Two days in the life of priest Father Fred Stadtmuller whose New Mexico parish is so large he can only spread goodness and light among his flock with the aid of a monoplane. The priestly ... See full summary »
Prize-fighter Davy Gordon intervenes when private dancer Gloria Price is being attacked by her employer and lover Vincent Raphello. This brings the two together and they get involved with each other, which displeases Raphello. He sends men out to kill Davy, but they instead kill his friend. Gloria is soon kidnapped by Raphello and his men, and it is up to Davy to save her.Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
Unable to record the film's dialogue on-set due to technical problems, Stanley Kubrick was forced to post-sync all of this film's dialogue and sound effects. Veteran soundman Nathan Boxer was hired to record sound. However, after his boom mike and pole created many shadows, the inexperienced Kubrick was forced to fire him and his sound crew. Irene Kane was unavailable to add her dialogue later, so radio actress Peggy Lobbin voiced her role. See more »
When Vinnie drives Davy to the loft, they take a lift up to at least the second floor. However, when Davy jumps through the loft window, he falls only one story. See more »
It's crazy how you can get yourself in a mess sometimes and not even be able to think about it with any sense-and yet not be able to think about anything else. You get so you're no good for anything or anybody. Maybe it begins by taking life too serious. Anyway, I think that's the way it began for me. Just before my fight with Rodriguez three days ago...
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A Kubrick film at only 67 minutes - can you believe it?
It's just over an hour long and even so we have the trademark Kubrick opening, where he takes his own sweet time in letting us know what the film is about but somehow draws us in all the same. Look: it's an hour long, and it's a slight, hour-long kind of story. Don't expect anything more. I think there's also rather clearly a moment when Kubrick realised that he didn't know how he was going to end it all - to be honest, I have a sneaking suspicion that a similar thing happened on "2001", "Eyes Wide Shut" and even "Dr. Strangelove". In each of these cases it was the prompt for a daring and unconventional conclusion. I wish I could say that was the case here.
This doesn't prevent it from being involving while it lasts. Kubrick once again demonstrates the he could point a camera at anything at all and make it interesting - the images are amazing, yet entirely functional. If you have ever loved any black-and-white camera work you'll love this. It's also a masterpiece of violence-without-violence, if you know what I mean. It deserves to be more well-known than it is.
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