An ex-husband and wife team star in a musical version of 'The Taming of the Shrew'; off-stage, the production is troublesome with ex-lovers' quarrels and a gangster looking for some money owed to them.
Matchmaker Dolly Levi travels to Yonkers to find a partner for "half-a-millionaire" Horace Vandergelder, convincing his niece, his niece's intended, and his two clerks to travel to New York City along the way.
In the Oklahoma territory at the turn of the twentieth century, two young cowboys vie with a violent ranch hand and a traveling peddler for the hearts of the women they love.Written by
Scott Lane <email@example.com>
Ben also does transfer from the train to his horse stunting for Gene Nelson at the end of train station dance scene See more »
When Will Parker is giving Ado Annie the "Oklahoma Hello," you can see a camera shadow as it pushes in on their kiss. See more »
There's a bright golden haze on the meadow, There's a bright golden haze on the meadow. The corn is as high as a elephant's eye, And it looks like it's climbin' clear up to the sky. Oh, what a beautiful mornin', Oh, what a beautiful day! I got a beautiful feelin' Everything's goin' my way.
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Video versions - Video transfers derived from the CinemaScope version exist both in the traditional pan-and-scan transfer (such as "Rodgers & Hammerstein Silver Anniversary" edition), and a letterbox transfer. Both of these video transfers are available with and without the "Overture", "Entr'Acte" and "Exit Music". Recently, a video in letterbox transfer has been derived from the Todd-AO version, with the "Overture", "Entr'Acte" and "Exit Music". See more »
I just acquired the set of Rogers and Hammerstein's musicals on DVD, and am enjoying them immensely; the picture clarity and sound are outstanding and the music and story good to boot!! I believe this was Shirley Jones' debut in a movie, and she portrays Laurie to a tee, and has ample support from all of the other actors, with fine comedy support from Gloria Grahame and Charlotte Greenwood; have enjoyed Ms Greenwood in earlier films she did at Fox, and am wondering if she played Aunt Eller on Broadway.... The ballet sequence is exquisitely handled by Agnes DeMille, and the dancing in all scenes superb; if there was any complaint it would only be that the scenes with Jud seem a little prolonged and drawn out, but overall, an excellent film...
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