photographer
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Storyline

A car plunging over a cliff kills its two occupants identified as newspaperman Lewis Forrester and actress Alison Ford (Terry Moore). Surviving Lewis are his two brothers, Tim (Robert Beatty), a portrait painter, and Dave (William Sylvester), a pilot. Scotland Yard discovers that Lewis' death was engineered by a gang of international diamond smugglers he was about to expose. Before he died, he had sent someone in London a post card with a sketch of a woman's hand holding a Chianti bottle. Alison's father, John Smith (Henry Oscar) commissions Tim to paint her portrait from a photograph. While Tim is out, the supposedly-dead Alison enters his studio, but flees when she finds the body of Jill Stewart (Josephine Griffin), Tim's favorite model. Scotland Yard Inspector Colby (Geoffrey Kene) suspects Tim because whatever alibi evidence Tim presents vanishes before the Inspector can confirm it. Reg Dorking (William Lucas), a used-car dealer tries to blackmail Tim, offering the post card sent ... Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

Again the Handwriting of the Post-Card Killer See more »

Genres:

Crime | Drama

Certificate:

See all certifications »
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Details

Country:

UK

Language:

English | Italian

Release Date:

18 January 1956 (USA) See more »

Also Known As:

Postmark for Danger See more »

Company Credits

Production Co:

Insignia Films See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (TCM print)

Sound Mix:

Mono

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

First film of William Lucas. See more »

Quotes

Inspector Colby: If you happen to meet Abraham Lincoln on the way home, keep it to yourself will you?
See more »

Connections

Remake of Portrait of Alison (1955) See more »

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User Reviews

 
good British film
2 January 2015 | by blanche-2See all my reviews

This British film from 1955 stars Robert Beatty, Terry Moore, and William Sylvester.

Commercial artist Tim Forrester (Beatty) is visited by his brother (Sylvester) and learns that a third brother was killed in a car accident in Italy. A young actress, Alison Ford, was with him and she, too, died.

The police seem to be looking for a postcard they believe the dead brother sent to Tim - a drawing of a chianti bottle with a woman's hand holding it, but Tim doesn't have it.

The father of the dead Alison commissions him to paint her portrait and gives Tim a photo of her and the dress she wore in the photo. When he returns home one night, the painting has been ruined and one of his models (Josephine Griffin) is dead in the bedroom, wearing the dress from the portrait. He now is a suspect in her murder. Then Alison Ford shows up, not dead at all.

The premise is Laura-esque as far as the portrait and the dead woman not being dead, but the similarity ends there. The plot concerns international smuggling, and the postcard is very important as police search for the mysterious head of the ring, Nightingale.

The cast has British, Canadian, and American actors in it. It's a bit strange because one of the brothers has a British accent and the other doesn't. Terry Moore is very young and pretty here, and the overall acting is good.

Though this is a British film, the outside influences make it seem more American than most of these movies.


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