7.4/10
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71 user 61 critic

The Big Combo (1955)

Not Rated | | Crime, Drama, Film-Noir | 13 February 1955 (USA)
A police lt. is ordered to stop investigating deadly crime boss Mr. Brown, because he hasn't been able to get any hard evidence against him. He then goes after Brown's girlfriend who despises him, for information instead.

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(as Joseph Lewis)

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(by)
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Cast

Cast overview, first billed only:
... Police Lt. Leonard Diamond
... Mr. Brown
... Joe McClure
... Susan Lowell
... Police Capt. Peterson
... Fante
... Mingo
... Alicia Brown
... Detective Sam Hill
... Nils Dreyer
... Ralph Bettini
... Rita
Roy Gordon ... Audubon
... Doctor (scenes deleted) (as Whit Bissel)
Steve Mitchell ... Bennie Smith - Boxer
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Storyline

Police Lt. Diamond is told to close his surveillance of suspected mob boss Mr. Brown because it's costing the department too much money with no results. Diamond makes one last attempt to uncover evidence against Brown by going to Brown's girlfriend, Susan Lowell. Written by Norman L Cook <cook@ssdgwy.mdc.com>

Plot Summary | Plot Synopsis

Taglines:

The Most Startling Story The Screen Has Ever Dared Reveal!


Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

|

Release Date:

13 February 1955 (USA)  »

Also Known As:

The Hoodlum  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In what is arguably this film's most memorable scene, the weapon with which Richard Conte's character so effectively bludgeons Cornel Wilde's protagonist (albeit unbearably--and unforgettably--hearing-aid-enhanced) is the uncredited, off-screen contribution of the then hugely popular L.A.-based jazz ensemble Shorty Rogers and His Giants, and in particular the excellent--but in this case literally deafening--drum solo of Shelly Manne. See more »

Goofs

In the scene where Susan is having a drink in her apartment, there are shadows of plant leaves on a door in the background. However when Mr Brown comes in via another door, these shadows have vanished in the ensuing shots. See more »

Quotes

Mr. Brown: Now, Benny, who runs the world? Do you have any idea?
Bennie Smith: Not me, Mr. Brown.
Mr. Brown: That's right, not you, but a funny thing, they're not so much different from you, but they've got something. They've got it, and they use it. I've got it;
[pointing to McClure]
Mr. Brown: he hasn't. What is it, Benny? What makes the difference...? Hate! Hate is the word, Benny! Hate the man that tries to beat you. Kill 'em, Benny! Kill 'em! Hate him till you see red, and you'll come out winning the big money, and the girls will come ...
See more »

Connections

Referenced in I Love Lucy: The Star Upstairs (1955) See more »

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User Reviews

 
Sleazy gangster-noir tale of obsession and revenge..
4 June 2001 | by See all my reviews

Now that DVD is fast becoming the medium of choice for many film enthusiasts, some lesser known, lower budget titles are finding their way to wider audiences.

Joseph Lewis's "The Big Combo" has made this trip to digital, and thankfully none of the film's captivating sleaze has been stripped away in the transfer.

What appears to be a fairly stock story of straight-arrow police detective Leonard Diamond (Cornel Wilde) obsessed with capturing a foreboding gangland chieftain, Mr. Brown, "Combo" is an unusually hardboiled, over the top tale of revenge and murder that will please and perhaps even surprise noir and crime-drama fans.

Over the course of the protracted investigation, Diamond, who has nearly lost his badge because of his stubborn determination, has fallen for the boss's dame -- a society girl gone so wrong she figures suicide is the only way out. But Mr. Brown (Richard Conte, excellent as the 'last-name only' control freak) is as omnipotent and omniscient as a head pit boss in Vegas, taunting and manipulating every one around him with an unsettling equanimity.

He tells Diamond, who is virtually powerless to do anything but temporarily hold the murderous Brown and his men on trivial charges, that "the busboys in his hotel" make more money than he does. Even Brown's right hand man, the hearing impaired McClure (Brian Donlevy)is mercilessly ridiculed for his second tier status.

And Brown is obsessed with his prowess with women as Diamond is with capturing him and wooing his moll. The film is filled with risque sexual allusions as wild as anything from director Sam Fuller.

In one scene, Brown manuevers around his girl, stopping briefly at her lips, but then dropping out of frame, seemingly down past her waist. And Diamond cavorts with a "burlesque" dancer (with a heart of gold, natch) who appears in a skimpy outfit that is titillating even by today's television standards.

But the most ribald bits to make it past the censors involve Brown's bickering henchmen, Fante and Mingo. Fante, played by the aquiline Lee Van Cleef, appears to be a typical hood, but midway through the film the lights come up in a bedroom where the two men have been sleeping in remarkably close quarters.

Later, sequestered in a mob-hideout, the two engage in thinly-veiled homoerotic banter that will leave you howling.

As will some of the other scenes -- torture by drum solo, a Casablanca inspired finale. Throughout the picture Brown and Diamond dance around one another sans gene, to the sound of gunshots and acid-tongued banter.

"The Big Combo" is taut, gutter entertainment, delivered in precise black and white. Even if you do watch it on DVD.


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