
Big Combo, The - 1955 (1955)
The Big Combo (original title)Reference View | Change View
- Not Rated
- 1h 27min
- Crime, Drama
- 13 Feb 1955 (USA)
- Movie
A police lt. is ordered to stop investigating deadly crime boss Mr. Brown, because he hasn't been able to get any hard evidence against him. He then goes after Brown's girlfriend who despises him, for information instead.
Director:
Writer:
Stars:
Photos and Videos
Cast verified as complete
Cornel Wilde | ... |
Police Lt. Leonard Diamond
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Richard Conte | ... |
Mr. Brown
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Brian Donlevy | ... |
Joe McClure
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Jean Wallace | ... |
Susan Lowell
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Robert Middleton | ... |
Police Capt. Peterson
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Lee Van Cleef | ... |
Fante
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Earl Holliman | ... |
Mingo
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Helen Walker | ... |
Alicia Brown
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Jay Adler | ... |
Detective Sam Hill
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John Hoyt | ... |
Nils Dreyer
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Ted de Corsia | ... |
Ralph Bettini
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Helene Stanton | ... |
Rita
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Roy Gordon | ... |
Audubon
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Whit Bissell | ... |
Doctor (scenesDeleted)
(as Whit Bissel)
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Steve Mitchell | ... |
Bennie Smith
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Baynes Barron | ... |
Young Detective
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James McCallion | ... |
Frank
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Tony Michaels | ... |
Photo Technician
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Brian O'Hara | ... |
Malloy
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Rita Gould | ... |
Nurse
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Bruce Sharpe | ... |
Detective
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Michael Mark | ... |
Fred
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Philip Van Zandt | ... |
Mr. Jones (scenesDeleted)
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Donna Drew | ... |
Miss Hartleby
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Rest of cast listed alphabetically: | |||
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Eve Bernhardt | ... |
Cabaret Showgirl (uncredited)
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Steve Carruthers | ... |
Nightclub Patron (uncredited)
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Jack Chefe | ... |
Waiter (uncredited)
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James Conaty | ... |
Nightclub Patron (uncredited)
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Russell Custer | ... |
Police Officer (uncredited)
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Tom Ferrandini | ... |
Nightclub Patron (uncredited)
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Joe Garcio | ... |
Police Officer (uncredited)
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Jakob Gimpel | ... |
Pianist (uncredited)
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Herbert Lytton | ... |
Waiter (uncredited)
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Ray Spiker | ... |
Hood (uncredited)
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Directed by
Joseph H. Lewis | ... | (as Joseph Lewis) |
Written by
Philip Yordan | ... | (by) |
Produced by
Sidney Harmon | ... | producer |
Walter Mirisch | ... | executive producer (uncredited) |
Cornel Wilde | ... | associate producer (uncredited) |
Music by
David Raksin |
Cinematography by
John Alton | ... | director of photography |
Film Editing by
Robert S. Eisen | ... | (as Robert Eisen) |
Production Design by
Rudi Feld |
Set Decoration by
Jack McConaghy |
Makeup Department
Larry Butterworth | ... | makeup artist |
Carla Hadley | ... | hair stylist |
Production Management
George Moskov | ... | production manager |
Second Unit Director or Assistant Director
