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Guys and Dolls (1955)

Not Rated | | Comedy, Crime, Musical | 23 December 1955 (USA)
In New York, a gambler is challenged to take a cold female missionary to Havana, but they fall for each other, and the bet has a hidden motive to finance a crap game.

Writers:

Jo Swerling (based upon the play: "Guys and Dolls" book by), Abe Burrows (based upon the play: "Guys and Dolls" book by) | 2 more credits »
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Nominated for 4 Oscars. Another 2 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Marlon Brando ... Sky Masterson
Jean Simmons ... Sarah Brown
Frank Sinatra ... Nathan Detroit
Vivian Blaine ... Miss Adelaide
Robert Keith ... Lt. Brannigan
Stubby Kaye ... Nicely-Nicely Johnson
B.S. Pully B.S. Pully ... Big Jule
Johnny Silver ... Benny Southstreet
Sheldon Leonard ... Harry the Horse
Danny Dayton ... Rusty Charlie (as Dan Dayton)
George E. Stone ... Society Max
Regis Toomey ... Arvide Abernathy
Kathryn Givney ... General Cartwright
Veda Ann Borg ... Laverne
Mary Alan Hokanson Mary Alan Hokanson ... Agatha
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Storyline

All the hot gamblers are in town, and they're all depending on Nathan Detroit to set up this week's incarnation of "The Oldest Established Permanent Floating Crap Game in New York"; the only problem is, he needs $1000 to get the place. Throw in Sarah Brown, who's short on sinners at the mission she runs; Sky Masterson, who accepts Nathan's $1000 bet that he can't get Sarah Brown to go with him to Havana; Miss Adelaide, who wants Nathan to marry her; Police Lieutenant Brannigan, who always seems to appear at the wrong time; and the music/lyrics of Frank Loesser, and you've got quite a musical. Includes the songs: Fugue for Tinhorns, "Luck Be a Lady", "Sit Down, You're Rocking the Boat". Written by Syam Gadde <gadde@cs.duke.edu>

Plot Summary | Add Synopsis

Taglines:

SAMUEL GOLDWYN presents America's Own Musical!


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

23 December 1955 (USA) See more »

Also Known As:

Ellos y ellas See more »

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Box Office

Budget:

$5,500,000 (estimated)

Gross USA:

$13,000,000, 31 December 1956
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (with overture and exit music)

Sound Mix:

4-Track Stereo (Western Electric Sound System) (magnetic prints)| Mono (optical prints)

Color:

Color (Eastmancolor) (uncredited)

Aspect Ratio:

2.55 : 1
See full technical specs »
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Did You Know?

Trivia

Director Joseph L. Mankiewicz and Irene Sharaff worked together to use costume as character cue, as in Sarah's nervous habit of opening the second button of her tightly cinched jackets, signalling her desire to be free of her prim existence. See more »

Goofs

While Sky and Nathan are talking in the restaurant and Nathan is trying to get Sky to eat some cheese cake, a man walking in the street outside disappears and a woman walks past in his place. See more »

Quotes

Big Jule: Well, I used to be bad when I was a kid, but ever since then I've gone straight, as has been proved by my record: Thirty-three arrests and no convictions!
See more »


Soundtracks

Exit Music
(1955) (uncredited)
Music and Lyrics by Frank Loesser
After the last end credit, the screen goes blank for about 2 minutes while the orchestra plays "Guys and Dolls" (sung by a chorus),
"A Woman in Love" and "Adelaide"
See more »

Frequently Asked Questions

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User Reviews

The Best Parts Still Shine
4 September 1999 | by Eric-62-2See all my reviews

It almost seems like they went out of their way to muck up this film as best they could. First they dropped several great songs from the original score ("Bushel And A Peck", "I've Never Been In Love Before", "More I Cannot Wish You", "Marry The Man Today") and replaced them with songs that are distinctly inferior. Then they badly miscast Marlon Brando in the lead (his one great moment in the film is when he delivers the line, "Dad, I've got cider in my ear!") and tampered with the ending, in effect eliminating the final punchline of the show.

But what makes "Guys And Dolls" ultimately different from other Broadways shows mucked up by the movies is that the parts that are great elevate the film so much that you can be charitable for the mistakes made. Jean Simmons' lack of vocal training hurts "I'll Know" but she redeems herself wonderfully on "If I Were A Bell" and gives a great performance overall as Sister Sarah Brown. And thank goodness Stubby Kaye's memorable "Sit Down You're Rocking The Boat" was transferred intact. Great sets and other supporting characters also help too.


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