Dave Hirsch, a writer and an army veteran winds up in his small Indiana hometown, to the dismay of his respectable older brother. He meets and befriends various different characters and tries to figure out what to do with his life.
Joey Evans is charming, handsome, funny, talented, and a first class, A-number-one heel. When Joey meets the former chorus girl ("She used to be 'Vera...with the Vanishing Veils'") and now ... See full summary »
Danny has been in the army for 4 years, yet all he thinks about is Brooklyn and how great it is. When he returns after the war, he soon finds that Brooklyn is not so nice after all. He is ... See full summary »
Gordon Miller is rehearsing a musical comedy in the penthouse suite of Gribble's hotel...on credit. The mounting bill is driving Gribble frantic. Chaos increases when playwright Glen ... See full summary »
Frankie Machine is a skilled card dealer and one-time heroin addict. When he returns home from jail, he struggles to find a new livelihood and to avoid slipping back into addiction.Written by
Mike Campanelli <firstname.lastname@example.org>
Ray Bradbury turned down offers to collaborate on the screenplay, along with the screenplay for Anatomy of a Murder (1959), which Bradbury claimed was $200,000 worth of work. Bradbury said of the refusal "I don't give a goddamn about drugs; it bores the hell out of me. I don't understand the people who take them. So why would I write a screenplay? I'd get a writer's block immediately." See more »
When Frankie returns to his apartment after his release, the top edge of the set and the studio lights are clearly visible as the camera pans across the room. See more »
You got any money, Molly?... I feel so sick. I hurt all over...
Jump off a roof if you're gonna kill yourself but don't ask me to help ya...
See more »
An Incredibly Important Movie and a MUST For ALL Serious Film Buffs & Historians!
............................................................from Pasto,Colombia...Via: L.A. CA., CALI, COLOMBIA and ORLANDO, FL
If you're under 70, there's probably no way you can remember how controversial and cutting edge MAN WITH The GOLDEN ARM was when it was released in 1955. Fortunately, my parents were very liberal in permitting me to see films and even took me to see it just after turning Eight. WOW! What a tremendous impact it had on me. It was the first "Grown-up" film that made me realize there was more to cinema than just Sci-Fi/Horror, Westerns and Kids' movies!
Mainstream cinema had never touched the subjects of drug addiction and heroin withdrawal, which were considered taboo topics, even at the dinner table, let alone as the focus of a movie to be shown in public! The MPAA (Motion Picture Association of America) refused to give its seal of approval to GOLDEN ARM, forcing Producer/Director Otto Preminger and Distributor United Artists to release it without the MPAA's seal. This, of course, contributed greatly to both the films commercial and critical success! It also opened the door to new ways of making, distributing and classifying films.
Before my recent third viewing, I had only seen it once at age 8, mentioned above, and again, in my late teens (Perhaps the 10th Anniversary Re-Release?). Despite some of the production elements and dialog that do date the film considerably, the last half of GOLDEN ARM had me in a headlock. The acting, Bernstein music, photography and editing all contribute to the mood of the movie, precisely as Otto Preminger intended! The scene where Machine(Sinatra) undergoes withdrawal pains is still unbelievably hard-hitting today.
In general, Sinatra's performance is quite surprising. His Oscar nomination was very well deserved. When you consider this performance in conjunction with Sinatra's role in MANCHURIAN CANDIDATE and From Here to Eternity, you begin to appreciate just how underrated OLD BLUE EYES was as an actor!
Any comments, questions or observations, in English or Español, are most welcome!
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