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East of Eden (1955)

PG | | Drama | 10 April 1955 (USA)
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2:52 | Trailer

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A wilful young man contends against his brother for the attention of their religious father while reconnecting with his estranged mother and falling for his brother's girlfriend.

Director:

Elia Kazan

Writers:

John Steinbeck (novel), Paul Osborn (screen play)
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Won 1 Oscar. Another 12 wins & 10 nominations. See more awards »

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Cast

Complete credited cast:
Julie Harris ... Abra
James Dean ... Cal Trask
Raymond Massey ... Adam Trask
Burl Ives ... Sam - the Sheriff
Richard Davalos ... Aron Trask
Jo Van Fleet ... Kate
Albert Dekker ... Will Hamilton
Lois Smith ... Anne
Harold Gordon Harold Gordon ... Gustav Albrecht
Nick Dennis ... Rantani
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Storyline

In the Salinas Valley, in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother Aron for the love of their father Adam. Cal is frustrated at every turn, from his reaction to the war, to how to get ahead in business and in life, to how to relate to estranged mother. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Plot Synopsis

Taglines:

Of what a girl did . . . what a boy did ... of ecstasy and revenge! See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG for thematic elements and some violent content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

10 April 1955 (USA) See more »

Also Known As:

John Steinbeck's East of Eden See more »

Filming Locations:

Salinas, California, USA See more »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Perspecta Sound encoding) (35 mm optical prints)| 4-Track Stereo (35 mm magnetic prints) (RCA Sound Recording)

Color:

Color (WarnerColor)

Aspect Ratio:

2.55 : 1
See full technical specs »
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Did You Know?

Trivia

Richard Davalos said the most difficult scene for him was when James Dean as Cal hits him after an argument. Dean didn't really hit him, of course, but the emotions felt so real Davalos believed Dean really did hate him. He left the set when the scene was complete, and cried "for about four hours" until Julie Harris calmed him down. See more »

Goofs

Sam the sheriff drives Cal home at the beginning of the film in a right-hand drive car. See more »

Quotes

Abra: But you must give him some sign, Mr. Trask, some sign that you love him... or he'll never be a man. All his life he'll feel guilty and alone unless you release him.
See more »

Crazy Credits

Cards during opening credits: In northern California, the Santa Lucia Mountains, dark and brooding, stand like a wall between the peaceful agricultural town of Salinas and the rough and tumble fishing port of Monterey, fifteen miles away. AND "1917 Monterey, just outside the city limits" See more »

Alternate Versions

The dispute with shoemaker Gustav Albrecht about the war had been cut from the 1955 dubbed release for Germany and Austria. You could only see Albrecht leaving the fair claiming "Can't I say my opinion?", Cal climbing down the Ferris wheel and following Aaron and Albrecht, some fight in front of Albrecht's house and the sheriff appearing. The reason for all this remained totally unclear; the recruiter's speech is cut except for one background line "Join the army!" when Cal and Abra pass by, and you actually don't even get that Albrecht might be of German descent. In most of today's copies the missing scenes are included, distinguishable by the German subtitles. See more »

Connections

Featured in The 71st Annual Academy Awards (1999) See more »

Soundtracks

It's a Long, Long Way to Tipperary
(1912) (uncredited)
Music by Jack Judge
Played by the marching band when the kids release the balloons
See more »

Frequently Asked Questions

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User Reviews

 
Powerhouse Film, Powerhouse Performances
2 June 2004 | by twm-2See all my reviews

Ever felt lost?--have trouble finding your place in the world?--feel jealous of, or ignored by, a family member? If you answered yes to any of these questions, beware--the resonance you may feel toward the characters of this film may be so intense, the emotional pull of its story so overwhelming, that at its end you will find yourself exhausted, spent, trembling in its cathartic wake. I find it so every time I see it. As an examination of the terrible undercurrents in family relationships, of adolescent angst and loneliness, of the universal need for love and the awful consequences of its being withheld, it is nearly peerless. Movies that toyed with similar themes, like "The Graduate" or "Rebel Without a Cause," though great films, do not come close to packing the emotional wallop this film delivers.

To a large part, the intensity of the affective response generated by watching "East of Eden" must be attributed to the strength of the performances. No false notes here. Raymond Massey, a truly superb actor who has largely, and undeservedly, been forgotten, gives one of his best performance as the father with a secret, a man with the best intentions in the world, who has nonetheless unwittingly crippled his son Cal with his sometimes harsh criticisms and his favoritism of his brother Aron. Julie Harris is simply wonderful as Abra, a young woman who gradually becomes disenchanted with the "perfect" brother, Aron, finding herself becoming more and more interested in the vaguely frightening, yet vulnerable Cal. Her "speech" near the end of the film to Cal's father is heartrending. Everyone else is fine, from the always dependable Burl Ives to Albert Decker, and Jo van Fleet deserves special mention as the supposedly dead mother. The vehicle which propels the film, however, is James Dean who not only gives the best performance in his all too short career, but one of the best in cinematic history. It is truly amazing to watch him work here. The viewer becomes like putty in his hands, bending and rending our emotions at will. It's a performance not to be missed.

The movie has received criticism because it does not follow the book, and leaves out at least the first two thirds of the novel. "East of Eden" is one of my favorite books, yet I have no trouble accepting this film on its own merits--which are considerable. A movie CANNOT be a book, though there have been several directors who seem blithely unaware of this giving us plodding movies straight-jacketed by their literary source. One cannot judge this movie solely by comparing it to the book, and with each deviation from the source, give it a demerit. I believe this movie is every bit as great as the book--but it is NOT the book. And John Steinbeck himself loved this movie, reportedly saying that the movie was a greater achievement than his book had been. That's a recommendation good enough for me, and should be enough for the lovers of the book. You CAN love both. I do.


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