On a trip to France, millionaire Jervis Pendleton sees an 18 year old girl in an orphanage. Enchanted with her, but mindful of the difference in their ages, he sponsors her to college in ...
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A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »
Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X". After Alyce goes to London to meet a beau... See full summary »
Wealthy Jervis Pendleton acts as benefactor for orphan Judy Abbott, anonymously sponsoring her in her boarding school. But as she grows up, he finds himself falling in love with her, and ... See full summary »
On a trip to France, millionaire Jervis Pendleton sees an 18 year old girl in an orphanage. Enchanted with her, but mindful of the difference in their ages, he sponsors her to college in New England. She writes him letters, which he doesn't read. After 3 years, he goes to visit her at a dance, not telling her that he is her benefactor. They fall in love, but the usual movie-type difficulties get in the way before they can get together at the end.Written by
John Oswalt <email@example.com>
Despite being listed on IMDb as an uncredited extra in this film, well known actor James Cromwell explained on the 11 July 2013 episode of the Opie and Anthony Show radio program that it was a different actor with his same name that appeared in this film. See more »
In the top-hat dance number with Jervis and Julie, she is wearing a light blue ribbon around her waste; in the poster that includes a still from that scene, the waist ribbon is red. See more »
Masterfully choreographed, lush visual style, and charming script
This is one of the best films I've seen in quite some time. The dance sequences were used beautifully to further the story and flesh out characters. Astaire and Caron have great chemistry, overcoming the age difference of the characters. And Caron is with Astaire on every step of the dance sequences.
Unlike some dance-heavy, Astaire-vehicles (like An American in Paris in some places), this film's dance sequences do not drag down the plot or flow of the film. To the contrary, they are delightful-- and I'm generally not one for these kinds of films.
I have to say that I wasn't engaged throughout the entire film. But I really think this is more a matter of generation gap than quality of cinema. It's relatively long for a fairly simple story, and thus takes some patience to watch all the way through. However, I believe it's worth it for more thoughtful viewers and lovers of '50s films and dance.
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