Jane Osgood runs a lobster business, which supports her two young children. Railroad staff inattention ruins her shipment, so with her lawyer George, Jane sues Harry Foster Malone, director of the line and the "meanest man in the world".
In 1920's Chicago, Ruth Etting wants to be a renowned singer, which is a far step away from her current work as a taxi dancer. Upon walking into the dance hall and seeing her, Chicago gangster Marty Snyder immediately falls for Ruth, and works toward being her lover, which he believes he can achieve by opening up singing opportunities for her. Ruth is initially wary of Marty, but makes it clear that she is not interested in him in a romantic sense. Regardless, he does help her professionally, and through his opportunities, which are achieved through intimidation and fear, Ruth does quickly start to gain a name as a singer, which she is able to do because of her talent and despite Marty's intimidation tactics. However, the greater her success, the more reliant she becomes on him. This becomes an issue in their relationship as she believes he can take her only so far before he becomes a liability, however he will never let her go that easily. The one person who tried and tries to get ...Written by
"The Oscar-nominated ballad, "I'll Never Stop Loving You" (music by Nicholas Brodszky, lyrics by Sammy Cahn), was sung delicately by Doris Day to just a piano accompaniment in the film. For release on a single, Columbia Records provided Doris with the backing of Percy Faith and His Orchestra. The disc peaked at number 15 among "Billboard"'s top-selling singles. See more »
In the film, Etting marries her "manager" Moe Snyder during her run with the Ziegfeld Follies of 1927. They actually married in 1922. See more »
Not being a great Cagney fan, I didn't have high hopes for this film when I first saw it. The only reason I did watch it was Doris Day. Boy, am I glad I did. Anyone who questions Day's acting abilities should take a look at this film. Personally, I've always thought she was one of Hollywood's few singers who really could act. Look at the lackluster acting of Kathryn Grayson or Jane Powell sometime. Doris Day runs circles around them. If you're still in doubt after seeing this film, watch "Julie" sometime. Another one of her best films.
Also, Day is in fine voice in this film. All of the songs are wonderful. "Ten Cents A Dance" and "Shaking The Blues Away" among the best. I have heard the real Ruth Etting's rendition of both these numbers, and they are nothing like Day's performances. Obviously, they weren't going for mimicry here, but it works fine just the same. Highly recommended.
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