In the waning days of World War II, the cargo officer of a Navy supply ship chafes at its role far from the action in the Pacific's backwater areas, his frustration rising when its captain d... Read allIn the waning days of World War II, the cargo officer of a Navy supply ship chafes at its role far from the action in the Pacific's backwater areas, his frustration rising when its captain denies the crew liberty over petty irritations.In the waning days of World War II, the cargo officer of a Navy supply ship chafes at its role far from the action in the Pacific's backwater areas, his frustration rising when its captain denies the crew liberty over petty irritations.
- Won 1 Oscar
- 4 wins & 6 nominations total
- Mannion
- (as Phil Carey)
- Bookser
- (as Pat Wayne)
- Wiley
- (as Tiger Andrews)
Featured reviews
What always struck me about this film was its realism. I spent some time on an auxiliary ship in the navy, and it's not glamorous. This film perfectly captures the life aboard non-combatant ships. They provide a vital service, but rarely get recognized for it. It also demonstrates what real leadership is. The main duty of an officer is to provide leadership and to see to the welfare of his troops. Mr Roberts is a shining example of a great officer.
The film also shows that the enemy isn't always on the other ship. I have seen captains like Cagney's, and you often spent more time defending your crew from those skippers, than you did from the opposing force. As Mr Roberts said, "....I know in wartime they scrape the bottom of the barrel...", well, they sometimes scrape that barrel in peacetime.
There's a great blend of comedy and drama throughout; but, just when you are feeling good, it delivers a punch to the gut. This is life as it is, not an idealized world.
Sign on board for a tour of duty with this film. You'll be glad you did.
Henry Fonda re-creates his Broadway role as Lt.Douglas Roberts a navy cargo officer, desperately aching to be transfered from what is nothing more than a floating warehouse, to a destroyer and a chance to get into the fighting.
James Cagney in what is arguably the best of his later roles, plays the selfish and ambitious Captain, who knows that Roberts' work is the key to his own success. With this motive in mind he blocks all of Roberts' requests and makes his life as miserable as possible into the bargain.
It is this story line that provides most of the drama albeit played with a touch of comic frivolity. The true comedy however is provided by Jack Lemmon as the good natured but lazy Ensign, Frank Thurlough Pulver.
Lemmon was a relative newcomer to the movies but none of that seemed evident in his performance. He held his own against three of the best in the business and was awarded an Oscar for his efforts.
However, the highlight of this film for me is the great William Powell as the aging and quick witted Doc.. His comic timing and sophisticated presence was an invaluable asset to any film he made and Mister Roberts is no exception.
Whether he is wise cracking with the crew at sick call or making illegal scotch with his shipmates, Powell steals every scene in which he appears. My personal favourite is when he is called to the captains cabin....ON THE DOUBLE, and he is seen casually strolling slowly and carefree smoking a cigarette, almost as if he was on the Park Avenue of the 1930's where he had made his name.
Cagney's scenes with Lemmon are hilarious. He was a considerate actor and at times you can almost feel the space that he gave Lemmon in order for him to shine. Also the scene in which Fonda confronts Cagney, to ensure the crews liberty, is expertly acted. A must see on the newly released DVD (with commentary by Jack Lemmon himself) is a clip from a 1955 Ed Sullivan show where Fonda and Cagney re-create the scene live and the acting cannot be faulted.
In more than just plot, this film has high points and low points. The high point was the welcome celluloid return of Henry Fonda after an absence of eight years whilst he played Mister Roberts on the New York stage. The low point being, that this was to be William Powell's final movie venture. He had retired in 1953 after How to Marry a Millionaire, but was lured back for "Roberts" by an overwhelming script. But this was to be a final return and I think as swan songs go William Powell indeed had the best.
It was also a troubled production with two directors and constant fall outs with Fonda over the adaptation. To Fonda, Mister Roberts was a work of art he didn't want to see defaced, and he argued bitterly over changes from the original format. Yet the theatre going public and the cinema going public were two different species and the changes were needed.
They must have found the right balance however because we are presented with a flawless motion picture with equal amounts of drama and humour, happiness and sadness and anger and goodwill. This film has the ability to touch everyone on at least one level.
A must-see film with unequaled performances. Recommended.
Fonda and Cagney are wonderful as the battling duo who fight over the morale of the ship's crew. Human sacrifice comes in many forms, and Fonda's character demonstrates them all through the course of the film.
Mixing comedy with genuine issues of human dignity, the film is a true classic.
Did you know
- TriviaWilliam Powell's last film, his final film appearance. He had marked difficulties retaining his lines, something that had not happened to him in earlier films. This, along with frail health (including bouts with cancer) plus a difficult Hawaii location shoot, ultimately led to the actor's decision to retire.
- GoofsIn the scene where the ship is underway and at general quarters, several shots of the bridge show that there is no one at the helm (steering the ship).
- Quotes
[last lines]
Ensign Frank Thurlowe Pulver: Captain, it is I, Ensign Pulver, and I just threw your stinkin' palm tree overboard! Now what's all this crud about no movie tonight?
- Crazy creditsThe seven top-billed actors listed in the opening credits are not listed with the other players in the end credits.
- Alternate versionsTelevision and the standard VHS prints substitute a different march that is played over the loudspeakers during the scene where Henry Fonda is listening to the VE Day celebrations and throws the captain's palm tree overboard. Also eliminated is the voice-over of Fonda humming the march as he walks up the gang ladder leaving the scene.
- SoundtracksIf I Could Be with You One Hour Tonight
(uncredited)
Music by James P. Johnson
Words by Henry Creamer
Published by Warner Bros. Inc. (ASCAP)
Sung, hummed and whistled by Jack Lemmon throughout film (uncredited)
Details
Box office
- Gross US & Canada
- $21,200,000
- Runtime2 hours 3 minutes
- Aspect ratio
- 2.55 : 1
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