An English woman and her daughter enlist the aid of a cowboy to try and get their hardy hornless bull to mate with the longhorns of Texas, but have to overcome greedy criminals and the natural elements.
Mysterious Will Lockhart delivers supplies to storekeeper Barbara Waggoman at Coronado, an isolated town in Apache country. Before long, he's tangled with Dave Waggoman, vicious son of autocratic rancher Alec and cousin of sweet Barbara. But he sticks around town, his presence a catalyst for changes in people's lives, searching for someone he doesn't know...who's been selling rifles to the Apaches.Written by
Rod Crawford <email@example.com>
When the doctor is checking on Alec, according to the clock it is first 9:30 and then after a scene change 11:30. Since Lockhart found Alec during the daytime, it must have been evening when the doctor checked on him, but it was as bright as if it were high noon even at 11:30 in the evening. See more »
Another solid western by a man who gave some of the best works of the whole genre (the naked spur, cimarron,etc).This is the story of a double search:Stewart is looking for the man who's responsible for his brother 's death.Crisp is afraid of a man who might possibly kill his son:he has a recurrent dream which frightens him .Little by little the two stories converge and make one in one of the most brilliant western screenplays of the fifties.The dreamlike touch gives a movie another dimension,which only great directors can conjure :Walsh,Ford ,Daves,or of course Mann.
The characters are more complex than we thought at first sight,and the cliché of the old wealthy man with a son -black-sheep-of-the-family and an almost- adoptive- son-good-boy is avoided.Alex Nicol and Arthur Kennedy give strong nervous tortured portrayals which almost outshine star Stewart.Crisp is equally effective in the part of a man who tries not to face the truth -which may be the meaning of his premonitory dream-,and will finally see it when he is blind.The lead female part is the weakest link of the movie ,but Aline MacMahon's colorful Kate more than makes up for Cathy O'Donnell's blandness.
I had seen this movie for the first time when I was 13.I saw it again yesterday.It has not aged a bit.
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