Police Lt. Diamond is told to close his surveillance of suspected mob boss Mr. Brown because it's costing the department too much money with no results. Diamond makes one last attempt to uncover evidence against Brown by going to Brown's girlfriend, Susan Lowell.
Norman L Cook <email@example.com>
The Most Startling Story The Screen Has Ever Dared Reveal!
Did You Know?
In what is arguably this film's most memorable scene, the weapon with which Richard Conte
's character so effectively bludgeons Cornel Wilde
's protagonist (albeit unbearably--and unforgettably--hearing-aid-enhanced) is the uncredited, off-screen contribution of the then hugely popular L.A.-based jazz ensemble Shorty Rogers and His Giants
, and in particular the excellent--but in this case literally deafening--drum solo of Shelly Manne
. See more
In the final scene at the airport, the position of the spotlight attached to the car that Susan keeps aiming at Brown changes from the top of the windshield to the bottom and back again. See more
Diamond, the only trouble with you is, you'd like to be me. You'd like to have my organization, my influence, my fix. You can't, it's impossible. You think it's money. It's not. It's personality. You haven't got it. You're a cop. Slow. Steady. Intelligent. With a bad temper and a gun under your arm. With a big yen for a girl you can't have. First is first and second is nobody.