Johnson, an agent for the Liquor Control Department, comes across the remote Cuckoo Bird Inn after escaping from a band of cut-throat moonshiners and a mysterious killer. He realizes there ... See full summary »
A young sailor falls in love with a mysterious woman, performing as a mermaid at the local carnival. He soon comes to suspect the girl might be a real mermaid, who draws men to a watery death during the full moon.
An alien agent from the distant planet Davana is sent to Earth via a high-tech matter transporter. There, he terrorizes Southern California in an attempt to acquire blood for his dying race, the result of a devastating nuclear war.
The surrealist film shows repetitive imagery involving a string fashioned in a bizarre, almost spiderweb-like pattern over the hands of several individuals, most notably an unnamed young woman and an elderly gentleman.
As the narrator invites us to explore the horrors of an insane mind, a young woman wakes from a nightmare in a cheap hotel room. We follow her through the skid-row night and encounters with an abusive husband; a wino; a pimp and the rich man he panders for; a flashback to her traumatic childhood; violence; pursuit through dark streets; dementia. Filmed in film-noir style throughout; only the narrator speaks. Written by
Rod Crawford <email@example.com>
The flower girl was played by Jebbie VeSota. She was married to Bruno VeSota who played the "rich man" and was also the associate producer of this film. See more »
Run, daughter of horror, run from your crime. But behind you, the policeman with the face of your father, the face of your first victim. Pursuing you relentlessly in your haunted brain. Hunting you mercilessly through the twisted corridors of your tortured mind. The horror that will track you down. The horror that can destroy you. Run, run, run!... Guilty, guilty, guilty!
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This is one of those (exceptionally) rare very low budget films where you can see clearly that, if the director had had more time and more money, we would be discussing a classic "film".
Better known to buffs of the odd, the obscure, and the strange as "Daughter of Horror", in the tale as told we are witness to the unraveling of a mind. Like "Eraserhead", the best of this sub-genre, it is difficult to tell where the madness starts and where reality ends- or, indeed, if any of what we see on screen is real at all. It is hard to get any sense of what is occurring from the Gamine's point of view. Are the events happening to her? Is she dreaming? Hallucinating? The viewer (or, at least this viewer) is always a little off balance while watching this movie, and I think that that is what the director was aiming at.
I would go so far as to say that, within the budgetary constraints imposed, this movie is a masterpiece. As stated in the synopsis, this is a dark movie with no sympathetic characters, no attractive locales, no hope. Were it just a Film Noire murder story, it would still be a very good movie. As a descent into madness, it excels.
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