"Die Fledermaus" (The Bat) is the pseudonym adopted by Dr. Falke. Floating on the buoyant waltzes of Strauss, this Viennese romp is sure to please. Disguises, tricks, and every kind of ...
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"Die Fledermaus" (The Bat) is the pseudonym adopted by Dr. Falke. Floating on the buoyant waltzes of Strauss, this Viennese romp is sure to please. Disguises, tricks, and every kind of deception combine to reveal a would-be cheat in hot pursuit of his own wife, much to his chagrin. Silly, charming, always entertaining, always fun. This is a movie version of "Die Fledermaus" set in post-war Vienna with the main protagonists of Dr. Falke represented by the three occupying powers. This is not just a movie of a staged production, but a truly filmic version of the operetta.Written by
Steve Crook <firstname.lastname@example.org>
Surreal, not even taking into account the operetta part. Slightly subversive, too. Normally, surreal and subversive are a great mix, but this one just keeps tripping over itself. I kept waiting for it to get off the ground, and in the process sort of enjoyed the weirdness. But it's not a good movie by any measure.
Think Dr. Caligari crossed with the worst Mickey Rooney/Judy Garland musical you've seen (ok, with better music, but is anyone really _that_ into Strauss?). Or maybe The Third Man on a tremendous amount of ecstasy, except that's way too kind.
My wife thinks Mel Ferrer's performance might have been an inspiration for Jim Carrey's acting style. That's the kind of quality to expect.
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