On a South Pacific island during World War II, love blooms between a young nurse and a secretive Frenchman who's being courted for a dangerous military mission.
In New York, a gambler is challenged to take a cold female missionary to Havana, but they fall for each other, and the bet has a hidden motive to finance a crap game.
An ex-husband and wife team star in a musical version of 'The Taming of the Shrew'; off-stage, the production is troublesome with ex-lovers' quarrels and two gangsters looking for some money owed to them.
Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
In the Oklahoma territory at the turn of the twentieth century, two young cowboys vie with a violent ranch hand and a traveling peddler for the hearts of the women they love.Written by
Scott Lane <rslane@ix.netcom.com>
In the early scenes at Aunt Eller's, the corn disappears and reappears between shots. See more »
Quotes
[first lines]
Curly:
[singing]
There's a bright golden haze on the meadow, There's a bright golden haze on the meadow. The corn is as high as a elephant's eye, And it looks like it's climbin' clear up to the sky. Oh, what a beautiful mornin', Oh, what a beautiful day! I got a beautiful feelin' Everything's goin' my way.
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Alternate Versions
Video versions - Video transfers derived from the CinemaScope version exist both in the traditional pan-and-scan transfer (such as "Rodgers & Hammerstein Silver Anniversary" edition), and a letterbox transfer. Both of these video transfers are available with and without the "Overture", "Entr'Acte" and "Exit Music". Recently, a video in letterbox transfer has been derived from the Todd-AO version, with the "Overture", "Entr'Acte" and "Exit Music". See more »
I used to see the opera Carmem repeatedly on a laser video and when I had the chance to see it on the stage I was deceived. Mostly, I missed the close ups, I felt I was seeing everything from far away. When I saw Carousel on the stage I had the same feeling, the movie was better. Same goes for West Side Story. I did not see Oklahoma on the stage but I doubt that it would come close to the film. I had the chance of seeing it recently on a 50 inch screen with great sound and it was quite sensational. It is a shame that films that were made for the big screen, are not shown anymore in movie theaters. They lose a lot when you see them on a normal TV. The best part of Oklahoma is the beginning. Oh what a beautiful morning, Surrey with a fringe on top, People will say we're in love, Everything is up to date in Kansas City, I can't think of another musical with such great songs, one following the other. The scenery is outstanding. The ballet that repeats the story is very good but not on the level of the rest of the film. Gordon MacRae, Shirley Jones and Charlotte Greenwood are so good that you just can't imagine anybody else in their roles. When they all sing Oklahoma near the end I had the feeling this musical was too good to be true.
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I used to see the opera Carmem repeatedly on a laser video and when I had the chance to see it on the stage I was deceived. Mostly, I missed the close ups, I felt I was seeing everything from far away. When I saw Carousel on the stage I had the same feeling, the movie was better. Same goes for West Side Story. I did not see Oklahoma on the stage but I doubt that it would come close to the film. I had the chance of seeing it recently on a 50 inch screen with great sound and it was quite sensational. It is a shame that films that were made for the big screen, are not shown anymore in movie theaters. They lose a lot when you see them on a normal TV. The best part of Oklahoma is the beginning. Oh what a beautiful morning, Surrey with a fringe on top, People will say we're in love, Everything is up to date in Kansas City, I can't think of another musical with such great songs, one following the other. The scenery is outstanding. The ballet that repeats the story is very good but not on the level of the rest of the film. Gordon MacRae, Shirley Jones and Charlotte Greenwood are so good that you just can't imagine anybody else in their roles. When they all sing Oklahoma near the end I had the feeling this musical was too good to be true.