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Oklahoma! (1955)

Passed | | Comedy, Drama, Musical | 6 September 1956 (UK)
In Oklahoma, several farmers, cowboys and a traveling salesman compete for the romantic favors of various local ladies.

Director:

Fred Zinnemann

Writers:

Sonya Levien (screen play), William Ludwig (screen play) | 3 more credits »
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Won 2 Oscars. Another 1 win & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Gordon MacRae ... Curly McLain
Gloria Grahame ... Ado Annie Carnes
Gene Nelson ... Will Parker
Charlotte Greenwood ... Aunt Eller
Shirley Jones ... Laurey Williams
Eddie Albert ... Ali Hakim
James Whitmore ... Andrew Carnes
Rod Steiger ... Jud Fry
Barbara Lawrence ... Gertie Cummings
Jay C. Flippen ... Skidmore
Roy Barcroft ... Marshal
James Mitchell ... Dream Curly / Dancer
Bambi Linn Bambi Linn ... Dream Laurey / Dancer
Jennie Workman Jennie Workman ... Dancer
Virginia Bosler Virginia Bosler ... Dancer
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Storyline

In the Oklahoma territory at the turn of the twentieth century, two young cowboys vie with a violent ranch hand and a traveling peddler for the hearts of the women they love. Written by Scott Lane <rslane@ix.netcom.com>

Plot Summary | Add Synopsis

Taglines:

Now a motion picture as big as all outdoors! (first run Todd-AO version) See more »


Certificate:

Passed | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

6 September 1956 (UK) See more »

Also Known As:

Oklahoma See more »

Filming Locations:

Sonoita, Arizona, USA See more »

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Box Office

Budget:

$5,000,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

4-Track Stereo (Western Electric Sound System) (CinemaScope version) (35 mm magnetic prints)

Color:

Color (Technicolor) (uncredited)

Aspect Ratio:

2.20 : 1
See full technical specs »
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Did You Know?

Trivia

Montgomery Clift, James Dean and Paul Newman were considered for Curly. See more »

Goofs

During the auction scene, when Aunt Eller forcefully slams the gavel on Curly's high bid, the hammer breaks, and the head launches towards the camera, almost hitting the lens. See more »

Quotes

[first lines]
Curly: [singing] There's a bright golden haze on the meadow, There's a bright golden haze on the meadow. The corn is as high as a elephant's eye, And it looks like it's climbin' clear up to the sky. Oh, what a beautiful mornin', Oh, what a beautiful day! I got a beautiful feelin' Everything's goin' my way.
See more »

Alternate Versions

Theatrical versions -- The Todd-AO 70mm version and the CinemaScope 35mm version are completely different, with different opening credits, each scene being shot twice and with different sound mixes. In the Todd-AO version, the titles appear against a black background; then, the black background fades out to reveal two rows of giant cornstalks, through which the camera tracks, until it finds Gordon MacRae singing "Oh, What a Beautiful Mornin". In the CinemaScope version, we first see the cornstalks, the camera tracks through them; then, as the words "Rodgers and Hammerstein present" appear on-screen, Gordon MacRae appears and rides up to the camera and then past it off left, as the title "Oklahoma!" appears. The rest of the opening credits in this version are shown against, first, a background of a barn, then, a meadow with a tree nearby. As the credits end, the camera cuts back to MacRae and he begins singing. At the end of the Todd-AO version, we see the words "Distributed by Magna". At the end of the CinemaScope version, we see the words "Distributed by RKO Pictures". See more »

Connections

Referenced in First Man (2018) See more »

Soundtracks

People Will Say We're In Love
(1943) (uncredited)
Music by Richard Rodgers
Lyrics by Oscar Hammerstein II
Performed by Shirley Jones and Gordon MacRae
See more »

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User Reviews

The sexiest film of the 1950's
25 December 2003 | by schappe1See all my reviews

`Oklahoma' is the sexiest film of the 1950s. The film is all about sex, (well, it's about romance, as well, but what does that lead to?). Curley keeps finding different ways to woo Laurie. Jud, who lives in a dug-out surrounded by pictures of naked women, has plans for her, too. Will and Ado Annie have plans of their own, if they can ever stop both their wandering eyes. Annie's father knows what they are up to and figures to use his shot gun to set things right. Those spyglasses with the interesting pictures keep showing up. Women dance around in their underwear and we visit a dance hall where they are similarly dressed except for the colors. Finally there is Laurie's skinny dipping sequence. I assume Shirley Jones had a flash-colored bathing suit, but who knows? Deep Throat isn't any more about sex than this film is. Yet it's Rogers and Hammerstein so it's shown constantly as a family film. Well, I guess that's how families get made!

Other comments: I see nothing in the choreography that Gordon McRae and Shirley Jones couldn't have done, at least in the close-ups. We see Rod Steiger in the dream sequence and to see two other faces as Laurie and Curly kind of shatter the illusion.

While many sequences are clearly shot on a sound stage, the beautiful outdoors photography in Todd-AO adds so much to the spectacle. When I saw the recent tape of a British stage play of this, it had no where near the impact and this was one of the reasons.

Another was the casting, which was dead-on perfect. Gordon McRae is the picture of the singing cowboy, (which was not a Hollywood invention). He more than holds his own with Rod Steiger, a year after Steiger was holding his won with Brando. Shirley Jones is the image of Laurie. She has all the physical endowments of a Marilyn Monroe but with the added qualities of sweetness and intelligence that make her marvelously sexy and appealing. Steiger gives the piece dramatic weight. He also shows surprising singing ability, (this site says he had an operatic voice but no sense of key), Gloria Grahame is the ideal Ado Annie. I saw a clip of Celeste Holm, of whom I am a big fan, doing `I Can't Say No' on the Ed Sullivan show. She doesn't hold a candle to Grahame, who underplays the lines but has the sex coming out of her eyes, right along with the innocence. Gene Nelson is a wonderfully easy going dancing cowpoke and his songs with Ado Annie have unending charm. Charlotte Greenwood is a wonder as Aunt Eller, all arms and legs and home spun philosophy. James Whitmore makes a meal of shotgun toting Dad. Eddie Albert has one of his best roles as Ali Hakim. It's hard to imagine anyone being better in these roles.

Of course, Roger's and Hammerstein's music and lyrics are timeless. The title tune, `Oh What Beautiful Morning `, `Surrey With the Fringe on Top', `People Will Say We're in Love', `Everything's Up-to-Date in Kansas City', `I can't Say No', and the others keep playing in your memory long after you've heard them.

But that story, (you can't really call it a plot). Have you ever seen a musical like it?


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