8.6/10
14,835
90 user 65 critic

Night and Fog (1956)

Nuit et brouillard (original title)
The history of Nazi Germany's death camps of the Final Solution and the hellish world of dehumanization and death contained inside.

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2 wins & 1 nomination. See more awards »

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Cast

Uncredited cast:
... Narrator (voice) (uncredited)
... Himself (archive footage) (uncredited)
Heinrich Himmler ... Himself (archive footage) (uncredited)
... Himself (archive footage) (uncredited)
Julius Streicher ... Himself (archive footage) (uncredited)
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Storyline

One of the most vivid depictions of the horrors of Nazi Concentration Camps. Filmed in 1955 at several concentration camps in Poland, the film combines new color and black and white footage with black and white newsreels, footage shot by the victorious allies, and stills, to tell the story not only of the camps, but to portray the horror of man's brutal inhumanity. Written by Bill Randolph <wlrlogos@hotmail.com>

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Certificate:

Not Rated | See all certifications »

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Release Date:

January 1956 (France)  »

Also Known As:

Night and Fog  »

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The film from Buchenwald, directed by Billy Wilder, with "Human skin lampshade" and two shrunken heads is considered as allied propaganda as the lamp from the movie has vanished and was not submitted as evidence in 1947 trial. Heads were submitted but none of the accused was specifically charged with shrinking these heads. See more »

Goofs

A few shots of the concentration camps are combinations of different concentration camps and sometimes do not show the locations suggested. See more »

Quotes

Récitant/Narrator: A concentration camp is built like a stadium, a grand hotel. You need contractors, estimates, competitive offers and no doubt friends in high places.
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Connections

Edited from Nazi Concentration Camps (1945) See more »

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User Reviews

 
An Argentine teacher that projected this film during the military dictatorship.
25 November 2002 | by See all my reviews

This extraordinary film was, of course prohibited during the years that Argentina was ruled by the military dictatorship. Only one man, dared to show it in the middle of mass genocide. This teacher, Manlio Pereira, was the director of the only private film school during the late ´70s. Obviously the school received strange invasions of military spies, but Pereira not only continued to show this masterpiece, but also made a great ceremony out of it, speaking loudly and profoundly of what nazism meant, what were it terribly effects, and why Argentina has falled again in the taste for this awfull criminal behaviour. It is a shame that not always such outstanding names like these are remembered for this little great things.


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