In Weimar-era Berlin, an aspiring writer strikes up a friendship with a vivacious, penniless singer.

Director:

Henry Cornelius

Writers:

John Van Druten (from the play "I am a Camera"), Christopher Isherwood (based on the stories of) | 1 more credit »
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Nominated for 1 BAFTA Film Award. See more awards »

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Cast

Cast overview, first billed only:
Julie Harris ... Sally Bowles
Laurence Harvey ... Christopher Isherwood
Shelley Winters ... Natalia Landauer
Ron Randell ... Clive
Lea Seidl Lea Seidl ... Fräulein Schneider
Anton Diffring ... Fritz Wendel
Ina De La Haye ... Herr Landauer
Jean Gargoet Jean Gargoet ... Pierre
Stanley Maxted Stanley Maxted ... Curtis B. Ryland, Editor
Alexis Bobrinskoy Alexis Bobrinskoy ... Proprietor (Troika)
André Mikhelson André Mikhelson ... Head Waiter (Troika)
Frederick Valk Frederick Valk ... Doctor
Tutte Lemkow ... Electro-Therapist
Patrick McGoohan ... Swedish Water Therapist
Julia Arnall ... Model
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Storyline

In Weimar-era Berlin, an aspiring writer strikes up a friendship with a vivacious, penniless singer.

Plot Summary | Add Synopsis

Taglines:

AT LAST ON THE SCREEN! JOHN VAN DRUTEN'S DRAMA CRITICS CIRCLE AWARD- WINNING PLAY (original print ad - all caps) See more »

Genres:

Drama

Certificate:

See all certifications »
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Did You Know?

Trivia

Marian Winters won the 1952 Tony Award (New York City) for Supporting or Features Actress in a Drama for "I Am A Camera" in the role of Natalia Landauer. See more »

Goofs

In some prints of the film, Shelley Winters' name is misspelled as "Shelly" in the opening credits. See more »

Quotes

Christopher Isherwood: [to Sally] Any mess you get into, you try and get out of by using your extremely inadequate sex appeal.
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Crazy Credits

In opening credits, Shelley Winters is misspelled "Shelly". See more »

Connections

Version of Cabaret (1972) See more »

Soundtracks

Ich hab' noch einen Koffer in Berlin
Music by Ralph Maria Siegel
Lyrics by Aldo von Pinelli
Sung by Marlene Dietrich and Liselotte Malkowsky
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User Reviews

 
Surprisingly good
7 July 2007 | by MOscarbradleySee all my reviews

Hindsight is a wonderful thing. Much reviled when it first appeared, (inspiring the famous review 'Me No Leica'), this precursor of "Cabaret" can now be looked at in comparison and it's not half bad. It's certainly no classic but it has its own wayward charm, (the film version of "Cabaret" follows this plot whereas the stage version changed the plot somewhat). One should, of course, resist the temptation to snicker when Laurence Harvey's Christopher Isherwood, (it keeps the original author's real name; God Knows what Isherwood thought of it), describes himself as 'a confirmed bachelor' and while Harvey is an utterly inadequate 'hero', (he's virtually asexual), and Shelly Winters woefully miscast as Fraulien Landauer, (the part Marisa Berenson played in "Cabaret"), Julie Harris is a perfectly marvellous Sally, (it's a lovely piece of comic acting), and Anton Diffring is first-rate as Fritz, the German-Jew in love with Shelly's character. Of course, if "Cabaret" had never come along you might ask yourself would this ever have seen the light of day again. That it has been revived may not quite be cause for celebration but it's perfectly acceptable all the same.


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Details

Country:

UK

Language:

English

Release Date:

21 July 1955 (UK) See more »

Also Known As:

Une fille comme ça See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound Recording)

Aspect Ratio:

1.37 : 1
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