Joey Evans is charming, handsome, funny, talented, and a first class, A-number-one heel. When Joey meets the former chorus girl ("She used to be 'Vera...with the Vanishing Veils'") and now ... See full summary »
The morning of a small town Labor Day picnic, a drifter (Hal Carter) blows into town to visit an old fraternity buddy (Alan Benson) who also happens to be the son of the richest man in town. Hal is an egocentric braggart - all potential and no accomplishment. He meets up with Madge Owens, the town beauty queen and girlfriend of Alan Benson.Written by
Erik L. Ellis <email@example.com>
William Holden was so nervous about having to dance in the Moonglow scene that Joshua Logan took him to Kansas roadhouses to practice his dance steps, along with choreographer Miriam Nelson. When the scene came to be shot, Holden, an alcoholic, was drunk to calm his nerves. See more »
Toward the end of the film when Hal hops a freight train to Tulsa, he jumps onto a boxcar that has its door shut. He climbs the ladder and stands on top to wave to Madge. In this long shot the boxcar door is now open. See more »
If she loses her chance when she's young, she might as well throw all her prettiness away.
I'm only 19.
And next summer you'll be 20, and then 21, and then 40.
You don't have to be morbid.
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There is so much to enjoy in this American melodrama with a deliciously miscast William Holden and a gelid, beautiful Kim Novak that the film can be seen again and again without being disturbed by the 40 year old Holden playing the drop out stallion trying to make amends with his past forging a sort of future for himself, at least that's what I think he wants and I'm sticking with that notion. Holden plays the loser with his shiny boots and smallish brain and that's what reminds us this is just a romantic drama thought by William Inge with a patina of reality and that's all that is real, the patina. I didn't care that emotionally couldn't play because emotionally worked for me thanks to the sexual power of the miscast star. William Holden is a sort of God who awakes the (seemingly) heavily sedated Novak into a towering passion. I would have too. The supporting cast is sensational. Rosalind Russell is a jarring masterpiece of an over the top clichè. The old maid, school teacher with a taste for alcohol and an understandable terror of her own future, overtaking her at an incredible speed. Susan Strasberg, in the part created by Kim Stanley on the Broadway stage is delightful but made me wonder what Kim Stanley may have done with that part. Betty Field is the one character that expresses the most saying the least. She, as per usual, is outstanding. All in all, a film/play that shouldn't be dismissed.
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