American couple Janet and Mike move to England for his business. She soon becomes paranoid that he is having an affair with his attractive secretary, and decides to get back at him by pretending she herself has been unfaithful.
In 1920's Chicago, Ruth Etting wants to be a renowned singer, which is a far step away from her current work as a taxi dancer. Upon walking into the dance hall and seeing her, Chicago gangster Marty Snyder immediately falls for Ruth, and works toward being her lover, which he believes he can achieve by opening up singing opportunities for her. Ruth is initially wary of Marty, but makes it clear that she is not interested in him in a romantic sense. Regardless, he does help her professionally, and through his opportunities, which are achieved through intimidation and fear, Ruth does quickly start to gain a name as a singer, which she is able to do because of her talent and despite Marty's intimidation tactics. However, the greater her success, the more reliant she becomes on him. This becomes an issue in their relationship as she believes he can take her only so far before he becomes a liability, however he will never let her go that easily. The one person who tried and tries to get ...Written by
Doris Day wrote in her autobiography that she hesitated before accepting the lead in this film. Ruth Etting was a kept woman who clawed her way up from seamy Chicago nightclubs to the Ziegfeld Follies. It would require her to drink, wear scant, sexy costumes and to string along a man she didn't love in order to further her career. There was also a certain vulgarity about Ruth Etting that she didn't want to play. Producer Joe Pasternak convinced Day to accept the role because she would give the part some dignity that would play away from the vulgarity. See more »
Post-war vehicles shown in rear projection near the end of the movie. See more »
A great drama/musical; Cagney and Day at their best.
A great great biopic of Ruth Etting and Martin, the "Gimp" Snyder. Day is in great singing form and also holds her own as an actress. Her rendition of the title song is tremendous. Was there ever a better actor than Cagney? Did he ever make a bad film? His style will live forever. When you think of the films he made- White Heat, Yankee Doodle Dandy, Man of a Thousand Faces, and Love Me or Leave Me - I mean, who can compare? Joe Pesci is in some respects a good successor- as a little tough guy. But Cagney is great in all kinds of films- not just gangster films. And he could dance.
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