Robert H. Justman | ... | assistant director (as Robert Justman) |
Mack V. Wright | ... | assistant director (as Mack Wright) |
Sound Department
Earl Snyder | ... | sound |
Special Effects by
Louis DeWitt | ... | special photographic effects |
Jack Rabin | ... | special photographic effects |
Camera and Electrical Department
Harry Sundby | ... | lighting |
Costume and Wardrobe Department
Don Loper | ... | wardrobe designer: Jean Wallace |
Music Department
Jakob Gimpel | ... | musician: piano solo (as Jacob Gimpel) |
Robert Tracy | ... | music editor |
Shelly Manne | ... | musician: drum solo during torture sequence (uncredited) |
Shorty Rogers and His Giants | ... | musicians: source music during torture sequence (uncredited) |
Script and Continuity Department
Mary Chaffee | ... | set continuity |
Additional Crew
Joe Garcio | ... | stand-in (uncredited) |
Paul Stathes | ... | stand-in: Cornel Wilde (uncredited) |
Production Companies
- Security Pictures (a Security-Theodora production)
- Theodora Productions (a Security-Theodora production)
Distributors
- Allied Artists Pictures (1955) (United States) (theatrical)
- Associated British-Pathé (1955) (United Kingdom) (theatrical)
- Delta Films (1955) (Spain) (theatrical)
- Internazionale Nembo Distribuzione Importazione Esportazione Film (INDIEF) (1955) (Italy) (theatrical)
- Allied Artists (1956) (Argentina) (theatrical)
- Kontinental-Film (1956) (Norway) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1956) (Belgium) (theatrical)
- NWDF (1956) (West Germany) (theatrical)
- Union-Film (1956) (Austria) (theatrical)
- Nederland NV (1956) (Netherlands) (theatrical)
- National Telefilm Associates (NTA) (1976) (United States) (tv) (syndication)
- Image Entertainment (2000) (United States) (DVD)
- Image Entertainment (2000) (United States) (VHS)
- Alpha Video Distributors (2004) (United States) (DVD)
- Reel Media International (2007) (World-wide)
- Chandler Film (2013) (Germany) (DVD)
- Olive Films (2013) (Canada) (DVD) (DVD and Blu-ray)
- Olive Films (2013) (United States) (DVD) (DVD and Blu-ray)
- Olive Films (2017) (United States) (video) (VOD)
- Netflix (2017) (United States) (video) (VOD)
- Netflix (2017) (United Kingdom) (video) (VOD)
- Netflix (2017) (Singapore) (video) (VOD)
- Netflix (2017) (United States) (tv)
- Netflix (2018) (Canada) (tv)
- Netflix (2018) (Canada) (video) (VOD)
- Amazon Prime Video (2018) (United States) (tv)
- Amazon Prime Video (2018) (United States) (video) (VOD)
- Amazon Prime Video (2018) (United Kingdom) (video) (VOD)
- Amazon Prime Video (2018) (Canada) (video) (VOD)
- Delta Films (Spain) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1956) (France) (theatrical)
- Arrow Films (2018) (United Kingdom) (Blu-ray)
- Intercontinental Broadcasting Corporation (IBC) 13 (2018) (World-wide) (tv) (syndication)
Special Effects
Other Companies
- RCA (sound recording system)
Storyline
Plot Summary |
Police Lt. Diamond is told to close his surveillance of suspected mob boss Mr. Brown because it's costing the department too much money with no results. Diamond makes one last attempt to uncover evidence against Brown by going to Brown's girlfriend, Susan Lowell.
Written by Norman L Cook |
Plot Keywords | |
Taglines | The Most Startling Story The Screen Has Ever Dared Reveal! See more » |
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Parents Guide | View content advisory » |
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Did You Know?
Trivia | In what is arguably this film's most memorable scene, the weapon with which Richard Conte's character so effectively bludgeons Cornel Wilde's protagonist (albeit unbearably--and unforgettably--hearing-aid-enhanced) is the uncredited, off-screen contribution of the then hugely popular L.A.-based jazz ensemble Shorty Rogers and His Giants, and in particular the excellent--but in this case literally deafening--drum solo of Shelly Manne. See more » |
Goofs | When John Hoyt as Dreyer reaches into his desk for a gun, the contents of the desk on the insert close-up do not match the contents on the master shot. See more » |
Movie Connections | Edited from He Walked By Night (1948). See more » |
Quotes |
Mr. Brown:
I'm gonna give you a break. I'm gonna fix it, so you don't hear the bullets. [Removes a character's hearing aid] See more » |