The growing ambition of Julius Caesar is a source of major concern to his close friend Brutus. Cassius persuades him to participate in his plot to assassinate Caesar, but they have both sorely underestimated Mark Antony.
In 1787, British ship Bounty leaves Portsmouth to bring a cargo of bread-fruit from Tahiti but the savage on-board conditions imposed by Captain Bligh trigger a mutiny led by officer Fletcher Christian.
All the hot gamblers are in town, and they're all depending on Nathan Detroit to set up this week's incarnation of "The Oldest Established Permanent Floating Crap Game in New York"; the only problem is, he needs $1000 to get the place. Throw in Sarah Brown, who's short on sinners at the mission she runs; Sky Masterson, who accepts Nathan's $1000 bet that he can't get Sarah Brown to go with him to Havana; Miss Adelaide, who wants Nathan to marry her; Police Lieutenant Brannigan, who always seems to appear at the wrong time; and the music/lyrics of Frank Loesser, and you've got quite a musical. Includes the songs: Fugue for Tinhorns, "Luck Be a Lady", "Sit Down, You're Rocking the Boat".Written by
Syam Gadde <firstname.lastname@example.org>
While Sky and Nathan are talking in the restaurant and Nathan is trying to get Sky to eat some cheese cake, a man walking in the street outside disappears and a woman walks past in his place. See more »
You know, I imagine there's only one thing that's been in as many different hotel rooms as I have: the Gideon Bible. Don't tangle with me on the Good Book. I must've read it through at least a dozen times.
Sergeant Sarah Brown:
If all that was no help to you...
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Has Some Very Good Sequences; A Bit Uneven Overall
Something of a mixed bag, the screen version of "Guys and Dolls" is worth seeing for the cast and for a number of very good sequences. Its main drawbacks are that it is rather uneven, and that there are too many times when the pace slows down, making it somewhat overlong.
The cast is good, although the performers do not always get the chance to use their abilities as fully as they could have. Frank Sinatra is always good in any singing role, but his character here does not give him much to work with aside from the songs. Marlon Brando and Jean Simmons were interesting choices. There are times when they work well, and other times when the material really doesn't suit them all that well.
The story is entertaining, yet slight, and is certainly not meant to be taken as anything more than a pretext for the musical numbers. The songs are good in general, with "Luck Be a Lady Tonight" as the highlight. Yet not all of them quite reach that standard, for one reason or another.
Overall, the movie is not bad, just not as much as you might hope for given who and what went into it. It's possible that this is simply a show that works better on stage, or it's possible that the movie could have been even better with a few improvements here and there.
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