6.5/10
554
16 user 7 critic

The Naked Street (1955)

Passed | | Crime, Drama, Film-Noir | August 1955 (USA)
A mobster (Quinn) springs a condemmed murderer (Grainger) because he got his sister (Bancroft) pregnant.

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(screenplay), (screenplay) | 1 more credit »
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Cast

Cast overview:
...
...
Phil Regal
...
...
Joe McFarland
Else Bäck ...
Mrs. Regalzyk (as Else Neft)
...
Millie Swadke
...
Latzi Franks
...
Antonio Cardini
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Attorney Michael X. Flanders
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Dist. Atty. Blaker
...
Shimmy
Joyce Terry ...
Margie (as Joy Terry)
...
I. Barricks
...
Louie
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Storyline

Roselle Regalzyk (Anne Bancroft) is the naughty but nice little sister of mobster Phil "Regal" (Anthony Quinn). The unwed Roselle has managed to get herself pregnant by Nick Branda (Farley Granger), another convict who is soon on his way to the electric chair. Phil no sooner has Nick sprung so that he can marry Roselle, then Roselle miscarries, making the shotgun wedding unnecessary. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

You fixed it so I'd marry a murderer ! ....live with a murderer ! See more »


Certificate:

Passed | See all certifications »
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Details

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Release Date:

August 1955 (USA)  »

Also Known As:

The Big Frame  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

A scene where Quinn first goes inside a building to visit his mother, that street was filmed on Second Street in Los Angeles, California in what is called "Little Tokyo". See more »

Goofs

When Joe is talking to Phil about a new story angle on him, in a close-up shot Phil is talking to Joe with a cigarette in his left hand, waving it around. In the next wider shot, Phil has his left hand in his pocket and the cigarette is in his right hand. See more »

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User Reviews

 
Only a Shadow of Pure Film-Noir…Not Bad but Implausible
3 May 2015 | by See all my reviews

There are some Fight Scenes that Lend a bit of Roughness to the Proceedings and a few Scenes that have an Edge, but this is another Example of just how the Fifties Filtered and Weakened Film-Noir.

Elements Remain from the Golden Age of the Genre but its Decline is Evident as Things became Glossy, Obvious, and Preachy. One Thing this one does Bring to the Table is the Out of Wedlock Pregnancy that is Dealt with Head-On.

However, the Voice Over Narration No Longer is Ominous or Layered with Defeatism. Now it is just Matter of Fact Police Procedural or in this Film a Journalist just Stating the Facts.

Some Strong Acting is Evident from Anthony Quinn and Anne Bancroft with some Good Turns by Supporting Players, but Peter Graves and Farley Granger seem Miscast. Overall, Worth a Watch to See the Decline of Film-Noir and for an Interesting but mostly Implausible Story about the Underworld.


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