7.7/10
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143 user 81 critic

Marty (1955)

Not Rated | | Drama, Romance | 10 June 1955 (Belgium)
Trailer
1:21 | Trailer

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ON DISC
A middle-aged butcher and a school teacher who have given up on the idea of love meet at a dance and fall for each other.

Director:

Delbert Mann

Writers:

Paddy Chayefsky (story), Paddy Chayefsky (screenplay)
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Won 4 Oscars. Another 15 wins & 5 nominations. See more awards »

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Cast

Complete credited cast:
Ernest Borgnine ... Marty Piletti
Betsy Blair ... Clara Snyder
Esther Minciotti Esther Minciotti ... Mrs. Teresa Piletti
Augusta Ciolli Augusta Ciolli ... Aunt Catherine
Joe Mantell ... Angie
Karen Steele ... Virginia
Jerry Paris ... Tommy
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Storyline

Stuck as the last of six children at home with an overbearing Italian mother, the only child still unmarried, 34 year old socially awkward Bronx butcher Marty faces middle age with no prospects of marriage, and he faces permanent bachelorhood. But when he is goaded by his mother into going to the Stardust Ballroom one Saturday night, Marty unexpectedly meets Clara, a lonely teacher. Suddenly, Marty's future seems bright. Written by trivwhiz

Plot Summary | Add Synopsis

Taglines:

It's the love story of an unsung hero! See more »

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

10 June 1955 (Belgium) See more »

Also Known As:

Марти See more »

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Box Office

Budget:

$343,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (alternate)

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Five students from the film division of the University of California, Los Angeles' College of Dramatic Arts were going to "attach themselves" to the production of Marty at the Goldwyn Studios and "follow progress of the picture to its windup." At the end of production, the students were scheduled to "shoot their own interpretation of a key scene, using the film's cast and crew," which would then earn them college credits toward a master's degree. See more »

Goofs

When Marty rushes into the street to hail a cab after taking Clara home, he ends up facing the camera on the near side of the street, waving for a taxi while facing away from the oncoming traffic. See more »

Quotes

Marty Pilletti: You don't like her. My mother don't like her. She's a dog. And I'm a fat, ugly man. Well, all I know is I had a good time last night. I'm gonna have a good time tonight. If we have enough good times together, I'm gonna get down on my knees. I'm gonna beg that girl to marry me. If we make a party on New Year's, I got a date for that party. You don't like her? That's too bad.
See more »

Connections

Referenced in New York at the Movies (2002) See more »

Soundtracks

Marty
Music by Harry Warren
Lyrics by Paddy Chayefsky (uncredited)
Played during the opening credits and throughout the picture
Sung by male voices during the closing cast credits
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Frequently Asked Questions

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User Reviews

Proof That a Picture Doesn't Need SPFX - It needs great Actors
3 June 2002 | by StarCastle99See all my reviews

Okay, so I'm in the Business. I don't believe this movie could get made today except as an art house film. Its beauty lies in its simplicity. Starting with a terrific script by Chayefskey (arguably one of the five best playrights of the 20th century), this movie eschews every that's big about motion pictures for a story about Everman who didn't have a date on Saturday night. Rod Steiger first performed the role on television. It won a number of Emmys. "Opened up" for the silver screen, it retains the intimacy of its characters. Ernest Borgnine has probably been in 100 movies, but this was his shining moment. He breathes live into the hapless Bronx Butcher whose soul longs for love. When he gives his "I'm gonna get down on my knees..." speech, the tears begin to flow. Why? Because in our heart of hearts, each of us feels the need for love and self validation. Marty doesn't need special effects or action sequences. Marty is in a class by itself. Had it never been made we would have all missed an opportunity to look inside ourselves. Maybe in this day and age, with all our CGI and Virtual Reality, we need another Marty, to remind us who we really are.

10/10


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