A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
A frightened woman is running barefoot on a highway, trying desperately to flag a car. After several cars pass her by, the woman sees another car approaching, and to make sure either the car stops, or, she's killed, she stands in the path of the oncoming car. Private Investigator Mike Hammer is the one at the wheel, and after almost hitting the woman, he tells her to get in. The woman's name is Christina Bailey. She is obviously on the run, being barefoot and wearing nothing but a trench coat, and the scent of fear. Whoever was after her eventually catches up with them. Christina has information they want, but dies while being questioned. The killers fake an accident by pushing Hammer's car off the road, but he survives, waking up in hospital two weeks later. As Mike starts to investigate Christina's death, he's told by the police to stay out of it, but, the hard-nosed private investigator proceeds anyways. Little did he know that Christina's secret would lead to death and destruction.Written by
In the final scene in the beach house, Albert Dekker addresses the character Lily Carver by the name Gabrielle. While similar to the actress' real name, a change in character name is true to the plot. See more »
Opening credits scroll backwards (down instead of up). See more »
The original ending was shown overseas in various countries (eg. Germany and the UK) when the film was originally released. It appears that the film was actually released in two different versions worldwide and the shortened ending was done specifically for the domestic USA theatrical release. In the UK, although there was a longer ending, the theatrical release was heavily cut by around 7 minutes for violence by the BBFC with the result that the film became nonsensical. For example, the entire scene of Cloris Leachman being tortured was excised and the film cuts from Hammer being knocked out to him waking up again doused with petrol so that you never know what happened to Leachman or the significance of the shoes worn by Albert Dekker. UK TV prints are uncut. See more »
So the big what'sit is what it's all about and this big what'sit is without a doubt, flat out phenomenal. Ralph Meeker snarls and sneers his way thru a bevy of sadism and selfishness in this superb, unflinching look at amorality beneath happy go lucky 50's sensibilities. Biting and wicked and never dull, and filled with more amazing characters than one movie deserves, this is a knock out classic that you will enjoy wallowing in repeatedly.
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