Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
In the Salinas Valley, in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother Aron for the love of their father Adam. Cal is frustrated at every turn, from his reaction to the war, to how to get ahead in business and in life, to how to relate to estranged mother.Written by
Ed Stephan <firstname.lastname@example.org>
Leonard Rosenman was hired to do the score on James Dean's recommendation. The two men were friends back in New York, and Dean told Elia Kazan to listen to a score Rosenman had done for a stage production, "The Women of Trachis". Kazan was impressed, but Rosenman, a serious composer of orchestral music, was nervous about scoring a film. His friend Leonard Bernstein, who made his film composing debut on Kazan's On the Waterfront (1954), encouraged him. See more »
Towards the end of the movie, the window that Aron breaks is different between shots. See more »
[telling Cal she loves him]
I was even thinking I was bad. I love you even though I'm afraid of you. Maybe someday I won't be.
See more »
Cards during opening credits: In northern California, the Santa Lucia Mountains, dark and brooding, stand like a wall between the peaceful agricultural town of Salinas and the rough and tumble fishing port of Monterey, fifteen miles away. AND "1917 Monterey, just outside the city limits" See more »
The dispute with shoemaker Gustav Albrecht about the war had been cut from the 1955 dubbed release for Germany and Austria. You could only see Albrecht leaving the fair claiming "Can't I say my opinion?", Cal climbing down the Ferris wheel and following Aaron and Albrecht, some fight in front of Albrecht's house and the sheriff appearing. The reason for all this remained totally unclear; the recruiter's speech is cut except for one background line "Join the army!" when Cal and Abra pass by, and you actually don't even get that Albrecht might be of German descent. In most of today's copies the missing scenes are included, distinguishable by the German subtitles. See more »
I recently purchased this film, having never seen it before, and feeling somewhat peeved at the fact that it is never shown on TCM. Immediately, I recognized it as one of the best films ever made. The adaptation from the very dense and wonderful Steinbeck novel obviously required much of the relationship between Adam and Charles to be deleted, however I felt the film did not suffer from this at all.
James Dean is a completely different animal than the other actors of his time, and from start to finish in this film, he is spellbinding. The emotional intensity and reality he brings to the film is so convincing it is almost painful to watch at times, especially when he goes to see his mother for the first time and he desperately tries to speak to her as he is being wrenched away. The tone of his voice, his subtle gestures, his utter desperation for love is amazing and completely his own. I once read that Dean did not consider East of Eden to be his best film, but I disagree with him there. I have never seen a film (or an actor) that even came close to matching this one, particularly when viewed from its position in time and the nature of cinema in the 1950s. James Dean put himself 'out there' emotionally in such a raw way that the power of that brave acting yet holds the ability to touch the audience with every viewing. I think the film makes a hugely important statement about the human condition that is still valid a half a century later.
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