Kiss Me Deadly (1955)

A doomed female hitchhiker pulls Mike Hammer into a deadly whirlpool of intrigue, revolving around a mysterious "great whatsit".

Director:

Robert Aldrich

Writers:

Mickey Spillane (novel), A.I. Bezzerides (screenplay)

Stars:

Ralph Meeker, Albert Dekker, Paul Stewart

1 win.

Cast

Cast overview, first billed only:
Ralph Meeker	...	Mike Hammer
Albert Dekker	...	Dr. G.E. Soberin
Paul Stewart	...	Carl Evello
Juano Hernandez	...	Eddie Yeager
Wesley Addy	...	Lt. Pat Murphy
Marian Carr	...	Friday (as Marion Carr)
Marjorie Bennett	...	Manager
Mort Marshall	...	Ray Diker
Fortunio Bonanova	...	Carmen Trivago
Strother Martin	...	Harvey Wallace
Mady Comfort	...	Nightclub Singer (as Madi Comfort)
James McCallion	...	Horace
Robert Cornthwaite	...	FBI Agent
Silvio Minciotti	...	Mover
Nick Dennis	...	Nick Va Va Voom

Storyline

A frightened woman is running barefoot on a highway, trying desperately to flag a car. After several cars pass her by, the woman sees another car approaching, and to make sure either the car stops, or, she's killed, she stands in the path of the oncoming car. Private Investigator Mike Hammer is the one at the wheel, and after almost hitting the woman, he tells her to get in. The woman's name is Christina Bailey. She is obviously on the run, being barefoot and wearing nothing but a trench coat, and the scent of fear. Whoever was after her eventually catches up with them. Christina has information they want, but dies while being questioned. The killers fake an accident by pushing Hammer's car off the road, but he survives, waking up in hospital two weeks later. As Mike starts to investigate Christina's death, he's told by the police to stay out of it, but, the hard-nosed private investigator proceeds anyways. Little did he know that Christina's secret would lead to death and destruction.

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Plot Keywords:

femme fatale | atomic bomb | kiss | suitcase | macguffin | 

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Taglines:

"I don't care what you do to me, Mike - just do it fast!"

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Genres:

Crime | Film-Noir | Mystery | Sci-Fi | Thriller

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Certificate:

Not Rated

Details

Country:

USA

Language:

English Italian Spanish

Release Date:

July 1955 (UK)

Also Known As:

Mickey Spillane's Kiss Me Deadly

Filming Locations:

The Castle - 325 Bunker Hill Avenue, Bunker Hill, Downtown, Los Angeles, California, USA

Box Office

Budget:

$410,000 (estimated)

Opening Weekend USA:

$214, 4 May 2008, Limited Release

Gross USA:

$726,000, 31 December 1955

Cumulative Worldwide Gross:

$952,000, 31 December 1955

Company Credits

Production Co:

Parklane Pictures Inc.

Technical Specs

Runtime:

106 min 104 min (original)

Sound Mix:

Mono (Glen Glenn Sound)

Color:

Black and White

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The piano selection playing on the radio during one of the final scenes is Chopin's Revolutionary Etude, Opus 10, No. 12.

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Goofs

In the final scene in the beach house, Albert Dekker addresses the character Lily Carver by the name Gabrielle. While similar to the actress' real name, a change in character name is true to the plot.

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Quotes

[first lines]
Mike Hammer: You almost wrecked my car! Well? Get in!

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Crazy Credits

Opening credits scroll backwards (down instead of up).

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Connections

Referenced in Aldrich Over Munich: The Making of 'Twilight's Last Gleaming' (2012)

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Soundtracks

Kaiser-Walzer, Op. 437
(uncredited)
Music by Johann Strauss

User Reviews

Amazingly Modern for a 50s film

By 1950s standards this film is totally cutting edge. Just off the top of my head here is a list of things in this film that were VERY uncommon in the 50s: 1. African-Americans and non-Americans in several supporting roles 2. Main character has an answering machine (yes it's a giant wall-mounted reel-to-reel, but still..) 3. Location shooting (lots of exteriors and cool cars) 4. Risqué shots of bare legs, sexy actions by female characters, etc. It's implied the characters have a sex life (in most 1950s movies no one had sex EVER). 5. Violence - OK - there is no GRAPHIC violence, but lots of implied violence. Some of the camera angles are quite modern and unusual (punches into the camera, walking into camera to end scene, female character stepping over male characters outstretched legs, etc.) Censorship of EVERYTHING was the norm in the 50s. I don't know how this one made it past the censors but I'm glad it did - it's a quirky gem for film noir fans LK